As a director I decided to flip the approach wanted to play with complementary colors push contrast and go for something three dimensional depth over drama so i decided to deal with top light and strong fill light with diffusers The goal was organic light behavior something that feels real not staged,guess what I didn’t have the 14.5+ stops of ARRI to hold that silky shadow detail instead I had the 16.5 stops theoretical of RED helium and yes shadows got crunchy im sure the next work when im dealing with raw lighting i can use RED GEMINI for better results than this one 😅🙌🏿 definitely im much prizing with my team mate believe we made art 😉
#njaaboys🥱
Always will always remain special thanks to my amazing crew, thank you for your unwavering commitment, creativity, and camaraderie. Together, we’re turning dreams into reality, and I couldn’t imagine embarking on this adventure with anyone else. Forever grateful for this product and more importantly the process of creating this labour of love together
#Njaaboys🥱
I’m thinking To Be A FiLmMAkEr, YoU HaVE To LeAD And leArnIng a Lot ,YoU HaVe To Be PsYcHoTiC In YoUR dESIRe TO dO SoMEtHINg, People ALwAYS LiKE ThE EaSY ROuTe, YoU HaVE tO PuSh VERY Hard tO GeT SoMEtHInG uNUsUAL, SoMEtHINg DIFfEReNT but Unfortunately OuR MiNdS ThINk GReATeR THiNGs THaN OuR ABiLITy To Do
#Njaaboys🥱
