Neysa Grassi

@neysagrassi

Artist / Painter /Former Pafa Faculty
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Weeks posts
I am now offering individual critiques for people looking for dialogue, support, and direction in relation to their artwork. Open to working with any and all disciplines and art-making practices, I can offer a fresh pair of eyes and some conversation. Interested? Email me at [email protected] (link in bio) More about me: I’ve been an actively exhibiting working painter for over fifty years. I’ve worked as a critic in the Pennsylvania Academy of Fine Arts MFA, Post Bacc, BFA and CE programs for the last twenty. I’ve been a visiting critic at University of Pennsylvania, Moore College of Art and Design, Dartmouth College, and the University of Delaware. I am a recipient of a Pew Fellowship in the Arts and have been a resident artist at Ballinglen Arts Foundation (Ireland) and Fundacion Valporaiso (Spain). My work has been exhibited nationally and internationally, and is in the permanent collections of Philadelphia Museum of Art, The Pennsylvania Academy of the Fine Arts, and Virginia Museum of Fine Arts, among other private/public collections. I have been represented by Locks Gallery in Philadelphia since 1996.
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1 year ago
Untitled oil on linen 1999 54”x 50 “
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11 days ago
Three works by @neysagrassi “Fever or Heat” “Medicine Lake” “White Heat” Today and tomorrow are the last two days to see “Between Light and Darkness” featuring works by @neysagrassi and @behind_the_reds . Stuart will be sitting tomorrow from 11-5. Stop by and say hello!
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28 days ago
“Unfolding Lake” and “Angel Lake” by @neysagrassi These two works are a part of “Between Light and Darkness” a duo show featuring pieces by @neysagrassi and @behind_the_reds . There will be a conversation with both artist on April 12th at 1pm. Join us then to hear about Neysa and Stuart’s work.
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1 month ago
Two works by @neysagrassi “Path” “Swarm” These two works are a part of “Between Light and Darkness” a duo show featuring pieces by @neysagrassi and @behind_the_reds . Stop by tomorrow on first Friday to check out all the paintings and drawings. There will be a conversation with both artist on April 12th at 1pm. Join us then to hear about Neysa and Stuart’s work.
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1 month ago
Join us on April 12th at 1pm for a conversation between @neysagrassi and @behind_the_reds . They will be discussing their works, practice and the show. Mark your calendars!
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1 month ago
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1 month ago
Reminder that the opening for our new show “Between Light and Darkness” is this Sunday from 1-4pm. The show features works by @neysagrassi and @behind_the_reds . Stop by and check out the works and meet the artist. Hope to see you there!
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2 months ago
Excited to announce our next show “Between Light and Darkness” featuring works by @neysagrassi and @behind_the_reds . The shows opening reception will be Sunday, March 15th from 1-4pm. Come by and check out their works! Show Writing: Light. We fall easily and quickly under its spell, subject to the range of its sway, enveloping our emotions, feeding our senses. The paintings of Neysa Grassi and Stuart Shils are teeming with light in a variety of complexions, some are warm, bright and embracing, while others feel darker, more contemplative and melancholic. Grassi’s Fever or Heat holds a world of luminous emotion. There we see warm oranges and deep reds built up, a surface constructed with many layers of paint, suggesting an almost topographical quality, as if looking down on a forest fire or a lava flow from above. Radiant color shines with the qualities of the title, conveying a heated-up intensity. Yet around the edges a colder blue moves in to contain that fire, reminding us that both our emotions and her paintings have their edges. Center and periphery each have a voice in Grassi’s work. Shils’s How I Came to Know the Sun conjures light as a simmering chromatic chord. Here, the surface is animated not only with a wave of yellow giving way to darker greens, reds and evidence of the bare wood beneath but also, everywhere carving and digging at times delicate, but also more forceful. The narrative of color and cuts suggests the feeling of sun throwing streams of indentations stretching outward across the piece - rays finding their way through the invented world of an irregular but lyrical surface. In the work of both Grassi and Shils the surface is alive with a sense of longing, reaching toward the viewer with quiet and often not so quiet melodies of light.
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2 months ago
“Untitled “ oil on panel 2024 -2025 24”x24”
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1 year ago
“Mouth of Valley Lake “ 2025 oil on panel 10 “x10 “
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1 year ago
Unearthed painting from 1990”Rare and Seldom Seen “ oil on canvas
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2 years ago