_____________ another moment of unism …

_____________ unism sculpture, sound, fragrance, performance unism an installation activated by a performance delves into themes of belonging and transformation. It explores the cyclical process of seeking, finding, becoming-with, losing and seeking again — navigating between moments of hope and despair. unism invites you to attune to otherness of the more-than-human through the porous system of your nostrils, eyes, skin, and ears — to find something familiar in the unfamiliar — it is experienced, touched, heard, breathed in and felt. A space in which memory, imagination, the present, human and more-than-human come together in a sensually tangible presence. In collaboration with Magdalena Tworek @user_110083 (performance), Moritz Schmolke schmolmo.xyz (generative composition tool & spatial sound installation) and @_nikakim_ (performance). _____________________________ agar-agar, air, bee wax, cane sugar, decaying plant parts, flour, glycerin, hemp, humidity, metal, mycelium (reishi), light, plastic, spruce, spruce resin, soil,temperature, water, wind, performance, 8-channel generative composition, amplifier, computer, cables, speakers, subwoofer, fragrance (arolla pine, birch, european fir, greenoakmoss, hinoki, juniper, labdanum, lavender, porcini, red thyme, seaweed, shiso, siberian fir, treemoss, alcohol) _____________________________ unism was originally created for a dark misty room with a 8-channel sound installation, and has been adapted for this exhibition. ___pictures taken at Affects of Violence - Kunstquartier Bethanien, Berlin ___displayed at graduation show — Universtät der Künste, Berlin Affects of Violence — Kunstquartier Bethanien, Berlin endless gratitude to all the lovely people that helped and supported me to realize this project. > special thanks to Anita Tarnutzer, Axel Haagen, @louismoeckel , @nam.namii_

_____________ Der Kurator by @enno_haar Thank you for selecting sensing nature – Nordjylland for 'Der Kurator' alongside other great works. Originally shown at Hermannplatz, Berlin - 2022.

_____________ inside studio outside studio 2 taken by @user_110083 8 performance by @_nikakim_ 11 taken by @ichbincir 17 performance by @user_110083

_____________ contributed two recordings of the 2022 Fagradalsfjall’s volcanic eruption to the album ‘ebbing ice lines‘ by @pablodiserens . You can listen to them in the beginning of the track „world in the process of making“. More than happy to be part of this 2xLP and to make it the first time on vinyl! Thank you Pablo! On „ebbing ice lines“, Pablo Diserens brings us into the geologies of the Low Arctic. Entirely assembled of field recordings of glaciers, drifting ice, volcanoes, avian vocalizations, and anthropogenic hums, the album sheds light on the minute sounds produced by these environments in Iceland, Finland and Norway. It invites us to think of landforms, especially glaciers, as entities in their own right, and draws us into an intimacy with bodies far greater than our own. The title „ebbing ice lines“ plays with the existing tree line terminology — the edge past which trees do not grow — to imagine lines receding in a warming climate, beyond which ice can no longer form. The result is a dronesque and texturally-rich journey through some of the world’s most fragile melting zones. link to the release: /album/ebbing-ice-lines photos 4, 5, 6, 7, 8, 9, 10, 11, 12, 13 taken by me from various field trips to Fagradalsfjall. mastered by @mathieu_bonnafous design by @pablodiserens duration: 60:04 • 2xLP gatefold • limited edition of 300 recorded, composed, and photographed by pablo diserens sounds from the low arctic : recorded in iceland, finland and norway between 2018 and 2023 recordings of fagradalsfjall’s volcanic eruption on „world in the process of making itself“ by mo zeisner words in „how much space do you need?“ by vilmundur þorgrimsson (gallery freevilli) text by anton spice title „world in the process of making itself“ quoted from ursula k. le guin’s „left hand of darkness“ in celebration of the international year of glaciers’ preservation (unesco & wmo, 2025) project supported by @LOM via LOM+you program published by @forms.of.minutiae + @dinzuartefacts fom19 + dnz118 • 2025

_____________ ‘Telling Stories from the Forest’ was a weekend of carrier bags, gathering, movement, and storytelling — a workshop exploring the potentials of fiction, imagination, and collective sensing. Led by Janosch Bela Krantz, Magdalena Tworek, and Mo Zeisner. Participants were invited to receive and build stories through gathering practices, bodily encounters, and speculative listening. On the first day, we created carrier bags through up-cycling techniques, accompanied by field recordings and a reading of Ursula K. Le Guin’s Carrier Bag Theory of Fiction—a story that prioritizes the gathering and holding of various elements —like fragmented narratives, relationships, and contradictions— rather than a linear, "heroic" narrative driven by conflict. On the second day, we visited Heiðmörk. People were invited into a fictional setting and send on an self-exploration and gathering around Heiðmörk. Somatic interventions and a listening station introduced speculative ways of attuning to the forest. Later, around a campfire, we shared the stories we had collected and carried—each person expressing themselves in the form that felt right. ‘Telling Stories from the Forest’ emphasized communal learning, rooted in exchange between facilitators and participants. It unfolded in a safe, inclusive and non-judgmental environment, nurturing collective imagination and deepening connections to nature. ________________________________
 part of L.E.A.F. supported by @improv_for_dance_enthusiasts , @nurt_foundation and European Union
 artwork by @janoschkratz.eu 
 thank you Improv for Dance Enthusiasts for the invitation and trust 🤍

_____________ lost in textures and synergy of matter.. fragments from various field trips

_____________ sensing nature — Ljótipollur performance, digital photography sensing nature is based on an ongoing self-study. sensing nature can be seen as a documentation of humans seeking and temporarily finding belonging, connection and kinship in their surroundings, losing them and seeking them again. The body becomes the medium through which they reach out. Sensitivity and sensuality — and therefore intimacy — are becoming the seeds of relationship. how does the being-sensed senses us? ________________________________ ___performance & concept: Mo Zeisner ___photo: Chloé Binh-Cirlot @ichbincir ___environment: Langjökull >>> 1, 3 displayed at shifting tides @kunstraumdigital @berlinartweek 2, 4, 5, 7, 8 close surrounding of Ljótipollur

_____________ once i found shelter 2022 steel, sound, fragrance, light ___displayed at > come forth, Reykjavik

_____________ here are some fragments from the past few weeks. After finding myself in a rather burned-out state, I’m slowly starting to reconnect, recharge and restore — new ideas and inspiration are arriving. It is always good to leave the big city life behind and return to the core of my practice, again and again. Every time I am out there, I find myself asking: What am I still doing in this big city? Having grown up in the countryside, close to the presence of the non-human world, the urge to be there — to become with it — has never left me. Nothing else affects and teaches me the way nature does. I’m currently rethinking where I want to locate myself. Besides entering a major phase of transformation — accompanying the autumn. Biggest love to all the hearts that supported me those past weeks. I love you. 8, 9 ecosensibility & photo by Magdalena Tworek @user_110083 as part of an ongoing research practice and process we share

_____________ excited to share 'Upstream Ensemble' a wonderful community project by my dear friend @pablodiserens that I was honored to contribute some field recordings to - alongside many others. During the 2022/23 digital residency hosted by @tba21academy 's Ocean-Archive.org, Pablo Diserens launched an open call inviting members of its online platform ocean comm/uni/ty (and external enthusiasts) to venture into the world and record aqueous sonic encounters. The aim of this collective liquid attuning was to gather sound recordings from various wet ecologies while stimulating listening and field recording gestures regardless of any previous experience. Recordings from 35 contributors were woven into the long-form sound composition "upstream ensemble" which navigates between the multiplicity of the water cycle as a sounding body. The work moves upstream through oceans, rivers, pipe networks, ponds, and glaciers while investigating the continuous flow of water and the environments that surround it. sound contributions by: Alëna Korolëva, Alexandros Maragkoudakis, Bence Kovács-Vajda, Christopher Dean, Cyane Findji, Damian Pace, Elise Rigot, Eliza Collin, Fiona Middleton, Francesco Previtali, Ilù Seydoux, Irene Mansoldo, Isabel Val, Jakob Köchert, Jean-Baptiste Geoffroy, Joana Moher, Katy Lewis Hood, Kosmas Phan Dinh, Kseniya Lushnikova, Leo Maassen, Ludwig Berger, Mat Eric Hart, Mathias Arrignon, Matty Yeomans, Mélia Roger, Mo Zeisner, Nikos Sotirelis, Nina Blume, Ocean Networks Canada, Pablo Diserens, Sem Zeeman, Slavek Kwi, Surrealich, Thibault Noirot, Varoujan Cheterian. for more information: https://pablodiserens.studio/upstream-ensemble release: /album/upstream-ensemble concept: Pablo Diserens and Fiona Middleton (TBA21–Academy) composition and mixing: Pablo Diserens cassette mastering by: Mathieu Bonnafou graphic design by: Cecilia Murgia cassettes pictures by: Camille Blake thank you Pablo for this spellbinding project! <3 photos taken from release and project page.

_____________ lost in textures and synergy of matter..