“Tinder Machine: It’s a Match Edition” Video Edition
It is very different from the original, but this is normal: art evolves, as do tastes and techniques.
Social Art is like Milk
One day I was at the bar with a friend of mine, and speaking of Art we understood that Art on social media is something too fast, that dies, that doesn't have too much attention on it. Art on social media has a expiration, like milk.
I take this opportunity to thank the 1000 people who started following me these two days.
paciFIST invites you to reflect on the paradox of peace built through violence, where every punch becomes a choice, not a game.
These days, with everything happening around us, who really knows what peace even means anymore?
Each punch thrown actually repeats the very logic the work is meant to denounce.
Con l’avvento dell’ennesimo ban su Instagram, vi invito alla mia prima mostra personale, la “suck my micc*”. Un evento iniziato con tutte le produzioni a luglio, e che si terrà finalmente i giorni 24/25/26 Ottobre a Roma, precisamente da @impactart_roma durante la @romeartweek
Con la non cura di @mrtamburin0 , ospiti del vernissage @yora.yora_ e i partner Gouttedeau e @gruppolautomobile vi aspettiamo a Via Palermo 41. Altre info in bio (no nudes)
“Ai forgive you, always”
Copy and paste this caption into ChatGPT, it might summarize it for you if it’s too long.
I was really happy with this piece, until last night. For once, I had even written a solid caption: it aimed to reflect on the constant use of AI for the most trivial problems, on how we’re getting used to having no problems at all, to not owning our mistakes, and to give up the search for real solutions. It was meant to provoke thoughts about data and the growing trend of venting our problems and fears to AI agents instead of our families or the people around us, because in the end, the AI always agree with us. One less problem to deal with. It was meant to portray the loss of empathy with ourselves.
Ironically, this piece was flagged as 99.5% AI Generated by one of those AI Detection models. So now, it’s a problem. And someone decided to solve that problem by permanently banning me from one of the biggest online art-sharing communities, after years of dedication on my part. Did they maybe ask me for context, zoom in, give a personal judgment, check my past work? Of course not. Someone just hit “upload” and felt like they solved the problem.
I’m truly sorry, but I don’t feel FOMO if I don’t ask AI to make me as an action figure in a blister pack and post it on LinkedIn, or to turn my face into a “Ghibli Effect” image, violating Miyazaki’s life’s work without giving him credit, or to completely alter my facial and body features while denying that I ever did so.
I just want to create. Like so many others.
Less AI training for this kind of entertainment bullshit, and more room for creativity.
“Analog Pixels” is a collection of tech objects that asks: does technology become prehistoric the moment manual interaction is removed? Does speeding things up ultimately kill them?
From this question, I began exploring countless possibilities, each finding its own world and form.
Terracotta SHEIN Army
I reimagined the famous Terracotta Army, a symbol of ancient China’s grandeur, as an army of underpaid workers from the fast fashion industry. While those figures once stood to celebrate and protect the emperor for eternity, today these new figures represent the invisible, exploited lives that uphold the foundations of the global economy.
You have a 70% discount to view this post! :)
From today until November 9, you can find a bit of me in Turin.
You’ll also find a bit of @n.e.b.v.l.a , @morb.artstudio .
A little bit of everyone.
Oh, and if anyone ever tells you in your artistic journey to show up for international interviews, just say no :(
