Tuesday morning from our inventory. A highly-inventive, deconstructed black monochrome painting turned sculptural installation work by Bushwick, Brooklyn-based artist Vincent Como. Working in a broad array of media, the core focus of Como’s practice is the color black, as both a subject of inquiry and a material substance for making art works. The artist draws on divergent concepts from wide-ranging fields, including art history, color theory, astrophysics, science, alchemy, philosophy, religion, mythology, and the occult. 🖤
Bio
Vincent Como(b. 1975, Kittanning, PA; lives Brooklyn, NY) has exhibited his work throughout the United States and abroad, including in Mexico, England, and Austria. Here at the gallery, Como mounted the well-received solo exhibitions “The Negative Approach Operating System (For Intermediate to Advanced Practitioners)” (2019) and “Paradise Lost” (2013).
He also participated in the group exhibitions “Twenty” (2023), “Untitled (Summer)” (2019), “Subvert City” (2018), “On Paper” (2016), “Elements” (2015), and “Neither Here nor There but Anywhere and Everywhere” (2012), as well as our survey exhibition “MINUS SPACE en Oaxaca: Panorama de 31 artistas internacionales” at the Instituto de Artes Gráficas de Oaxaca Alcalá in Oaxaca, Mexico (2012).
Como’s work has been discussed in publications, such as Art 21 Online Magazine, Two Coats of Paint, The Creator’s Project, New American Paintings, The Wall Street Journal, ArtSlant, Progress Report, WagMag, The Boston Phoenix, Chicago Tribune, Chicago Journal, and Salt Lake Tribune, among others.
He is a founding member of Tiger Strikes Asteroid, an artist-run, non-profit based in Bushwick, Brooklyn, with additional locations in Philadelphia, Los Angeles, Chicago, and Greenville, SC. Como holds a BFA in Drawing from the Cleveland Institute of Art (Cleveland, OH).
Artwork: Vincent Como, The Temptation to Exist 005, 2013, Acrylic on canvas with wooden shelf, 22 x 14 x 29 inches / 56 x 36 x 74 cm.
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