Maxine Wally

@maxinesleep

Senior digital editor @wmag
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Weeks posts
@tinemachine1 and I dropped into @doverstreetmarketnewyork and were treated to a top-to-bottom personal tour by @its_leoswayyy . We also happened to catch a talk with @stephenjonesmillinery moderated by @maxinesleep đŸŽ©đŸ§ąđŸ‘’ and met @randyknoxandrus @missclairesullivan @thetwinningteam One the big things that I miss about living in New York City is the spontaneity of meeting wonderfully creative and warm people and also happening upon events like this. #art #sketch #nyc #metgala #fashion
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comic artwork of @badgalriri for @wmag 
 đŸ©· hope y’all like it & help me by sharing your thoughts below
 #rihanna #wmagazine
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Rihanna graces this month’s cover of W Magazine, and instead of a traditional interview, the icon’s closest friends and collaborators shared personal stories about her in the new cover story. Mary J. Blige spoke about how Rihanna changed the music industry, saying she “completely raised the bar” and “elevated the game”: “She is a fashion icon. She was dropping smashes back-to-back and bringing more awareness to dancehall mixed with R&B.” Mariah Carey reflected on a recent viral moment when Rihanna attended one of her shows and asked her to sign her chest. She also revealed when they first met: “I was introduced to Rihanna when she was about 17 years old, by our mutual friend Jay-Z. She was just getting started, and I had a feeling she was going to be a major star. She’s a real girl’s girl.” One of Rihanna’s most successful collaborators, SZA, also shared words with the publication and recalled a time Rihanna stood up for her at the Brit Awards: “I had no experience and definitely didn’t know where the hell I was or what this meant. It was suggested that I basically wear a curtain and disappear, and when I told her, she immediately said, ‘Hell, no! We need you to look hot!’ She made sure I got to pick whatever I wanted and looked cute.” 📝: Maxine Wally (@maxinesleep ) 📾: Tim Walker (@timwalker )
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Rihanna est en couverture du @wmag , avec sa fille Rocki. La sĂ©rie de photo, rĂ©alisĂ©e par @timwalker est accompagnĂ©e d'un article, oĂč la journaliste, @maxinesleep a demandĂ© Ă  l'entourage proche de la chanteuse, mais aussi des collaborateurs dans le monde de la musique et de la mode, de la dĂ©crire. A dĂ©couvrir tout au long de ce carrousel. Credits : @wmag
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For W Magazine, Rihanna appears alongside her daughter in a major editorial shoot, marking their first mother-daughter cover together. đŸŒ Her daughter, Rocki Irish Mayers, born on September 13, 2025, makes her first appearance in a fashion editorial. Rihanna continues to embrace this new chapter, proudly sharing moments with her children.
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More from the archives 📾đŸȘ© Truly Special kicks off tomorrow night at 9pm @night_club_101 !
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Ahead of two major exhibitions celebrating Milton Avery (@miltonaveryestate ), several contemporary artists shared their favorite works by the “American Matisse” with W Magazine (@wmag ). Sanya Kantarovsky, Gary Hume (@garyhumestudio ), Katherine Bradford (@kathebradford ), Andrew Cranston, Henni Alftan (@hennialftan ), Jonas Wood (@jonasbrwood ), and Amy Sillman (@amyandomar ) discussed Milton Avery’s impact on their practice—and why his paintings still resonate with them after all these years. Milton Avery ‘The Figure,’ an exhibition dedicated to Avery’s portraiture from the 1920s through the 1960s, is on view at Karma, Los Angeles, through March 28. Concurrently, ‘Milton Avery and His Enduring Influence on Contemporary Painting’ is on view at the Malta International Contemporary Art Space (@micasmalta ) through April 4. Above: (1) Milton Avery, ‘The Figure,’ installation view, Karma, Los Angeles, 2026 (2) Milton Avery, ‘Mama's Boy,’ 1944. (3) ‘Interlude,’ 1960. Philadelphia Art Museum: Centennial gift of the Woodward Foundation, 1975-81-1 (4) ‘The Typist,’ 1952. Collection of the Farnsworth Art Museum, Rockland, Maine, Gift of Mary Louise Meyer in memory of Norman Meyer, 1997.6 (5) ‘Bus Ride,’ 1941. Yares Art (6) ‘Black Sea,’ 1959. The Phillips Collection, Washington, DC, Acquired 1965 (7) ‘Boathouse by the Sea,’ 1959. All works © 2025 The Milton Avery Trust / Artists Rights Society (ARS), New York
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Really nice write up in @WMag Thx to @maxinesleep for talking to me about Hard Copy @icp Some more install pictures of the show if you slide past the article. Looking forward to seeing everyone at the opening. Thank you to @davidcampany for asking me to do this show and co-curating it with me. It’s been an honor.
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đŸŽ» LIVE BLUEGRASS NEXT FRIDAY 1/9! đŸŽ» Start the new year strong with Lake Effect Bluegrass Band đŸŽ¶ 📍 Roots Cafe 🗓 NEXT Friday 1/9 | 7–10 PM 🎉 Celebrating Roots Café’s 1st Anniversary 🎊 PLUS a Post–New Year’s Celebration đŸ· BYOB đŸŒ± Vegan menu Great music, great food, great people—Closter & Bergen County, come on out! đŸŽ»âœš #LakeEffectBluegrassBand #LiveMusicNJ #BluegrassNJ #RootsCafeCloster #ClosterNJ BergenCountyNJ BYOB VeganNJ FridayNightLive PostNewYearsParty AnniversaryCelebration SupportLocalMusic
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Je suis dumpmas. Uzés and Marseille in May for the perfect wedding of @theatheatheaa and @tim_bayard . Ask me about the remix of pink pony club and we found love I made their DJ send me.
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Odessa A’zion for W VOLUME 5: THE ORIGINALS @odessaazion Stylist: @aaalliata Editor in Chief: @saramoonves Writer: @maxinesleep
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W VOLUME 5: THE ORIGINALS ISSUE! I love you W. sowwy about my potty mouth.. take me back 15 years I woulda gotten a bar a soap 💀
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