đ± FINAL SPRING đ±
'Final Springâ: a spontaneous exhibition in our studio apartment on UhlandstraĂe 145, Wilmersdorf, Berlin.
Sometimes an eviction notice doubles as a curatorial deadline.
Instead of leaving quietly, we decided to repurpose the space for a long, sunny afternoon. The space shifted into something unstable: part home, part exhibition, part construction site, with half-packed rooms and works installed wherever they still fit. What had functioned as an artistic living space became, for a brief moment, a site of autonomy- improvised and slightly out of control.
Set in Charlottenburg-Wilmersdorf, a district shaped by polished galleries and quiet wealth the exhibition operated in friction with its surroundings. Installed in the former office of architect Stefan Braunfels, it was less a clean presentation than a temporary occupation, not entirely by choice.
Rather than framing abstract positions, the exhibition worked from within its own conditions: limited time, unstable ground, and the need to produce something before access disappears.
In the end, it was our final spring.
đđ„
Curation and text by Mison Schreff
Poster design and artwork by Shir Shoval Simhoni
đ
Participating Artists
Janis Eckhardt
Amalia Hajieva
Hatho
Mai Li Helweg
Scarlett Morrow
Darya Osypchuk
Tariano Schneider
Mison Schreff
Moritz Seiboth
Shir Shoval Simhoni
Olga Ullmann
Oliver Wellmann
Martin Winkler
Kaitong Zhang
HERS Finissageđ
Group Show
@pavillonammilchhof
Artists
@teona.gogichaishvili@gozde_ju@olga_ulmann@zuzusarita
Featuring my artwork Arirang (ì늏ë), begun during the pandemic and completed in 2026, based on the worldâs largest stadium, Rungrado May Day Stadium in North Korea.
Arirang ì늏ë
Embroidery on fabric
140 x 120cm
2020-2026
This exhibition brings together five women artists whose works unfold layered narratives around home, belonging, the body, memory, and womenâs labor. Coming from different geographies and disciplines, the artists draw on personal experiences, family relationships, cultural heritage, and political imagery and systems of representationâ exploring the fragile yet transformative nature of what we call her(s) home.
Gözde Juâs works focus on the often-invisible histories of domestic crafts and womenâs labor, inviting a reconsideration of family relations, social roles, and the act of building a home through everyday objects. Teona Gogichaishviliâs photographs visualize the evolving forms of motherhood, capturing the delicate balance between closeness and distance over time. Sarita Deyâs practice explores themes of belonging, womanhood, and the notion of âreturning home,â articulated through bodily gestures and embodied experiences unfolding across physlandscapes, shifting geographies, and the emotional terrain of family histories.Olga Ulmann revisits historical representations of the female body and examines their lasting influence on contemporary visual culture. Mison Schreffâs embroidered work subtly reinterprets architectural and political symbolism through a delicate process of abstraction.
Taken together, these works suggest that home is not merely a physical space, but a field woven from memories, relationships, representation, and the structures - political and personal- that shape what we are allied to call our own.
Exhibition Text by Gözde Ju
đđ
Some impressions of our group show HERS đș
@pavillonammilchhof
Participating artists
@teona.gogichaishvili@olga_ulmann@gozde_ju@zuzusarita
đ
Featuring my artwork Arirang (ì늏ë), begun during the pandemic and completed in 2026, based on the worldâs largest stadium, Rungrado May Day Stadium in North Korea.
Arirang ì늏ë
Embroidery on fabric
140 x 120cm
2020-2026
This exhibition brings together five women artists whose works unfold layered narratives around home, belonging, the body, memory, and womenâs labor. Coming from different geographies and disciplines, the artists draw on personal experiences, family relationships, cultural heritage, and political imagery and systems of representationâ exploring the fragile yet transformative nature of what we call her(s) home.
Gözde Juâs works focus on the often-invisible histories of domestic crafts and womenâs labor, inviting a reconsideration of family relations, social roles, and the act of building a home through everyday objects. Teona Gogichaishviliâs photographs visualize the evolving forms of motherhood, capturing the delicate balance between closeness and distance over time. Sarita Deyâs practice explores themes of belonging, womanhood, and the notion of âreturning home,â articulated through bodily gestures and embodied experiences unfolding across physlandscapes, shifting geographies, and the emotional terrain of family histories.Olga Ulmann revisits historical representations of the female body and examines their lasting influence on contemporary visual culture. Mison Schreffâs embroidered work subtly reinterprets architectural and political symbolism through a delicate process of abstraction.
Taken together, these works suggest that home is not merely a physical space, but a field woven from memories, relationships, representation, and the structures - political and personal- that shape what we are allied to call our own.
Exhibition Text by Gözde Ju
Youâre warmly invited to
HERS â a group exhibition bringing together five women artists whose works unfold layered narratives around home, belonging, the body, memory, and womenâs labor.
Featuring works by:
âšSarita Dey @zuzusarita âšTeona Gogichaishvili @teona.gogichaishvili âšGözde Ju @gozde_ju âšMison Schreff @misonschreff âšOlga Ulmann @olga_ulmann
at @pavillonammilchhof
đŸJoin us for the vernissage this Friday: âš27 March 2026, 7 pm
Exhibition Dates:
âš28 March â 19 April 2026
Visits by appointment
Pavillon am MilchhofâšSchwedter StraĂe 232âš10435 Berlin
We look forward to welcoming you!
Graphic design by: @gozde_ju
Artwork in the Background: @misonschreff
#HERS #Groupexhibition #Contemporaryart #Berlinart #femaleartists
Mison Schreff+ Lisa Gareis: Interspherence
@misonschreff
Site-specific painterly installation + Performance
@plus_one_frankfurt
In "Interspherence", Schreff unfolds paintings on site, airbrushes walls and floors, while Gareis activates the space through her performance. Painting and movement intertwine â stillness turns into action, and ephemeral presence becomes tangible.
It's a wrap!
Thank you to everyone who came to see my solo show lumen at saasfee*Pavillon, Frankfurt am Main @saasfeepavillon
Itâs been a joy to bring this project to life, and Iâm grateful it could unfold in such a beautiful space đŸ
Thank you to all who visited, supported, and shared this moment with me
@paulelie_@teaeassea@slnhammer@yu2pt@olga_ulmann
Photo @diem.sq
Die Ausstellung âLumenâ von Mison Schreff ist noch dieses Wochenende zu sehen.
Wir haben Samstag und Sonntag von 14.00-18.00 geöffnet und laden herzlich ein zum Artist Walk mit der KĂŒnstlerin, die am Sonntag um 15.00 durch die Ausstellung fĂŒhren wird.
Eine Anmeldung ist nicht erforderlich und der Eintritt ist frei.
FĂŒr die Ausstellung im saasfee*pavillon verbindet die KĂŒnstlerin Mison Schreff ihre Werkserie lumen mit den Werkzyklen Druzhba und IX Fortas.
Die fĂŒr die Ausstellung entstandenen Arbeiten lumen und Resonance:Piece treten dabei in einen direkten Dialog mit der glĂ€sernen Architektur des Pavillons und verhandeln Themen wie Körperlichkeit, Transparenz und die Auflösung rĂ€umlicher Grenzen.
Die Textilarbeit Resonance:Piece, im vorderen Bereich des Pavillons installiert, lÀdt die Besucher*innen zur taktilen Erfahrung ein. WÀhrend der Vernissage aktivierte der TÀnzer Paul Elie von der tanzmainz Compagnie die Arbeit durch eine choreografische Intervention, begleitet von der Komposition Suchme des Musikers Vahid Hosseini.
Das Video der Performance ist auf einem Screen in der Ausstellung zu sehen.
Die Verbindung der Werkserien lumen, Druzhba und IX Fortas lĂ€sst sich als eine GegenĂŒberstellung zwischen konstruierten und organischen Formen verstehen. Der Einsatz von SprĂŒhfarbe steht dabei fĂŒr einen bewussten Bruch mit festgelegten Strukturen und die Hinwendung zu einer offenen, flieĂenden Formensprache. Die KĂŒnstlerin betrachtet den Körper als eine Form von Architektur, der als TrĂ€ger von soziopolitischen, kulturellen und ökonomischen Implikationen agiert. Die Werke Druzhba I-II und IX Fortas III entstanden 2021 wĂ€hrend der Corona-Pandemie. Druzhba- Russisch fĂŒr Freundschaft- basiert auf einem wĂ€hrend der Sowjetzeit errichteten Sanatorium auf der Krim-
Halbinsel, das nach dem Konzept des Panoptikons entworfen wurde. IX Fortas bezieht sich auf ein Denkmal des Bildhauers Alfonsas V. Ambraziƫnas in der Festungsanlage Neunter Fort in Litauen.
In lumen erschafft Schreff mit Airbrush auf Holz organische, biomorphe Formen. Beide Werkgruppen befassen sich mit dem Zusammenspiel von Licht, Struktur und Auflösung.
@misonschreff@paulelie_@teaeassea
Join us for an Artist Walk on Sunday 15h @saasfeepavillon
Finissage, Sun 23.11.~ 14-18h
As part of the exhibition of 'lumen'
lumen
Exhibition by Mison Schreff
30.10.-23.11.
@misonschreff
Photo 1: Selina Hammer @slnhammer
Photo 2-7: YĂŒ Jin @yu2pt
Resonance:Piece
In collaboration with Paul Elie
@paulelie_
Photos by Tessa Trautmann
@teaeassea
As part of the exhibition
lumen
30.10.-23.11.
@saasfeepavillon
Exhibition on view until this Sunday đ«
Join us for the Finissage on Sunday, 23.11.~ 14-18h
including an Artist Walk at 15h đ
Mison Schreff + Lisa Gareis: Interspherence
@misonschreff
Site-specific painterly installation + Performance
In "Interspherence", Schreff unfolds paintings on site, airbrushes walls and floors, while Gareis activates the space through her performance. Painting and movement intertwine â stillness turns into action, and ephemeral presence becomes tangible.
Join us for the Finissage! đ„
November 13, from 6:30 PM
With sound by LDB, drinks, snacks & the loveliest soft landing of this exhibition đžâš
đ Infos
+1 â Hospitality as Artistic Practice
StiftstraĂe 30, Frankfurt Innenstadt
Fri â Sun · 3â6 PM
This weekend:
The Artist Is Present: @am_dangdang
Photos by Selina Hammer and Lorenz Kerkhoff
@slnhammer@lrnz.krkhff