🔥Day 3! 🔥 Today
@raoulfilm shares his scanning equipment, setup, and workflow for digitizing his film:
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"I have different setups for 35mm and 120 film.
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For 35mm film I’m using the Sony A7 with a Minolta 50mm f3.5 macro (1:1) to scan my negatives. It includes a Bresser copy stand, a Kaiser slimlight plano light table and the Essential Film Holder (EFH). I upgraded the setup from time to time and at this point I’m finally 100% satisfied with it.
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When the film is in the Essential Film Holder, I double-check the focus on the film grain. Then I shoot the negatives on the Sony as RAW in A-priority (EV +1) at f/8 (sweet-spot DOF of the lens) and ISO 100. I import then all my shots into Lightroom Classic on Windows.
Picking the white-balance from the film border and apply it on all shots from the same roll. Select all and open Negative Lab Pro Set Source: Digital Camera, Color Model: Frontier, Pre-Saturation: 3-default and convert!
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For 120 film I’m using the Epson V600 and for me it’s a really good tool, especially for medium format. I scan with Silverfast 8 as a Positive (48-bit DNG) and convert them with Negative Lab Pro.
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In Negative Lab Pro, my most used tone profile is “Linear” or “Cinematic-log" because they’re giving me softer colors and a flatter image overall. The rest of the settings are always depending on the shot but overall, it’s less contrast, less highlights, more Darks and that’s it!"
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Awesome! Thanks for giving us an inside look,
@raoulfilm !