Lovely big car job being JUICE’d up with the incomparable maelstrom masterclass Martin Werner and uber-cinematographer Óttar Gudnason - who took this picture. I look a bit like Don King - not quite sure what I’m promoting, but what the hell, white hair comes to us all! Thank you Carmelita!
Too damn good. This is why I veered into film 45 years ago. For the magic of narrative and storytelling on the silver screen. Beautifully penned, superbly photographed, splendid articulate direction. Sublime casting indeed, and ensemble performances which hit every note. Violent, but beautifully so - insightful, raw, quirky, intensely emotional, honourable, covert and dazzling - it’s a limited series not to be missed.
