Missing Objects

ö by César Jucker @cesaarchitects Deniz Özcan @dozcaaaaan (5L) H 25 × W 35 × D 18 cm (1L) H 15 × W 21 × D 11 cm Hand hammered copper with micron silver plating Produced in Türkiye ö is a container for liquids. Not to store but to serve. Not to drink but to pour. ö is to notice and to offer. ö is the carrier bag and the bottle. ö has two spouts, one for you and one for the other. ö is simple. ö is a jug. All objects are available for sale. For information contact us at: [email protected]

POST by Ellen Wenyi Hu @ellen.hu.wy Janiya Isakhan @janiya.isakhan Tsz Kwan Yeung @tszkwany H 90 × W 40 × D 40 cm 3D printed stainless steel, plant-based resin Produced in China, UK Post inhabits a subtle niche that exists in almost every modern household — the in-between state of the kitchen. Designed to function across different stages of kitchen use, it supports both the practical and the ceremonial. It accommodates light, matches, incense, candles, a small tray, saucer, ashtray — objects that mark transitions rather than tasks. At the end of the day, it serves the last ritual:  a cup of tea, a cigarette under a small light, night incense trailing,  and any other intimate moments in a space designed for efficiency. In modern kitchens, heat and smell are extracted, filtered, minimized. Materials are sleek, controlled, neutral. Sensory traces disappear as quickly as they form. This object gently resists that erasure. It reintroduces warmth in its most concise form — a flame, a scent, a glowing ember. All objects are available for sale. For information contact us at: [email protected]

HUEVADA by Caterina Pereira @caterinapereira Gianfrancesco Brivio Sforza @_._.__.___.____.________ Small, medium, large units sizing MDF or TPU plastic (please specify material choice) Produced in Germany, Italy “Huevada” is a visual onomatopoeia, it tells you what it is with its shape, it looks like eggs and it should be used to hold eggs.Using the size of an universal egg “huevada” can be used as a modular game, where pieces can be stacked and reconfigured together, losing its overly specific function into a sculptural centrepiece for the dining table. All objects are available for sale. For information contact us at: [email protected] Egg candles are @sabi_candles and can be purchased via their official website.

PRELUDE by Nacha Palomeque Coll @naap_c Caspar Schols @casparschols H 87 × W 20 × D 8 cm Cast glass, stainless steel, gold leaf Produced in The Netherlands and Italy Prelude is a cast glass centrepiece that frames, displays, and assists food preparation. Its horizontal linearity guides the hand, suggesting a sequence of actions. Mixing, arranging, and eating become deliberate gestures, framed by the illuminated carvings within the glass. When stored, it stands upright, shifting from tool to illuminated artwork. All objects are available for sale. For information contact us at: [email protected]

ECKIE by Basny @basnyrugs H 200 × W 150 cm 100% Carpathian sheep wool Produced in Ukraine Eckie captures the slow bloom of mold on fruit and the raw quiet of clumped space dust. Bright pink glitches across a muted gray field — a handwoven study of surfaces abandoned, shifted, or simply left to change. Part of Basny’s Second Surface collection, which traces the transformations of the physical world — light, growth, erosion, the patient work of natural forces — Eckie renders these processes as image. The technique traces back to the Hutsul region of Ukraine, unchanged since at least the 16th century. The rug is treated in a wooden reservoir fed by a mountain stream — the force of flowing water condensing the fibers. Each piece carries its own transformation within the process of its making. All objects are available for sale. For information contact us at: [email protected]

STACK by Sinan Asdar @sinanasdar Ammara Asdar @ammaraasdar H 160 × W 10 × D 10 cm Milled aluminium Produced in Pakistan Stack is a set of measuring cups that forms a tall, compact tower in the kitchen each one nesting neatly within the next. Designed to fit together, they take up little space when at rest. During use, they separate and spread across the counter—dispersed, animated, and briefly independent. Each cup takes on a distinct role, contributing to the act of making. When the task is complete, they are gathered again, returning to a single, composed form. The piece reflects this recurring cycle of separation and return, giving form to an everyday action that often goes unnoticed. All objects are available for sale. For information contact us at: [email protected]

PLUME by Theo Sykes @_tsykes Dariia Nepop @ne_pop DENIM—SYKES @denim__sykes H 10 × W 27 × D 21 cm Powder coated aluminium, acrylic Room Spray (30 ml) notes of Cardamom, Frankincense, Patchouli Produced in UK Plume is an atmospheric device that emits rather than extracts. Through light and scent, it sets or resets the space. Light and odour are spatially definitive, they mark occupation and orient the room. Here, they are summoned to act as they do elsewhere in the kitchen - as signifiers of transition a transformation. Plume inverts the extractor fan while upholding a fundamental kitchen principle: scent is informative, not decorative. Air is drawn through the slitted facade, guided over a scent cartridge and returned to the room. Its flow is directed by an articulated flap and paired with light dimmable across three registers. Plume introduces an aromatic fragrance for the kitchen, distinguished by cardamom, frankincense and patchouli. All objects are available for sale. For information contact us at: [email protected]

PODIUM by Ylam Deme @ylamdeme Eduard Pascual-Ribas @eduardpascualribas H 175 × W 63 × D 32 cm Iroko, polished stainless steel, hand blown glass, wool felt Fabric is hand dyed and hand woven cotton Produced in Spain, Côte d’Ivoire A recipe book, propped open at the right page. A set of herbs, standing in water, ready to be used. This week’s menu, pinned and visible. The invitation that arrived yesterday, not lost in a drawer but pinned in the centre of the space. The tablecloth used to storage with brief daily appearances is now hanging as the centerpiece.  Podium: Objects in Waiting is a wall to display the unnoticed, items that come as an afterthought and that never quite had an assigned place in the kitchen. The piece creates space for what escaped optimisation, holding those items in waiting and giving a stage to otherwise overlooked little items and moments. All objects are available for sale. For information contact us at: [email protected]

It has been an incredible last week for us, and we are overwhelmed by the amount of attention, encouragement, and support we have received from all of you. We would like to thank everyone who joined us, contributed, and shared this time with us. A special thank you to our incredible hosts, @casabrivio — this would not have been possible without you, and we are deeply grateful. Throughout the week, Missing Objects unfolded as a shifting condition of the kitchen — not only as a space of production, but as one shaped by pauses, rituals, and the moments in between. Across the eight works, what emerged was not a singular vision, but a collective inquiry shaped through dialogue, proximity, and time. All the objects are available for sale. For purchasing, press or interview requests please contact us on: [email protected] See you soon for what comes next. 📸 @danielswarilov

The curators of Missing Objects: Gianfrancesco Brivio Sforza, Dariia Nepop, Caterina Pereira and Theo Janek Sykes. Missing Objects brings together designers, artists, architects and other creatives working in groups to reconsider domestic objects through absence. This second edition presented eight works by eighteen participants, taking the kitchen as its site of investigation. Across the exhibition, the kitchen is understood as a space of overlapping states: active and idle, visible and concealed, fixed and shifting. Missing Objects approaches these tensions by foregrounding what remains unresolved. Curation Gianfrancesco Brivio Sforza @_._.__.___.____.________ Dariia Nepop @ne_pop Caterina Pereira @caterinapereira Theo Sykes @_tsykes Participants Ammara Asdar @ammaraasdar Basny @basnyrugs Caspar Schols @casparschols Caterina Pereira @caterinapereira César Jucker @cesaarchitects Dariia Nepop @ne_pop DENIM-SYKES @denim__sykes Deniz Özcan @dozcaaaaan Eduard Pascual Ribas @eduardpascualribas Ellen Wenyi Hu @ellen.hu.wy Gianfrancesco Brivio Sforza @_._.__.___.____.________ Janiya Isakhan @janiya.isakhan Nacha Palomeque Coll @naap_c Sinan Asdar @sinanasdar Theo Sykes @_tsykes Tsz Kwan Yeung @tszkwany Ylam Deme @ylamdeme

Missing Objects Edition 2: The Kitchen We are now opened to public. You can find us at the historic Milanese residence and design hotel Casa Brivio @casabrivio . 𝗔𝗱𝗱𝗿𝗲𝘀𝘀: Casa Brivio, Entrance via Main Gate Via Cornaggia 12, Milan. 𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗧𝗶𝗺𝗲𝘀: 21–26 April 2026 | 11:00–19:00 𝗣𝗿𝗶𝘃𝗮𝘁𝗲 𝗢𝗽𝗲𝗻𝗶𝗻𝗴 & 𝗔𝗽𝗲𝗿𝗶𝘁𝗶𝘃𝗼: 20 April 2026 | 6–9pm

STACK by Sinan Asdar @sinanasdar Ammara Asdar @ammaraasdar Stack is shaped from a set of measuring cups that forms a tall, compact tower in the kitchen, each one nesting neatly within the next. Designed to fit together, they take up little space when at rest. During use, they separate and spread across the counter—dispersed, animated, and briefly independent. Each cup takes on a distinct role, contributing to the act of making. Reflecting a recurring cycle of separation and return, giving form to an everyday action in the kitchen that often goes unnoticed. — 𝗔𝗱𝗱𝗿𝗲𝘀𝘀: Casa Brivio, Entrance via Main Gate Via Cornaggia 12, Milan 𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝗧𝗶𝗺𝗲𝘀: 21–26 April 2026 | 11:00–19:00 𝗣𝗿𝗶𝘃𝗮𝘁𝗲 𝗢𝗽𝗲𝗻𝗶𝗻𝗴 & 𝗔𝗽𝗲𝗿𝗶𝘁𝗶𝘃𝗼: 20 April 2026 | 6–9pm