My new paper/guide is LIVE on the WEB
(LINK IN BIO)
“Suggestive P’s and Q’s of display;”
GO CHECK IT OUT AND LEARN ABOUT MY NOT RIGHT OR WRONG OPINION ON CUARTORIAL DISPLAY
I ALSO HAVE LIMITED PRINTED OUT REALLY COOL COPIES OF THIS IF YOU WOULD LILE TO OWN ONE. I WILL BE POSTED UP AT A COFFEE SHOP SOMEWHERE SOON WITH A TIME AND LOCATION, SOON …IF YOU ARE DOWN TO COME PICK URS UP AND DISCOURSE ABOUT REALLY IMPORTANT AND CONFIDENTIAL INFORMATION ABOUT ART. PLEASE STAY CURIOUS AND EDUCATED
Cream on the inside canary on the outside!
Limited quantity canary yellow covers for “Apple’s bars/Monograms/Tree-shadow camos” for sale at the “Intervention” closing ceremony tonight (5-10PM)
@curatedbyamo
I am also excited to announce SUGGESTIVE P’s AND Q’s OF DISPLAY. It is a suggestive and subjective guide on how to display modern/contemporary art as seen in institutional/gallery settings and to our local scene. I want to promote curation with intent that I have learned and that I see in my own community. I want to empower my artists and friends (some of which are included in this booklet). If you like to learn or read and are realllyyyy into art pull through and I have a copy for you!
“ 4444word/Por Siempre “ in companion with “ Improviastions 1 “ (1206220241900) by
@1533soundlab held at @phxart
Flower Monologue in the start of “ Por Siempre “
Is by Alejandro Jodorowsky ( @alejandro.jodorowsky )
From the film titled Holy Mountain
If you are an artist, creator, or interested; I HIGHLY recommend you read this book. With that said this is “Aesthetic Education” -
-an essay that speculates on the sensual pleasures of life seeping into creative practices and theorizes how we may implement aesthetic education into traditional curriculums.
I really enjoyed this short read and think more people can benefit from it by sharing. Go to the link in bio for the scanned version on the website under WRITINGS.
Feel free to contact [email protected] to request a pdf version. (Keep it kinda lowkey tho for my own legal purposes)
Peace, Love, apple.
