An iconic japanese (real) stamp made for the INSCAPE exhibition paying homage to Native American folk artist JOSEPH ELMER YOAKUM (1890-1972) in Paris, Tokyo and Seoul @lemaire
Special thanks @amlgnt_@undundund
Memories from INSCAPE exhibition paying homage to Native American folk artist JOSEPH ELMER YOAKUM (1890-1972) though a series of exhibitions in Paris, Tokyo and Seoul.
My first exhibition management and design project at LEMAIRE: Exhibition conception and branding, photoshoots art direction, overall digital communication and signage.
Under supervision of @sarahlinhtransiegelbaum and Christophe Lemaire
With great team collaborators @ibtissame______@yann.i.ck@lunapicolitruffaut@undundund@astr.astr.astr@amlgnt_ Noé @melaniecolonna and many more
Curation and texts @josauzende
Scénographie @jeanbenoitvetillard
Image 5 ~ Prior photography by Lena Emery @lena_c_emery
Image 6, 7~ photography by Jean Marie Binet @jimbiners
Supported by Anna Furney And the Venus over Manhattan Gallery.
@v_over_m@galeriederouillon
ANEGUNDI DAUGHTERS
India. For years i’ve wanted to find the girl whom i was named after. How can i remember a place I have only dreamed off? I found Anjuna. She is no longer a girl. She is the foster mother of the village daughters.
To ties of the past and present. Mom, dad, Sharada, Elyssa, Anjuna, Léo, Gigi, Ram, and the daughters of Anegundi
Chosen family of unpopular critters
∵ TIGER MOTH CATERPILLAR
∵ WILD RED TAILED BOA CONSTRICTOR
∵ WEB PORTAL
∵ MOTHER OF CORDYCEPS
∵ and ∵ COOKEINA FUNGHI
Amazon rainforest finds, film photography
PRINCESSES COURBANT L’ÉCHINE PASSEZ VOTRE CHEMIN.
Car je n’ai jamais connu pour maîtresses que des sorcières.
𖣂 Photographies argentiques de la Forêt Amazonienne
Fragment de poème volés à @romangabes
First release on Bandcamp 🌱 Under the name LUCUS
𖣂 The Forest is having a dream, and in its multiple voices reclaims its acoustic space weakened by the Anthropocene 𖣂
This album is composed from my tropical forests recordings, mainly peruvian Amazon and brazilian atlantic forest.
It was part of audiovisual immersion I created for the collective exhibition “Un hiver non-humain II” co-organized by WilBretagne, Cui-cui magazine, and la compagnie de l’Effraie.
@wildbretagne@ewen_jezegou@cui_cui_fanzine@cie_leffraie
Big love to my friend @griigg for setting me on the path of composition, teaching and supporting me throughout my learning process <3
~
luce-lucus.bandcamp.com