Maximilian Rödel

@max_roedel

🧌🪘🌋 An Ocean in a Drop @indigoartmuseum 2.20-5.15 @artbasel works @galerieruedigerschoettle + @tanyaleighton 6.15-6.21 Solo @tanyaleighton 7.03
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6 years ago
Bridge VIII, 2025, 200 x 175 cm (79 × 69 in), oil on canvas 🎺🧩 on view @indigoartmuseum An Ocean In A Drop Indigo Art Museum Arvind Indigo Foundation Ahmedabad, Gujarat, India
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1 month ago
Installation views of my “Bridges” series at @indigoartmuseum within the exhibition “An Ocean In A Drop” Curated by @kavinmehta94 Indigo Art Museum Arvind Indigo Foundation Ahmedabad, Gujarat, India 📸 @framesxflexx @hendrik.j.m
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1 month ago
Bridge V (Event Horizon), 2025, 200 x 175 cm (79 × 69 in), oil on canvas 🧌🌋🪘 on view @indigoartmuseum An Ocean In A Drop Indigo Art Museum Arvind Indigo Foundation Ahmedabad, Gujarat, India
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2 months ago
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2 months ago
Thrilled to be part of “An Ocean in a Drop” at @indigoartmuseum 📍 Indigo Art Museum Arvind Indigo Foundation Ahmedabad, Gujarat, India Looking forward to seeing you there Bridge XIII, 2025, 200 x 170 (79x67 in), oil on canvas
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2 months ago
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2 months ago
RIFT II, 2025 135 × 115 cm (53 × 45 in) Oil on canvas @galerieruedigerschoettle VII. Frequency is Origin Art is not a self-portrayal tool. Instead, it is a living carrier of what lies beyond the self. Art is origin in form. Frequency in structure. Memory in space. And all who look, will be moved. Not because they see. But because they are reminded. Laura Luna Eliza Dittmeyer / NOËMA @lvnaeliza_
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3 months ago
Bridge II (Suspension), 2025, 200 x 175 cm (79 × 69 in), oil on canvas 🧙‍♂️ @galerieruedigerschoettle VI. Art as Awareness Architecture In the higher understanding, every true work of art is an architecture of awareness. A formed space that serves to awaken certain states in the field of the viewer. These states are not “planned” by the artist. They are coded. They bear signatures that are read on a psychological, emotional, and cellular level. Thus, art acts as a key. Not because it instructs. But because it unlocks. @lvnaeliza_ 2025 Laura Luna Eliza Dittmeyer / NOËMA
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4 months ago
Bridge IX , 2025, 200 x 175 cm (79 × 69 in), oil on canvas @galerieruedigerschoettle V. The Act of Viewing as Frequency Alignment When a person gazes at an artwork, it is not mere consumption but an inner alignment. Whether consciously or unconsciously, the nervous system aligns its vibrations with the field of the work at hand. Moments of real contact make the viewer – unload – remember – unlock – align This experience changes the viewer. Not because she or he understands, but because she or he vibrates. @lvnaeliza_ 2025 Laura Luna Eliza Dittmeyer / NOËMA
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4 months ago
BRIDGES, on view @galerieruedigerschoettle III. The Artist as a Decoding System Creative people are not “makers.” They are decoding systems that temporarily put them- selves in a synchronized state with a deeper informa- tion field. Neurobiologically, this state can be described as a co- herent activation of certain neuronal networks—espe- cially in the prefrontal cortex and in the default-mode network. But the actual events lie beyond the neuronal pattern. The system becomes a resonator. The artist—be- comes empty. And in this emptiness, the field speaks. @lvnaeliza_ 2025 Laura Luna Eliza Dittmeyer / NOËMA
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5 months ago
Ruins, 2025, 29,7x21cm (11,7 x 8,3 in), mixed materials on paper framed BRIDGES, on view @galerieruedigerschoettle I. Art Beyond the Object Art is not depiction. It is condensation. Not an illustration of the world but a resonating cham- ber between worlds. When we look at art, we do not touch an object—we enter a field. A field not defined by pigment or sound but by what acts through it: frequency. Art is not an expression of the Self but a percolation of the code. It’s not the work that speaks but the field that created it. @lvnaeliza_ 📜
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5 months ago