Natascha Moschini

Am 22.5. um 20:30 Uhr gebe ich im Rahmen eines Residenz-Showings an der Kaserne Einblick in meine Arbeit an Undine. Ausgehend von Fouqués romantischer Novelle und ihrer Figur begegne ich einem mythologischen Wasserwesen, das versucht, unter Menschen zu leben – und daran zerbricht. Seid gespannt auf eine choreografische Auseinandersetzung mit Folklore, Verwandlung und dem Scheitern an einem «Du».� Ich freue mich auf euch! Dank an alle die mich auf diesem Weg begleiten und beraten: @louisa___raspe , @magda_drozd_ , @lk.leakieffer , @demianjakob , #evaseck, @marieieger , @samaraleitewalt , @moin_moin_prod , @timo.posselt @kasernebasel

🫂 Physical Introduction — Experience «Angelica Mesiti. Reverb» in a different way. Two dancers (@Kasernebasel LAB Artists Alma Toaspern and Natascha Moschini) guide you into the exhibition through movement rather than words. Simple exercises activate the senses and open up new ways of engaging with the works. Open to all, regardless of age or experience. ✨ Sunday, 24 May 2026, 3 pm With Alma Toaspern ✨Sunday, 26 July 2026, 3 pm With Natascha Moschini 🎟️ Museum admission #AngelicaMesiti #Reverb #museumtinguely Image 1: Angelica Mesiti, The Rites of When (video still), 2024, 7-channel HD video installation © 2026 ProLitteris, Zurich; the artist / Image 2: Alma Toaspern. photo: Christian Knörr / 3: Natasch Moschini, photo: Fabienne Bieri

Finally had the time to edit the documentation for Gespenster, with lots of help from @juergen_buchinger . Would be lovely to present this work again— fingers crossed🤞. Conzept & Performance: Natascha Moschini Outside Eye: Lucia Gugerli Costume: Anne-Sophie Raemy Sounddesign: Pascal Schärli Video: Bonny Orbit Edit: Jürgen Buchinger

My first residency showing as part of my research Undine and my year as a Kaserne LAB Artist. 
A scenic moodboard — a first dive, a first sharing.
Thank you for being there and opening this moment with me.
Excited for what unfolds — more to come soon. Thanks to Magda Drozd for the sound, Ronja Burkard for the beautiful photos, and Lilli Schaugg for moderating the Q&A. @magda_drozd_ @ronja_burkard @lillillillillililli @kasernebasel And a little love to my friends @louisa___raspe and @marieieger for stopping by the rehearsal ❤️

Residenz-Showing — Anmeldung (erforderlich): [email protected] Begrenzte Plätze Di, 17.2., 19 Uhr In ihrer neuen Recherche dient die Märchenfigur Undine Nataschas künstlerischer Praxis als Ausgangspunkt, um die ökologischen und gesellschaftlichen Dimensionen der romantischen Novelle – damals wie heute – zu befragen. Dabei macht sie die darin verhandelten Sehnsüchte und Ängste im Umgang mit der Natur sichtbar und erforscht Prozesse der Mythenbildung. 🎶 @magda_drozd_

One week ago Soft Hours at Art’s Birthday at E-Werk Freiburg 🐰✨ Recapping this performance, I found myself thinking about working with figures — fluffy mascots that playfully transgress.
They come very close. They try to engage the audience.
A handshake. A kiss on the cheek. Entertaining gestures that test intimacy. What began as imagining a bunny in a dreamlike landscape — a figurine, a vehicle to derail logic — turned into a game of proximity. The rabbit became a bridge: between performer and audience, between action, consent, and playful transgression.
 It made me wonder: how far could the rabbit actually go? 📸 Marc Doradzillo

My dear friends 🤍 On January 23rd at 9pm, I’ll be showing Gespenster at @kunstraumriehen as part of @museumsnachtbasel . I’d love it if you stopped by. In Gespenster, Natascha Moschini investigates her relationship to a transgenerational inheritance and explores how the past is written into our bodies and our attitude toward life. But how can that which is unspoken be examined? How can one enter an ancestral field whose doors and windows are tightly sealed? A hand tracing the air, a gesture of grooming, the soft hiss of a steam cleaner – in small movements, Moschini follows embodied memories. Each action delicately weaves between per-sonal and collective history, becoming a ritual of mourning. Smooth surfaces begin to crack, offering fleeting glimpses of what lies beneath – that which haunts us and refuses to let us go. Duration: 35 min. Concept & Performance: Natascha Moschini Outside Eye: Lucia Gugerli @lucia_googleit Costume: Anne-Sophie Raemy @a__n__so Sounddesign: Pascal Schärli @pascal__schaerli With gratitude to @jillbloch for the wonderful jupe 🤍

✨UNDINE ✨ Residenz Showing von LAB Artist Natascha Moschini In UNDINE untersucht Natascha Moschini unser ambivalentes Verhältnis zu Gewässern wie dem Rhein – nährend, betörend und zugleich bedrohlich. Im Zentrum stehen mythologische Wasserwesen wie Fouqués Undine. Welche ökologischen und gesellschaftlichen Dimensionen eröffnet die romantische Novelle damals wie heute und welche Sehnsüchte und Ängste spiegeln sie im Umgang mit der Natur? 📍 Di 17.2., 19:00, Eintritt frei, Anmeldung: [email protected] ✨UNDINE ✨ Residency Showing by LAB Artist Natascha Moschini 🎶 @magda_drozd_ 📷 Fabienne Bieri In UNDINE, Natascha Moschini explores our ambivalent relationship with bodies of water such as the Rhine—nurturing, beguiling, and threatening at the same time. The focus is on mythological water creatures such as Fouqué's Undine. What ecological and social dimensions does the romantic novella open up, both then and now, and what longings and fears does it reflect in our relationship with nature? 📍 Tue, Feb. 17, 7:00 p.m., free entry, registration: [email protected]

Next Saturday I’m presenting Soft Hours again. A performative sketch about a rabbit’s head, a cake, and lovely days — days that fall apart and try to put themselves back together again. What better occasion to show it than the 30th birthday of E-Werk. A dreamlike proposition on the superficiality of pretending, at all costs, to have a lovely day. 17.12.2026 8 pm Duration: 20 min There’s a whole lot more in the program too — check out E-Werk’s website :) 📹 Daniel Vollmer @ewerkfreiburg @galerie_fuer_gegenwartskunst

Das war Soft Hours letzten Samstag @delphi_space in der Ausstellung DREAM WORKS. Soft Hours spielt mit Traumlogiken: Zeit wird weich, Räume verschieben sich, Bilder tauchen auf und verschwinden wieder. Eine performative Skizze über das, was in uns arbeitet, wenn Realität langsam ins Träumen kippt. Danke an @delphi @kunstvereinfreiburg @regionale_org 📷 @dariokieffer

In Soft Hours entwickelt Natascha Moschini eine performative Versuchsanordnung, in der Traumlogiken als Arbeitsweise erprobt werden. Zeit wird weich. Räume kippen ineinander, überlagern sich, verlieren ihre Konturen. Figuren tauchen auf – als Maske, als Erinnerung, als Fehlzündung: kurz da, schon wieder entglitten. Moschini folgt dem Ensemble, das unsere inneren Bilder in Bewegung setzt: Gedächtnis und Affekt, Körperzustand und kulturelle Skripte. Soft Hours bewegt sich zwischen Konstruktion und Intimität, zwischen Kontrolle und Aussetzer – eine performative Skizze über das, was in uns arbeitet, wenn wir in den Traum hinübergleiten: beim Einschlafen, im Tagträumen, im Träumen.

Looking back at the Swiss Performance Art Award 2025: Natascha Moschini (@nataschamoschini ) with the performance «Gespenster» Outside Eye: Lucia Gugerli Costume: Anne-Sophie Raemy / @a__n__so Sound design: Pascal Schärli / @pascal__schaerli In Gespenster, Natascha Moschini investigates her relationship to a transgenerational inheritance and explores how the past is written into our bodies and our attitude toward life. But how can that which is unspoken be examined? How can one enter an ancestral field whose doors and windows are tightly sealed? A hand tracing the air, a gesture of grooming, the soft hiss of a steam cleaner—in small movements, Moschini follows embodied memories. Each action delicately weaves between personal and collective history, becoming a ritual of mourning. Smooth surfaces begin to crack, offering fleeting glimpses of what lies beneath—that which haunts us and refuses to let us go. The Swiss Performance Art Award 2025 took place at Kunstmuseum Basel on Saturday, November 15th 2025. It was hosted by @kunstkreditbaselstadt / @kulturbasel in collaboration with @kunstmuseumbasel . Photos: Karin Salathé / @karin__salathe