MuseumWeek 2026 is coming. Link in bio.
June 1–7
Join the global celebration of museums and culture.
In a rapidly changing world, museums matter more than ever.
They create meaning, spark dialogue, and help us navigate the future.
7 days. 7 themes. 7 hashtags.
One global movement.
This year includes a professional program with @UNESCO .
Webinars, keynotes, and masterclasses on AI and the future of museums.
Under the patronage of the French National Commission for UNESCO.
Organized by Culture For Causes Network,
with IPSOS Synthesio and FeelIT.
#MuseumWeek #MuseumWeek2026 #Museums #Culture #CulturalHeritage
What does it mean to create an object that already feels like a ruin — before it has even aged?
Robert Obier is an artist, architect, and industrial designer who has spent his career exploring exactly that question. His mixed-media sculptures — built from metal, wood, patina, and digital fabrication — are what he calls "future relics": artifacts of a time that hasn't arrived yet.
His creative framework, the "ageless lens," holds that past, present, and future are never truly separate. We live in the moment, yet we carry history in our hands and dream of what's ahead. His work makes that truth visible.
In this new interview for MuseumWeek Magazine's Artists of the Now section, Obier speaks about:
— How Fallingwater sparked a lifelong artistic philosophy
— The dialogue between hand, machine, and imagination in his process
— His "Renaissance 2.0" series and why he believes we're on the threshold of a new era of human advancement
— What he hopes future civilizations would understand about our time through his sculptures
A rare conversation with an artist whose vision stretches across centuries.
Interview by @benjamin.benita
🔗 /pub/museumweek2h1r4/p/the-future-as-a-ruin
#ArtistsOfTheNow #MuseumWeekMagazine #ContemporaryArt #Sculpture #CreativePractice #SpeculativeDesign #RobertObier
Your AI Companion for MuseumWeek 2026 is here 🤖🌍
Preparing your participation has never been easier.
Discover the MuseumWeek AI Companion.
A multilingual, always-on assistant designed to help you:
• Understand the 7 themes & hashtags
• Get content ideas tailored to your museum
• Plan your posts across the week
• Adapt your tone to different audiences
• Translate instantly into multiple languages
No limits. No waiting. Just clarity, structure, and inspiration.
Whether you’re a small museum or a major institution, this tool helps you participate fully, efficiently, and creatively.
👉 Start now. Link in bio.
⸻
#MuseumWeek2026 #MuseumInnovation #DigitalMuseums
This feature story by the art critic Fabio Pariante in Museum Week Magazine is beautifully written – thank you, honored and grateful.
From his story:
"Looking at a Sharon Stone painting is like feeling the pulse of time: the colour vibrates, the gesture breathes, the form tells a story"
"Her new portraits, born from a spiritual dialogue the artist defines as 'creative channeling,' give voice to presences, memories, and intuitions that demand representation"
"Stories of souls who asked to be painted – dialogue with the spiritual world arises"
"In her current artistic phase, Stone maintains a unique balance between abstraction and figuration"
"We enter her inner world, the heart of her art, and the profound vision that guides her new creative season"
"Allowing each work to become a gesture of freedom, consciousness, and transformation"
Artwork captions:
Slide 1 - the artist in her studio, with her painting "America the Beautiful," (2025). Acrylic on canvas (6 feet x 8 feet).
Slide 3 - "Veronique’s Mother," by Sharon Stone (2025). Acrylic on canvas (4 feet x 3 feet).
Slide 5 - "Liberte!," by Sharon Stone (2025). Acrylic on canvas (5 feet x 4 feet).
Slide 6 - "Him," by Sharon Stone (2025). Acrylic on canvas (4 feet x 4 feet).
Slide 7 - "Jean Pierre," by Sharon Stone (2025). Acrylic on canvas (4 feet x 3 feet).
Slide 8 - "Rita," by Sharon Stone (2025). Acrylic on canvas (4 feet x 4 feet).
#SharonStone #artoninstagram #womenartists
#MuseumWeekMagazine #artcritic #fabiopariante
