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New Art Projects is delighted to present Dislocations, a duo exhibition by British artists Rachel Mortlock and Harry Grundy. Join us next Thursday, 23rd April from 6pm for the private view. All welcome! 📍PV: Thursday, 23rd April — 6-8pm The exhibition brings together both artists in an exploration of how materials carry, distort, and accumulate meaning through use, memory, and process. Across sculpture and installation, they transform found objects, inherited histories, and industrial and architectural references into works that reveal hidden narratives embedded within an everyday systems, labor, and environments. @rachmortlock @harry_grundy The exhibition will be open from 24 April to 6 June. Open Thursday to Saturday, 11am-6pm, and by appointment. For enquiries, please DM or email [email protected]

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1 month ago

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Bringing together new works by Rachel Mortlock and Harry Grundy, 'Dislocations' explores how materials and processes carry and reframe layered histories. On view until 7 June, open Thursday to Saturday, 11am to 6pm, and by appointment. @rachmortlock @harry_grundy

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19 hours ago

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Rachel Mortlock is an artist working with architecture, material transformation, and the memory embedded in place. She reconfigures fragments of built environments and everyday materials to reveal how spaces accumulate traces of past use, occupation, and . In 'Bölcske Towers', she draws on rural Hungarian structures to construct tower-like forms that evoke shelters and observation points, using cast concrete and architectural elements. The works subtly displace familiar forms, exposing the layered and often invisible histories contained within landscapes. Rachel Mortlock Bölcske Tower 1, 2026 Timber, Jesmonite, plaster, roof tiles, brass, steel Dimensions Variable On view at the gallery until 7th June. Open Thursday-Saturday, 11am-6pm, and by appointment. @rachmortlock @harry_grundy

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2 days ago

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Harry Grundy A Good Think, 2026 Toolboxes, plywood, pine, hardware 72 x 116 x 230 cm ‘Dislocations’ is on view at the gallery until June 7th. Open Thursday to Saturday, and by appointment. @rachmortlock @harry_grundy For enquiries, please Dm or email [email protected]

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3 days ago

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Harry Grundy’s Yield (2026), presented as part of ‘Dislocations’, is made from russet potatoes, acrylic ink, and painted board. This wall-based work depicts a constellation of printed stars mapping every McDonald’s restaurant in Kent. Produced months ahead of the exhibition, the work allowed time for the potatoes beneath the print to sprout, rot, and calcify. Since the work was first conceived, the McDonald’s in Sheppey has closed. ‘Dislocations’ is currently on view at the gallery. Open Thursday–Saturday, 11am–6pm, and by appointment. For enquiries, please DM or email [email protected] Harry Grundy Yield, 2026 Russet potatoes, acrylic ink, painted board @harry_grundy @rachmortlock

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9 days ago

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'Dislocations' continues this week at the gallery. Open Thursday to Saturday, 11am-6pm, and by appointment. @rachmortlock @harry_grundy Rachel Mortlock Bölcske Tower (Details), 2026 Timber, plywood, Jesmonite, plaster, roof tiles, brass, steel For enquiries, please DM or email [email protected]

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10 days ago

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Thank you Tabish Khan @londonartcritic for featuring Dislocations in the ‘Top 5 Art Exhibitions’ to see in London this May on @worldoffad . Bringing their practice together, Mortlock and Grundy’s duo show examines how materials carry and reshape meaning through use, memory and process, transforming found objects and inherited references into works that reveal hidden narratives within everyday systems and environments. The exhibition is on view until 7th June. Open Thursday to Saturday, 11am-6pm, and by appointment. @rachmortlock @harry_grundy

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15 days ago

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Harry Grundy's Sandpaper Works (2025–2026) draw on materials inherited from Steve Wing, a family friend and lifelong maker of toys and furniture. Using found sandpaper and hardwood offcuts, Grundy produces drawings through a repeated, back-and-forth motion, creating stitched, pattern-like surfaces that register the physical act of making and its accumulated histories. 'Dislocations' is currently on view at the gallery. Open Thursday-Saturday, 11am-6pm, and by appointment. For enquiries, please DM or email [email protected] Harry Grundy Dragger (100 Grit), 2026 Opepe, maple, redheart on 100 grit sandpaper roll, pine mount, magnets 9.5 x 45 x 10 cm @harry_grundy @rachmortlock

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17 days ago

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'Dislocations', a duo exhibition by British artists Rachel Mortlock @rachmortlock and Harry Grundy @harry_grundy , is now open! Thank you to everyone who joined us for the opening last night. Grounded in an interest in how materials accumulate meaning over time, this exhibition considers how objects are shaped not only by their inherent histories, but by their use, placement, and transformation. Through processes of repetition, casting, reduction, and mapping, familiar materials are reconfigured, generating new readings and unexpected associations. 'Dislocations' runs until 7 June and is open Thursday–Saturday, 11am–6pm, or by appointment. For enquiries, please DM or email [email protected].

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23 days ago

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This is the last week to come see Baroque / Rococo - closing this Saturday, April 18th. Focusing on the influence of these two periods, this group exhibition gathers contemporary painters to consider their ongoing impact on painting today. Curated by @charleswilliamsstudio Image: Lisa Wright Grace of Reign, 2026 Oil on linen 150 x 120cm Featuring works by: John Bartlett @johnbartlett.artist Joana Galego @joana.galego Zebedee Jones @zebedeejonespaintings Andrea Medjesi @andrea.medjesijones Rupesh Pushpa Sudhanshu @rupeshpsudhanshu Kevin Sinnott @kevin_sinnott Eugenie Vronskaya @eugenievronskaya Charles Williams @charleswilliamsstudio Lisa Wright @lisawrightart Open Thursday to Saturday, 11-6, and by appointment. For enquiries, please DM or email info@newartprojects

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1 month ago

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'A different conversation' from Joana Galego is included in Baroque / Rococo. Galego mentions: "my first impressions of these two periods was rather unfair and dismissive… frivolous, shallow, empty golden-glittery decorative feasts for the eye.’” Her perspective later finds resonance in Jean-Antoine Watteau. As she notes: “I find relatable the attachment to drawing whilst painting… and the potential of painting to explore the complex dynamics that permeate human relationships.” Curated by @charleswilliamsstudio , the exhibition is on view until 18th April. Open Thursday-Saturday, and by appointment. Joana Galego A different conversation, 2026 Acrylic, oil and soft pastel on canvas 76 x 101.5cm For enquiries, please DM or email [email protected]

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1 month ago

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We’re in the penultimate week to see Baroque / Rococo, on view at the gallery until Saturday, 18th April. Rupesh Pushpa Sudhanshu, whose work features in the exhibition, writes: “My practice focuses on animals as messengers of human criticism. In addition to the physical, instinctive, and visceral, I also rely on symbolic play and theatrical framing. They remind me that animals have long served as symbols for social order, power, morality, and appetite in art.” He also mentions: “From Snyders to Franz Marc to the post-modern contemporaries, the historical painters I study inspire me to consider how images can convey complexity without devolving into illustration.” @rupeshpsudhanshu You can read more about Rupesh’s painting and process at the gallery. Baroque / Rococo, curated by @charleswilliamsstudio , is on view until 18th April. Open Thursday–Saturday, 11–6, and by appointment. For enquiries, please DM or email [email protected]

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1 month ago