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Milad Nemati

@milaadn

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Grace Weaver explores the human figure as a shared visual language. Her paintings and paper works examine gesture, movement, and emotion as enduring forms across art history, connecting the everyday with the archetypal. Questions of composition and surface also shape her collage practice, where painterly thought translates into material arrangement. Grace Weaver was born in 1989 in Vermont, USA. She studied at Virginia Commonwealth University and lives and works in New York and Berlin. Milad Nemati's work revolves around themes of identity, memory, and the structures of everyday life. Working with painting, drawing and watercolor, he follows an intuitive, moment-based process inspired by Omar Khayyām's philosophy of presence. Starting from accidental backgrounds, figurative scenes emerge through a dialogue between control and chance, resulting in playful, at times absurd images that reflect lightness and unpredictability. Born in 1991 in Tehran, Iran, Nemati lives and works in Berlin. He graduated from the Berlin University of the Arts. The Power of Small Things is on view until January 24, 2026. More information via the link in our bio. 1.-4. Grace Weaver Untitled (Souvenir Collage), 2025 Mixed media on paper 17.8 x 12.7 cm 5. Milad Nemati Judith, 2025 Water color on paper, framed 32 x 26 cm 6. Milad Nemati Josephine, 2025 Water color on paper, framed 32 x 26 cm @weaver_grace @milaadn #contemporaryart #figurativeart #berlingallery
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4 months ago
Judith- watercolour on Paper, 21 x 14.5 cm, 2025 “Fractured Hinges with an Odd Grace” At the beginning, it was all amazing, like a dream. We were always together, inseparable, like a pair of pliers that’s useless when taken apart. But just like pliers, everything depended on that small metal screw, that tiny piece holding it all together. And when that breaks…
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5 months ago
Josephine- Watercolour on Paper, 21 x 14.5 cm, 2025 “Fractured Hinges with an Odd Grace” At the beginning, it was all amazing, like a dream. We were always together, inseparable, like a pair of pliers that’s useless when taken apart. But just like pliers, everything depended on that small metal screw, that tiny piece holding it all together. And when that breaks…
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6 months ago
-The Painful Remedy Pencil on Laminated Paper on Wood Panel, 210x273 cm, 2024 Love is an immensely complex and dramatic concept in the Persian literature. It has been described as a burning feeling in the chest, a fire within the heart (soul). As Rumi puts it: “When the beloved appears like the radiant sun, The lover becomes like a whirling mote.” Something illogical, something more precious than life itself. “Reason has no place in the abode of love, For even the wisest mind is driven mad by love.” — Raziuddin aRtimani Love is an eternal struggle. It’s both suffering and fortune, pain and opium. “O you who are both my pain and my remedy, O you who are both my life and my beloved, My pain has exceeded bounds, send a cure, O remedy for my incurable pain.” “My pain stems from my beloved, and my cure resides in them too, My heart is sacrificed for their sake, and my soul surrenders as well.” — haFiz Love is a limbo. It drives you insane, a very joyful insanity indeed! “O Saadi, remain silent if they call you mad for love, Though it arises from a wise heart, it leads to madness.” — saadi “Abandon your cleverness, lover; go mad, go mad, Enter into the heart of the fire; become a moth, become a moth. Make yourself a stranger, and destroy your own house, Then come and join the lovers; become one with them, become one with them.” — Rumi The lover is blindly willing to do anything, even die for the sake of the beloved, since death is the only cure. “There is a pain beyond death, for which there is no remedy, So how can I ask you to heal this pain? ” — Rumi Subsequently, hurting and getting hurt. “‘How is Shirin’s love for you?’, he asked, ‘Sweeter than the sweetness of my own life.’, he replied, ‘And if it wounds your eye?’ He replied, ‘I have another eye ready to offer.’” — nizami Love is a yearning, that you never want to live without, because without it you’re nothing. “Love’s relentless pull, it won’t let you be, To the shrine you’ll surely come, if not to the corpse, you see.” — amiR KhusRau
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1 year ago
Dance of the Knights Vitray paint and charcoal on MDF board, 130x170cm 2019
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2 years ago
Artworks exhibited during ato’s exhibition „on/off – Questions of Timing“ in Berlin (27.10.–17.11.): 6/6 Safety on Board Milad Nemati 2023 | paint, wood | 150 x 150 cm | unique specimen Picked and represented by ato art agent @naama_raha ‘Terrorism, to which some citizens of this planet enthusiastically subscribe day after day, seems to be a universal problem. This project does not attempt to describe this enthusiasm, nor does it attempt to celebrate it. Its origins are unknown to me, and probably even to experts in the field. This is, in fact, one of the many views on the massive flood of these seemingly passionate people to this ideology.’ – Statement by the artist ‘In my role as a curator, I always aim to connect artworks with the spirit of the time. When curating “Safety on Board”, I not only engaged with the contemporary context but also grappled with my identity as an Israeli curator representing Milad, an artist from Iran. When we initially selected this work, we didn‘t anticipate the complexity of the situation. However, as events unfolded, the work gained greater relevance to me. Over time, Milad and I realized that presenting the work became as crucial as our decision to collaborate. Despite the uncomfortable nature of discussing terrorism in these challenging times, we both believe it‘s essential to convey the message that such collaborations are not only possible but necessary.’ – Statement by the art agent @naama_raha Milad Nemati was born in Tehran in 1991. After studying Painting in the Tehran School of Art from 2005 to 2008, he pursued his studies in Maziar Art University in Noor, North of Iran. After two years, he decided to quit the course and move to Germany. While he was learning German in Tehran, he worked as an artist with different galleries for various solo and group exhibitions. He then joined UDK Berlin in 2017 – since then, he lives, works and studies in Berlin. Find more infos about the artist and the artwork for purchase on www.ato.vision Picture 2, 5 & 6: @sebastianheckcom #miladnemati #naamarahamim #atovision
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2 years ago
Family Romances- details III/ Pencil, charcoal, dip pen and ink, 150x170cm, 2022
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3 years ago
Family Romances- details II/ Pencil, charcoal, dip pen and ink, 150x170cm, 2022
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3 years ago
Family Romances- details I/ Pencil, charcoal, dip pen and ink, 150x170cm, 2022
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3 years ago
Prince 11 show last may
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3 years ago
Handoff- Acrylic paint, dip pen and ink on fine art paper, „triptych“32x63 cm, 2022
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4 years ago
Heat of Fusion, Dip pen and ink on paper, 14.3x10.5 cm, 2022
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4 years ago