📁 Views of a night-blooming cereus in Hawaiʻi at six p.m., seven p.m., seven-thirty p.m., eight p.m., nine-thirty p.m., and twelve a.m., 1945. Photos by Eliot Elisofon.
Some personal news…. I get my monthly haircut from the delightful and hardworking @bonohi . Followed her from Chinatown to Ala Moana. The only Korean woman besides my mom who I trust with a sharp object within an arm’s length radius of me 😂 Related, when buying wine from the corner store masked-up, the clerk said “no need ID, I see all your gray hair” 🥲 Anyway, some photos that speak to my creature of habit life lately. Patterns of abundance!
Spring/Summer ‘22 @fluxhawaii (or, what I’m informally calling, The Brown Issue). Kapa contemporaries, ʻōlelo reporting, the reigning queen of surfing, pandemic postcards, and justice-advancing architecture. To pull-quote Hawaiian diasporic architect Dominic Leong: “Hawaiʻi is such an acute example of settler colonialism and the larger patterns that get played out all over the place. That’s why Hawaiʻi is so important to understand on a global level.” Mahalo as always to every contributor for your love and labor.