Work hard, play harder, document less - 2024āØ
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Jumping out of ghost mode to share little slices of a lot of work life lately and apply for the mentorship program with
@lastlooks.crew .
In a time when so many artists are still piecing it together, I feel lucky to be trusted with the projects, productions, and HMU rooms that presented themselves in the past year or so. Each of these show teams deserve more grid time than I could possibly show at once! While sifting footage, all the cream rising to the top, it was (as always) the people who made them fun. What a ride!
And beware the goofy footage in coming weeks. š» __________________________
So, why a mentorship? (Full answers in comments. Fam - its long. Just scroll.)
⢠Growth, as with the mentor/mentee dynamic, is cyclical. Iām in a chapter for new growth.
⢠As a longtime listener, I love that Last Looks feels both communal and personal to each artistsā journey. All ages and experience levels welcome.
⢠I want to level-up in specific ways and can commit to the practice of self-improvement, especially in territories I have less on the job experience in.
⢠Gleaning a broader vision of how to translate the crafts across mediums (how to adapt techniques, expectations, routines, etc.) with someone in one-on-one dialogue would help me grow.
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āØHMU Head / Supervisor for all major productions stills featured (unless noted). Creatives credited as follows:
⢠For Uncle Vanya - HMU Designs: Tommy Kurzman & Nikiya Mathis, š·: Marc J. Franklin
⢠For The Queen of Versailles - HMU Designs: Cookie Jordan & Kirk Cambridge-Del Pesche, š·: Matt Murphy
⢠For McNeal - HMU Designs: Rob Pickens & Kyle Krueger, š·: Marc J. Franklin
⢠For King Lear - HMU Designs: Wakana Yoshihara, š·: Marc J. Franklin
⢠For Purpose - HMU Designs: Nikiya Mathis & Michael Clifton, Assoc. Design: Natalia Castilla & Chynah Gayton, š·: Marc J. Franklin]