Marko Ciciliani & Barbara Lüneburg // Ruhail Qaisar // nnscya
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Marko Ciciliani 是一位作曲家、跨媒體藝術家及表演者。他的創作核心在於「表演性電子音樂」，並多以影音共感的語境呈現。在他的作品中，互動視訊、燈光設計與雷射圖形往往是不可或缺的元素；同時，他也擅長融入遍歷式敘事、跨媒體敘事以及思辨虛構等手法。德國新音樂報 Neue Zeitschrift für Musik曾盛讚他為「當今電子音樂與多媒體領域最值得關注的作曲家之一」。
其足跡橫跨全球 45 國，受邀於 Ars Electronica、Donaueschinger Musiktage 等頂尖電子與當代音樂節。他不僅發表多部影音作品與學術論文，更提出具影響力的「擴展領域中的音樂」理論。現任格拉茨音樂與表演藝術大學教授的他，曾主持 GAPPP 藝術研究計畫，探索遊戲元素與實驗影音的結合，並多次受邀於Darmstadt Summer Courses擔任作曲導師。
當晚他將表演兩部作品《Archipel Arpeggio》和《Zero to Circle》（音樂會版），並穿插 Barbara Lüneburg 的手勢表演。
Marko Ciciliani is a composer, intermedia artist and performer. The focus of his artistic work lies in the composition of performative electronic music, mostly in audiovisual contexts. Interactive video, light design and laser graphics often play an integral part in his compositions, just as well as elements of ergodic or transmedia storytelling and speculative fabulation. The German magazine Neue Zeitschrift für Musik referred to him as “one of today’s most interesting composers in the field of electronic music and multimedia”.
His work has been performed in over 45 countries, featured at premier festivals like Ars Electronica and Donaueschinger Musiktage. A pioneer in audiovisual research, he developed the influential “Music in the Expanded Field” theory. Currently a Professor at the University of Music and Performing Arts Graz, he led the GAPPP project exploring game elements in composition and has frequently served as a composition tutor at the prestigious Darmstadt Summer Courses.
That evening at Twenty Alpha, Marko Ciciliani will perform two works Archipel Arpeggio and Zero to Circle(concert version), alternating with gesture-based performance by Barbara Lüneburg.
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Marko Ciciliani @mciciliani
Barbara Lüneburg
Ruhail Qaisar @iakksakkath
nnscya @nnscya
Poster by @nnscya
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2026•4•3 FRI | 20:00 | $160 (18歲以下50%)
20α | 13/F, Foo Tak Building
367 Hennessy Road, Wanchai
灣仔軒尼詩道367號富德樓13樓
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Studio Sponsor：艺鵠ACO @artandcultureoutreach
Game engines aren’t just for games. They’re powerful tools for building interactive sound, performance systems, and multimedia worlds.
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The Game Engines for Music : Crash course in GODOT is an introductory crash course workshop that explores how game engines are increasingly used in music and live performance, with a hands-on introduction to the open-source engine GODOT. Marko Cicilliani ( @mciciliani ) will walk participants through examples of real projects, cover the core concepts, and offer a solid starting point to begin creating your own game-based environments for musical performance.
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Date: 27th February
Location Santuri Classroom - The Mall basement °•°•°•°Requirements: Bring your laptop (latest version of GODOT installed)°•°•°•° Download GODOT via link in bio
. Tickets available via link in bio
#RoadToKilele #Kilele26 #SoundAndSolidarity
We're spending my birthday in Vela Luka on the island of Korčula in Croatia, where in 1968 the International meeting of Artists took place, where more than 30 artists participated, who left behind around 70 artworks that were all donated to the village. Luc Ferrari was one of them and this is also the place where he recorded the material, that a few years later became "Presque rien no1 (le lever du jour au bord de la mer)". A large beautiful board made of mozaik stones commemorates the remarkable event.
Since Saturday my audiovisual installation "Zaštićeni prostor - zagušeni prostor" is on display at Hrvatski dom in Split. It deals with the lighttowers in the main harbor of Split and uses lighting, multichannel sound and videos on multiple tablets.
It is part of the exhibition of the wonderful project Skriveni grad, organized by Kino klub Split that I had the honor to participate in. If you happen to be in Split, check out the exhibition. It's on until December 23, every day from 5pm to 8pm.
I'm very excited to announce the release of my project "Why Frets? 2083", which is published today by "Mille Plateaux" and "Galerie der Abseitigen Künste".
The release consists of an art-book (designed by Martin Stiehl) with an integrated USB-Stick which contains videos of the three parts of "Why Frets?" - a live-electronic multimedia concert, an installation and a performance-lecture.
The release event is today at the "Mille Plateaux Ultrablack Non-ference" in Forum Stadtpark in Graz. Two parts of the project will be presented: the installation "Why Frets? - Tombstone" is running in the main gallery space and at 6pm I will present the performance-lecture "Why Frets? - Requiem for the Electric Guitar". The third part "Why Frets? - Downtown 1983" I will perform on November 2nd at Dom im Berg/Graz.
