Lani Par

@voguebusiness published an article about our time in Highgrove and the Fashion x Craft project. Find the link to the full article in my bio ❤️ Thank you @kirstymcgregoredits for the interview and @mastrelli.media for taking the pictures ❤️ Also big thanks to: @fashioncouncilgermany @kingsfdn @highgrovecraft @ebay_de @fashion_x_craft @htw_fashiondesign

Hello everyone ☺️ Today, I’d like to show you the logo of my brand, Inlé Studio. The name Inlé comes from the book Watership Down, a story about brave rabbits. Inlé is their word for the moon or night. It’s also a mythical way of describing death, but in a very gentle and poetic sense. I used to dream of rabbits a lot, and I also had them as pets during my childhood. That’s why I felt drawn to the story. I feel like rabbits are often seen as helpless — as prey — but in reality, they can be so much more. They fight, they have their own will and personality. I like the dialectic of that, and I identify with it too, since people often tend to underestimate me as well. Recently, I asked what kind of content you’d like to see on @narvhi , and most of you said you enjoyed the mix of fashion, photography, and the (rare) more personal posts. I hear you, and I’ll mostly keep this account just the way it is. However, I’d love to introduce you to my brand account @inle.studio . For now, it will mainly serve as a kind of lookbook. I’m planning to start offering products over the next year, which will also happen there. I’ll keep posting editorials here too, while @inle.studio will be more product-focused. I’ve also opened a new gallery where I exclusively post photos I’ve taken. It’s called @narvhi_archive and I see it as a kind of mood board. I’d be so happy to see some of you over at @inle.studio and @narvhi_archive ♥️

• My story as a lace maker • As part of the #lacechallenge2025, I’m sharing my story about how I got into lace-making. I started with a course at an educational center in my hometown Augsburg in 2013 after I graduated from high school. I decided to learn something new without even knowing what bobbin lace was or how you would use the equipment I ordered for it. It turned out that the technique came very easily to me unlike knitting which stressed me out very much at the beginning. I would practice after my lessons so I could start with a new piece soon. The first pieces I made were doilies and a bookmark. When the course ended I was left on my own with a back then challenging doily. I was determined to understand the system behind the pattern and would not stop staring at the technical drawing and go try my new interpretations of it until I finally cracked it. This experience not only made me a lace maker in my opinion but also means so much to me in terms of trusting my problem solving abilities. As someone who had bad marks in maths during most of their school years, I finally found a wild interest in this sort of logic system. [continued in the comments] . . . 1 - 3 my work 4 - 5 not my work but wanna learn

For @sleekmag Dress: @inle.studio Hat: @inle.studio x @silfwergard Tights: Patou Shoes: Blumarine Model: @pien_laureijssen @thehivemodels Photographer: @ninaraasch Stylist: @saskiajung_ Make-up: @dasch.c Styling assistence: @tim.rm_

Honoured to show my garments at the current Berliner Salon @gemaeldegalerie ! ♥️ Thanks to @sonja_hodzode , @christianearpvogue @fashioncouncilgermany @senwienbe @nowadaysberlin @derberlinersalon CREDITS #1: DER BERLINER SALON by René Lohse for Nowadays #2 & 3: Ben Mönks @benmoenks

You can still see our collection Echoes of Tomorrow at @gemaeldegalerie until 31.05.2026! Echoes of Tomorrow was born from the idea that craft is an ongoing generational conversation. As this dialogue begins to fade, we find ourselves questioning how the memory of craft will manifest in the future. We imagined a universe where this memory takes shape as nostalgia—like an old recollection where it’s impossible to discern what is real and what is imagined. In this world, craft re-emerges in new forms, born from an unknown future and shaped by the subconscious. Some details remain vivid, others blur and dissolve, merging into a hybrid and futuristic vision of craftsmanship. See the whole collection also at @v_collective_ - @lennart_bohle @alekskudrischow @laudesousa_ @jon_liesenfeld @inle.studio Thanks to @fashioncouncilgermany @leonie.papoula @christianearpvogue @gemaeldegalerie @kingsfoundation @ebay_de @zerow_it And so many more who taught us and helped us a lot during the project! 🖤 Photos: DER BERLINER SALON by René Lohse for Nowadays

🕊️ Photography: @farhanbaigphoto Model: @gojas___ MUA: @blairpaintproject

Baby dress made of sheets - sneak peak 🩹🗡️🩹

𝙸𝚏 𝚢𝚘𝚞 𝚙𝚞𝚗𝚌𝚝𝚞𝚛𝚎 𝚖𝚎, 𝙸 𝚠𝚘𝚗’𝚝 𝚕е𝚊𝚔

#lacechallenge_2026 - Studio Sanctuary Lace making, to me, is a source of calm. I like to lose myself in the repetitive movements, and even though it can come with deadline pressure because I connect the craft with fashion, it is a kind of retreat where I feel comfy and relaxed. Most of the time I guess it isn’t the most aesthetic scenery to look at. However, social media demands documenting a process and not just the final look. And I like to show the process. I just don’t like filming myself, so I usually don’t. And if I do, I usually get dressed nicely and create a clean backdrop. This is how I present myself, but it’s not the truth. My studio is often messy during the process, and it is also my living room at the same time. I usually work on my sofa in a cramped position, watching series, with some snacks around me. Today I am sharing this picture of me, working in this staged scene, but wearing my Pom Pom Purin onesie that I often wear at home.

#lacechallenge_2026 | Day 1 - 𝗥𝗲𝗻𝗲𝘄𝗮𝗹 Currently, I am working on a project that will be revealed at the end of this month. I used thin wool thread for the lace. Because it breaks easily, I sew the pattern pieces together using silk threads which are leftovers from previous projects, too short to be used for new lace. It is important to me that whenever possible none of the materials I use go to waste, especially when they come from animals.

Inlé is in @elleslovenija ! Love letters (to black color) Photographer: Anika Batkowska @anikabatkowska Style: Gracja Janyga @gracjajan Model: Hlín @hlinbjorns at @eyagency Makeup: Sigrún Ásta Jörgensen @sigrunstylist Hair: Hanna Louisa Guðnadóttir @byhannalouisa Art & Creative Direction & Production: Anika Batkowska @anikabatkowska Dress: Inlé Studio @inle.studio Gloves: Dolce & Gabbana Jewelry: Format Studio @formatstudio.png Underwear: Intimissimi Shoes: Legres