Dot Light — Stick
A linear array of soft white glowing dots reminiscent of urban lightscapes. Limited to 10, available for pre-order until 11/28.
Photo by @chelsielcraig
Dot Light — Plate
A gridded array of colorful, glowing, candy-hued dots evocative of childhood and the irresistible allure of sweetness. Limited to 10, available for pre-order until 11/28.
Photo by @chelsielcraig
For the dining area in our Knickerbocker project, we collaborated with @mock.studio on a custom table designed specifically for the space. The translucent butter‑yellow finish shifts with the light, and the tapered form allows more people to gather comfortably around it.
HEAD x MOCK STUDIO
The space is imagined as a modern tent in the woods — quiet, sheltered, and deeply connected to nature. Inspired by the spirit of a safari tent, it becomes a temporary refuge for the Golf Traveller: a space that can exist anywhere, from desert fairways to forest greens, carrying the idea of travel, exploration, and play.
Light filters through translucent fabric like dappled sunlight passing through leaves, casting a soft and shifting glow across the interior. This layered light, combined with porous boundaries and modest materials, creates an atmosphere of warmth and intimacy — inviting visitors to slow down, linger, and experience the collection in a calm, serene environment.
Constructed from standard 2x4 lumber and plywood, the structure is intentionally lightweight, modular, and designed for reuse. These honest materials extend into the displays and seating, forming a consistent and restrained palette. Rather than making a bold formal statement, the space relies on proportion, light, and negative space — allowing comfort, stillness, and a sense of quiet journey to define the experience.
Mock Studio (@mock.studio ) launched their first lighting pieces this fall, and they reveal a studio deeply invested in how proportion, materiality, and human experience connect. The Dot Light Plate and Dot Light Stick feature hand-brushed aluminum punctuated by resin-filled circles that glow when lit, designed to work in multiple orientations: mounted, leaned, suspended, or laid flat.
Brooklyn-based duo Christian Kotzamanis and Masha Osorio operate from a workshop that doubles as fabrication facility, allowing them to move between designing restaurant interiors and creating standalone objects. The distinction matters to them. Objects offer pure expression without external agendas, while spatial work navigates client needs and architectural constraints. Both inform each other, creating an interconnected practice where ideas translate across scales.
The grid structure defines these lights, part of an ongoing exploration into repetition and visual patterns. For Mock Studio, grids aren’t about constraint but clarity, a way of making things understandable rather than mystifying. They describe searching for poetry in the profane, in everyday and overlooked materials. The resin dots treat color as inseparable from material, shifting throughout the day as light and shadow change.
The versatility here feels genuinely different from the usual claims of flexible design. These lights shift between architectural element and sculptural object simply through how you position them, no additional hardware or mechanisms required. Mock Studio produces them as limited editions of 10 via pre-order, a fashion-industry model that ensures nothing gets made without a home already waiting. It’s a model that aligns with everything else about their practice: searching for profound simplicity, respecting materials, doing only what’s necessary to reveal potential.
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📸: Chelsie Craig
Details from a recent project in Greenpoint, Brooklyn. Our new Plane table paired with the Athena Sconce. Photos by @brianwferry construction and architecture by @ckms.design