We’re proud to introduce Griff Mono, the debut commercial typeface by Benjamin Rouzaud — now available at Sudtipos.
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Calligraphic bite meets monospaced precision.
Griff mono is a typeface based on a calligraphic construction and rationalised on the monospaced grid. It can express itself with contrast in two distinct styles. One is the spiky, punchy and definitely assertive Regular. The other is the bolder, louder and unapologetically more direct Heavy. Armed with stinging curves, like sharp claws, its appetite for the page brings a ferocious energy to any layout. Crisp and clear at the smallest sizes, its rhythm truly emphasises reading clarity. Scaled up, this typeface reveals its strong personality unleashing full impact. Whether you are working with compact footnotes, large headlines or singular logotypes Griff Mono holds its edge and knows how to be seen with no compromises.
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Available at /font/griff-mono
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@no_______________mo
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#typography #graphicdesign #fonts #typespire #365typefaces #goodtype #sudtipos #thetypists #typographydesign #graphicindex #typographyinspired #youaretypography #typematters #graphicindex #design #griffmono #editorialdesign #monospace
We’re proud to introduce Griff Mono, the debut commercial typeface by Benjamin Rouzaud — now available at Sudtipos.
—
Calligraphic bite meets monospaced precision.
Griff mono is a typeface based on a calligraphic construction and rationalised on the monospaced grid. It can express itself with contrast in two distinct styles. One is the spiky, punchy and definitely assertive Regular. The other is the bolder, louder and unapologetically more direct Heavy. Armed with stinging curves, like sharp claws, its appetite for the page brings a ferocious energy to any layout. Crisp and clear at the smallest sizes, its rhythm truly emphasises reading clarity. Scaled up, this typeface reveals its strong personality unleashing full impact. Whether you are working with compact footnotes, large headlines or singular logotypes Griff Mono holds its edge and knows how to be seen with no compromises.
-
Available at /font/griff-mono
-
@no_______________mo
.
.
#typography #graphicdesign #fonts #typespire #365typefaces #goodtype #sudtipos #thetypists #typographydesign #graphicindex #typographyinspired #youaretypography #typematters #graphicindex #design #griffmono #editorialdesign #monospace
Thrilled to welcome a new collaborator at @sudtipos — and a bold new release.
Griff Mono is the first commercial typeface by @no_______________mo .
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Griff mono is a typeface based on a calligraphic construction and rationalised on the monospaced grid. It can express itself with contrast in two distinct styles. One is the spiky, punchy and definitely assertive Regular. The other is the bolder, louder and unapologetically more direct Heavy. Armed with stinging curves, like sharp claws, its appetite for the page brings a ferocious energy to any layout. Crisp and clear at the smallest sizes, its rhythm truly emphasises reading clarity. Scaled up, this typeface reveals its strong personality unleashing full impact. Whether you are working with compact footnotes, large headlines or singular logotypes Griff Mono holds its edge and knows how to be seen with no compromises.
«Skeed» is a typeface that, as its name suggests, marks a turning point from an analog calligraphic practice to a digital exploration of type design.
Before Type and Media started, for the past three years, I have dedicated a large part of my time to write by any means, no matter what, no matter where, no matter the tool. Anything is a good excuse to come up with something that looks like letters.
During this final project, the main question focused on how to keep the sensitivity of the analog shapes in a digital type system ? All along the process, interresting shapes appear to question the boundaries between a script and an italic typeface. This typeface is variable italic that became calmer in its expressivity in favor to legibility for subtitle sizes (around 20-24pt).
Harmonious and sensitive in its design, it will make any type of content elegant and impactful.
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Benjamin Rouzaud is a multidisciplinary French designer and artist specializing in typography and calligraphy. After studying type and graphic design at école Duperré and école Estienne in Paris, he worked as an independent designer while developing his artistic practice. Today, he devotes himself tirelessly to the expressiveness of writing through analogue and digital media. #tm2324
«Skeed» is a typeface that, as its name suggests, marks a turning point from an analog calligraphic practice to a digital exploration of type design.
Before Type and Media started, for the past three years, I have dedicated a large part of my time to write by any means, no matter what, no matter where, no matter the tool. Anything is a good excuse to come up with something that looks like letters.
During this final project, the main question focused on how to keep the sensitivity of the analog shapes in a digital type system ? All along the process, interresting shapes appear to question the boundaries between a script and an italic typeface. This typeface is variable italic that became calmer in its expressivity in favor to legibility for subtitle sizes (around 20-24pt).
Harmonious and sensitive in its design, it will make any type of content elegant and impactful.
—
Benjamin Rouzaud is a multidisciplinary French designer and artist specializing in typography and calligraphy. After studying type and graphic design at école Duperré and école Estienne in Paris, he worked as an independent designer while developing his artistic practice. Today, he devotes himself tirelessly to the expressiveness of writing through analogue and digital media. #tm2324
«Skeed» is a typeface that, as its name suggests, marks a turning point from an analog calligraphic practice to a digital exploration of type design.
Before Type and Media started, for the past three years, I have dedicated a large part of my time to write by any means, no matter what, no matter where, no matter the tool. Anything is a good excuse to come up with something that looks like letters.
During this final project, the main question focused on how to keep the sensitivity of the analog shapes in a digital type system ? All along the process, interresting shapes appear to question the boundaries between a script and an italic typeface. This typeface is variable italic that became calmer in its expressivity in favor to legibility for subtitle sizes (around 20-24pt).
Harmonious and sensitive in its design, it will make any type of content elegant and impactful.
—
Benjamin Rouzaud is a multidisciplinary French designer and artist specializing in typography and calligraphy. After studying type and graphic design at école Duperré and école Estienne in Paris, he worked as an independent designer while developing his artistic practice. Today, he devotes himself tirelessly to the expressiveness of writing through analogue and digital media. #tm2324
Poster design with handmade calligraphy and “grif mono” typeface for the “CAVE” exhibition !
Curated by @nakritidis at the @fondations312 !
Riso printing on A3 white papers by @chezrosi , available at the the exhibition !
Topic :
Join us from the 22nd to the 25th of June at the Fondations312 for CAVE, an exhibition that gathers 12 artists around the theme of the cave. The works that will be shown explore these indoor spaces and their associations since the prehistoric caverns up until today’s urban spaces. The 500m2 exhibition will be dimly lit and its exploration will be aided by phone flashlights. Rue Royale 312 Opening night: 22 June, 6-9pm (Bar on site – cash only) Open: 23, 24, 25 June, 4-8pm *The space has stairs and is not accessible otherwise. The content of the exhibition is not suitable for people who are prone to photosensitive epilepsy.
#typosters #typeposters #calligraphy #keepwriting #typography #brussels #fondations312 #cave #exhibition @tomorrow.type.today@tomorrow.type.today@typosters
Calligraphy, type design and visual composition for the exhibition « CAVE » curated by @nakritidis at the @fondations312 in Brussels !
Topic:
Join us from the 22nd to the 25th of June at the Fondations312 for CAVE, an exhibition that gathers 12 artists around the theme of the cave. The works that will be shown explore these indoor spaces and their associations since the prehistoric caverns up until today’s urban spaces. The 500m2 exhibition will be dimly lit and its exploration will be aided by phone flashlights. Rue Royale 312 Opening night: 22 June, 6-9pm (Bar on site – cash only) Open: 23, 24, 25 June, 4-8pm *The space has stairs and is not accessible otherwise. The content of the exhibition is not suitable for people who are prone to photosensitive epilepsy FR Rejoignez-nous du 22 au 25 Juin aux Fondations312 pour CAVE, une exposition qui rassemble 12 artistes autour du thème de la cave. Les œuvres présentées explorent ces espaces intérieurs et leurs associations depuis les cavernes préhistoriques jusqu’aux espaces urbains d’aujourd’hui. Les 500m2 d’exposition seront en pénombre et leur exploration se fera avec des lampes torches de téléphone. Rue Royale 312 Vernissage : 22 juin, 18–21h (Bar sur place – cash only) Ouverture : 23, 24, 25 juin, 16-20h *L’espace a des escaliers et n’est pas accessible autrement. Le contenu de l’exposition n’est pas approprié pour les personnes épileptiques NL Kom ons vergezellen van 22 tot 25 juni bij de Fondations312 voor CAVE, een tentoonstelling waar 12 kunstenaars samenkomen rondom het thema van de grot. De werken die getoond worden, verkennen deze binnenruimtes en hun associaties, vanaf de prehistorische grotten tot aan de stedelijke ruimtes van vandaag. De 500m2 tentoonstelling zal zwak verlicht zijn en de verkenning ervan zal worden vergemakkelijkt door gebruik te maken van de zaklamp op uw telefoon. Koningsstraat 312 Opening: 22 juni, 18.00-21.00 uur (Bar ter plaatse - alleen contante betalingen) Open: 23, 24, 25 juni, 16.00-20.00 uur *De ruimte heeft trappen en is niet anders toegankelijk. De inhoud van de tentoonstelling is niet geschikt voor mensen met epilepsie.
