Malga Kubiak, The Ego Trip Collection – ID N4: Part 3, 1991
“Family history. At the beginning Sun is 4 years and at the end of the movie he is 10. We travel long trips through Egypt, Mexico, Brazil, shortly in NYC and Gothenburg.”
BLOW THE BOUTIQUE w/ Keira Fox, Malga Kubiak, Ksenia Pedan
Curated by Emily Fahlén
30 April – 13 June 2026
anorak Gottlieb-Dunkel-Str. 43/44, 8th floor
Berlin
Photographer: Viktor Fordell
@malgakubiak72805 #malgakubiak @keirajfox #keirafox #kseniapedan @emily6th@mint.abf@anorakanorak
BLOW THE BOUTIQUE w/ Keira Fox, Malga Kubiak, Ksenia Pedan
Curated by Emily Fahlén (Mint)
Exhibition period 30 April – 13 June 2026
anorak Gottlieb-Dunkel-Str. 43/44, 8th floor
Berlin
Opening hours: Thursday–Saturday,
12–6pm, and by appointment
Photographer: Viktor Fordell
@malgakubiak72805 #malgakubiak @keirajfox #keirafox #kseniapedan @emily6th@mint.abf@anorakanorak
Thank you for joining us on the opening night of BLOW THE BOUTIQUE, 30.4 2026 at anorak, w/ Keira Fox, Malga Kubiak, Ksenia Pedan
Keira Fox’s new performance ’Contrivances of hell’ took place within the walls of Ksenia Pedan’s installation accompanied by Sean Colum’s audio interferences.
Exhibition period 30 April – 13 June 2026
Opening hours: Thursday–Saturday, 12–6pm, and by appointment
anorak Gottlieb-Dunkel-Str. 43/44, 8th floor
Berlin
Photo: George Nebieridze @nebieridze.de@malgakubiak72805 #malgakubiak @keirajfox #keirafox #kseniapedan @emily6th@mint.abf@anorakanorak
Ksenia Pedan will be part of BLOW THE BOUTIQUE, opening 30.4, 6–9pm at anorak, Berlin!
BLOW THE BOUTIQUE
Keira Fox, Malga Kubiak, Ksenia Pedan
Exhibition period 1 May – 13 June, 2026
Of joy, sex, destruction and the mystery of time, this exhibition presents Malga Kubiak’s legendary video series ’The Egotrip Collection’ (1984–1994), a new performative intervention by Keira Fox and installations and paintings by Ksenia Pedan. Together, the works form a matrix in which the boundaries between life and art collapse in a flickering, live edit.
Curated by Emily Fahlén (Mint)
anorak
Gottlieb-Dunkel-Str. 43/44, 8th floor
Berlin
Image: Ksenia Pedan, On invitation of its creator 2, 2026
Print on aluminium canvas
#kseniapedan @anorakanorak@mint.abf
Preceding her exhibition Blow the Boutique at anorak in Berlin, Mint konsthall’s Emily Fahlén spoke with Małga Kubiak about her life, work, and taboo-filled artistic practice. The interview is available to read now on our website, linked in our bio.
Kubiak’s The Ego Trip Collection (1984-1884) is featured as the point of departure for Blow the Boutique, on view from April 30th – June 13th. Within the video series, Kubiak confronts the viewer with existential questions through a rapid montage of images, dark humour, and explicit imagery. The exhibition also features works by Keira Fox and Ksenia Pedan.
On the opening night of BLOW THE BOUTIQUE, 30.4 at anorak, Keira Fox presents ’Contrivances of hell’
– a new performative iteration of an ongoing research project into written testimonies of state violence and the weaponization of gender, focusing on methods used against women held on remand at Armagh Prison in Northern Ireland during the early 1980s.
With a focus on the women’s own weapons of day to day resistance, Keira Fox’s interventions take place within the walls of Ksenia Pedan’s installation and accompanied by Sean Colum’s audio interferences, in a sequence of seven. Costume design is by Xenab Lone.
BLOW THE BOUTIQUE
Keira Fox, Malga Kubiak, Ksenia Pedan
Curated by Emily Fahlén (Mint)
Opening Thursday 30 April, 6–9pm
Exhibition period 1 May – 13 June, 2026
anorak
Gottlieb-Dunkel-Str. 43/44
Berlin
Photo: HIAR (2026) at Bolding with Louis Backhouse
@keirajfox #seancolum @xenab_lone@mint.abf@anorakanorak
BLOW THE BOUTIQUE Keira Fox, Malga Kubiak, Ksenia Pedan
Opening Thursday, 30 April 6–9 pm
anorak Gottlieb-Dunkel-Str. 43/44
Berlin
Of joy, sex, destruction and the mystery of time, this exhibition presents Malga Kubiak’s legendary video series ’The Ego Trip Collection’ (1984–1994), a new performative intervention by Keira Fox (including audio in collaboration with Sean Colum), and installations and paintings by Ksenia Pedan. In ’The Ego Trip Collection’ Kubiak confronts the viewer with existential questions through a rapid montage of images, black humour, and explicit imagery. Together, the works form a matrix in which the boundaries between life and art collapse in a flickering, live edit.
Curated by Emily Fahlén (Mint)
Opening times during Gallery Weekend: 1–3 May, 12–7pm
Regular opening times: Thursday–Saturday, 12–6pm, and by appointment
Exhibition period 30 April – 13 June 2026
Image: Malga Kubiak – The Ego Trip Collection – ID N4: Part 2, 1991 (film still)
@malgakubiak72805 #malgakubiak @keirajfox #keirafox #kseniapedan @emily6th@mint.abf@anorakanorak
The fourth edition of Mint Poetry Festival, ’With My Dog Eyes’, is curated by artist James Richards.
James Richards (b. 1983 Cardiff) works in Berlin. His practice encompasses expanded film, video, and installation. Richards provocative and visually seductive moving-image works collage together a wide range of source material, ranging from intimate home movies, archival footage, and television signals to rich musical soundtracks. Richards often collaborates with other artists either as composer, visual artist, or curator.
Selected solo exhibitions include: Fevers, Sylvia Kouvali, London (2026) and Grazer Kunstverein, Graz (2025); Our Friends in the Audience, Kunstnernes Hus, Oslo (2024); When We Were Monsters, Haus Mödrath, Kerpen (2021); Alms For The Birds, Castello Di Rivoli, Turin (2020); SPEED, with Leslie Thornton, Künstlerhaus Stuttgart, Stuttgart (2018); Crossing, with Leslie Thornton, Secession, Vienna (2018); Migratory Motor Complex, Chapter Art Centre, Cardiff (2018); Music for the Gift, Cym Yrun Fenis, Wales in Venice, Venice Biennale, Venice (2017); Abyss Film, with Leslie Thornton, Kestnergesellschaft, Hannover (2016). Richards’ work has been presented in major international group exhibitions. In 2017 he represented Wales at the 57th Venice Biennale and was awarded the prestigious Preis der Nationalgalerie in 2024.
Mint Poetry Festival 2026
’With my dog eyes’
28 March, 14–17
Zätasalen, ABF Sveavägen 41
Stockholm
🔗Ticket link in bio! and at m-i-n-t.se
Images: James Richards, ‘Fevers’, 2026, stills and installation view. Courtesy: the artist and Sylvia Kouvali, London / Piraeus
#jamesrichards #mintpoetryfestival
As part of Mint Poetry Festival 2026, artists Lucas Foletto Celinski and James Richards, present a newly commissioned performance that brings together a collage of texts, images, and audio from the work of Brazilian writer Hilda Hilst (1930–2004). Over a career spanning more than five decades, she produced a diverse body of work that includes poetry, drama, and experimental fiction. At the core of the performance are excerpts that exposes the aging body, desire, madness, and a faith in crisis.
The work will be performed by Lucas Foletto Celinski, Marie Silkeberg and Em Silén.
Lucas Foletto Celinski is a Brazilian artist based in Berlin. His artistic practice focuses on the body and its processes of manipulation, transformation, and resistance. His interdisciplinary approach establishes a dialogue between visual art and body modification practices, a field in which he is also active as a researcher and educator, engaging in historical study, exhibition-making, and experimentation on his own body.
James Richards is a visual artist living in Berlin. He is also the guest curator of this year’s Poetry Festival.
Mint Poetry Festival 2026
’With my dog eyes’
28 March, 14–17
Zätasalen, ABF Sveavägen 41
Stockholm
🔗Ticket link in bio! and at m-i-n-t.se
Collage by Lucas Foletto Celinski
#hildahilst @lucasfolettocelinski #lucasfolettocelinski #jamesrichards @marie.silkeberg #mariesilkeberg @rip_____me #mintpoetryfestival
Mint Poetry Festival 2026 presents Franks Dogs (2025) by Angela Lieber.
Angela Lieber, based in Bremen, Germany and Lubbock, Texas, uses everything - trash, their body, poetry, archives, local infrastructures - to make texts, videos, performances, voice works, and installations about desire, longing, memory, erotics, and other affective states attached to the lifelong processes of cultural subjectification. Their work often takes on forms that betray and exceed their intended uses, such as interview protocols, screenplays that are never produced, liturgical scores, and to-do lists. Angela works primarily in collectives, and their work has been presented internationally in site-specific exhibitions, academic institutions, bedrooms, festivals, and bunkers.
Mint Poetry Festival 2026
’With my dog eyes’
28 March, 14–17
Zätasalen, ABF Sveavägen 41
Stockholm
curated by James Richards with Mint.
🔗Ticket link in bio! and at m-i-n-t.se
@d.i.y._exorcism #angelalieber #jamesrichards #mintpoetryfestival
WITH MY DOG EYES (EPILOGUE) at Cues
Saturday March 28th, 2026
following MINT POETRY FESTIVAL
curated by James Richards with Mint
featuring Kathy Acker, CAConrad, Lucas Foletto Celinski, Hilda Hilst, Alexey Kokhanov, Angela Lieber, Atalia Shaw, Adam Sinclaire, Edward Thomasson and Ian White
Zätasalen, ABF, Sveavägen 41
2PM – 5PM
Tickets available @mint.abf
Opening hours at Cues for Saturday will be 9PM to 12AM
Due to limited capacity please RSVP with your full name to [email protected]
for more information and address
__
'20 years' by Brianna Leatherbury will be on view throughout the evening
Mint Poetry Festival 2026 presents ’Black Flags’ by Ian White. Performed by Adam Sinclaire.
Ian White (1971–2013) was an artist, curator and writer. Born and raised in Dagenham, he studied English Literature at Downing College, Cambridge (1990-93). On returning to London in the mid-1990s he became involved with the underground arts scene around The Horse Hospital, where he was both programmer and occasional performer for several years. By the mid-2000s White was a highly influential curator of the moving image and organised many screenings, events and exhibitions for venues including LUX, the Whitechapel Gallery, Kino Arsenal in Berlin and the International Short Film Festival Oberhausen.
White was also an artist working primarily in performance (he himself called his curatorial and artistic work “indivisible”). He often worked collaboratively, notably with fellow artist and friend Jimmy Robert. In addition to his curatorial and performance work, White wrote extensively for art magazines, as well as numerous catalogue essays and book chapters. He also taught extensively, holding positions at Goldsmiths’ Department of Art and the Dutch Art Institute amongst others, and was leader of the LUX Associate Artists Programme (2007-13).
White lived in London for much of his working life, but after a DAAD residency in 2009 he relocated to Berlin for several years, returning to London only in the last year of his life.
Mint Poetry Festival 2026
’With my dog eyes’
28 March, 14–17
Zätasalen, ABF Sveavägen 41
Stockholm
curated by James Richards with Mint.
🔗Ticket link in bio! and at m-i-n-t.se
Photo: Krzysztof Zielinski Courtesy: The Artistic Estate of Ian White
#IanWhite @adamsinclaire #adamsinclaire #jamesrichards #mintpoetryfestival