SHOW US WHAT YOU’RE WORKING ON, whether you’re working from your bedroom, garage, basement or kitchen! Sharing David Salgado’s (MFAST ‘21) work from his bedroom studio.
@lowresmfa@keepworking
MICA Grad Studies is accepting online applications today through April 19th, 11:59 pm 2020 for the MICA popup online exhibition to open this May 2020. Application link in our profile above.
All MICA MFA and MA graduate students eligible to apply! The exhibition will be held website(we will announce it soon) from May 1-15th, and 16-30th.
Curator Biography
Sungah Kang is a painter and curator originally from Seoul, South Korea. She received her undergraduate degree in Painting from Sangmyoung University where she focused on the intersection of abstraction and feminism. Her work at the time was a reaction to the dominant modes of gender inequality and the challenges of engaging in overt social and political commentary in traditional Asian culture. Sungah would later work at a print shop and gallery in Seoul called, Printbakery, where she became interested in how making exhibitions and curating can engage the public in unexpected ways. In 2017, she moved to Baltimore to complete MICA’s Post-Baccalaureate program and soon after enrolled in its MFA in Curatorial Practice program.
Posted @withregram • @ashtonsphillips Honored to have my work “Exposed” included in “Hobson’s Choice” virtual exhibition @Torranceartmuseum . Now LIVE. • “Exposed”
2020
site-specific installation
exposed tree root, exposed urban earth, scrap industrial aluminum, rain, leaves, & weeds •
Today, we feature thesis work in progress from Shannon Brinkley (MFAST ‘20) @shannonbrinkleystudio All in a week’s work, 7 days a week. Net no. 7
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#doubletime #keepingon #net #netmaking #dailypractice #thesis #micamfast #micamade2020
Class of 2020 member Liz Miller shares her thesis work progress: I got to find a better documentation space. On the bright side, 2 headdresses down, 10 and 3 halfs to go...
MFAST Class of 2020 perseveres in spite of the pandemic! We’ll be featuring the ongoing thesis show preparation of the Class of 2020 for the next few weeks.
First up Michelle Lisa Hermann @michellelisaherman Posted @withregram • Sneak peek! Two sample pieces of 12’ tall wallpaper for an installation in my (hopefully) upcoming thesis exhibition this summer.
Brett Wallace (MFAST’19) is one of the artists featured in the exhibition “The Question of Intelligence: AI and The Future of Humanity,” curated by Christiane Paul, PhD. The show is on view at the Sheila C. Johnson Design Center, The New School, Parsons, New York City through April 8, 2020.
Together the works in the exhibition examine and juxtapose the ability of humans and machines to acquire and apply skills and knowledge, raising questions of what the encoding of 'intelligence' means for the state of being human.
Brett will participate in a public program with Christiane Paul and artist Tega Brain on April 2, 2020 from 6:30-8:00pm. Photos by Marc Tatti
JUICE!....this Friday...Chicago....local artists tell their stories!
Hosted by Azul Nogueron (MFAST ‘20) and curated by Nikki Brooks (MFAST ‘19). Fulton Street Collective
1821 W. Hubbard
Chicago, IL
6-9 pm
Tickets: early access $10; regular entry $15
Brett Wallace (MFAST ‘19) is one of the artists featured in “The Question of Intelligence: AI and The Future of Humanity." The exhibition was curated by Christiane Paul, PhD. On view at the Sheila C. Johnson Design Center, The New School, Parsons through April 8, 2020.
Check out these installation shots from Jacob Rowan’s (‘19) solo show “Edifice and Alchemy.” The exhibition runs through March 25 in the Bitsy Irby Visual Art and Dance Center Art Gallery at Belhaven University in Jackson, Mississippi.
#lowremfa #installationart #drawing #micamade
“Symbiosis,” an exhibition of Rachel Hubbard Kline’s (‘19) work opens tomorrow at Cerbera Gallery in Kansas City, MO.
"Symbiosis" in the relationship of surfaces to forms and addresses the hierarchy of importance between the form and the image or decoration.
Based in Kansas City, Rachel Hubbard Kline’s work explores the wistfulness of personal connections to historical domestic objects and material culture. Objects both functional and ornate, factor into the banality and mundane of daily life. As the current political and social climate continues to shift, Hubbard Kline seeks to compare past and present means of the production of goods and labor.
