MARGATE ELECTRONICS 🐚

>> running order for tonight

:: MARGATE ELECTRONICS # 12 > “What does the future look like?” THIS FRIDAY fri_24_apr >> 8pm start location >> @margateartsclub @hellocatfood --live set @rhizocorp --live set @gifnugget --video screening > TICKETS :: £8—£10 online :: £13 door > booking_link => bio 🏛️ @aceagrams

:: MARGATE ELECTRONICS # 12 > “What does the future look like?” > fri_24_apr :: @margateartsclub @rhizocorp will play LIVE don’t miss it 👀 > TICKETS :: £8—£10 online :: £13 door > booking_link -> bio 📸 @naturalist.jpeg 📹 live at @icalondon , 2026

:: MARGATE ELECTRONICS # 12 > “What does the future look like?” > fri_24_apr :: @margateartsclub @hellocatfood will play LIVE > TICKETS :: £8—£10 online :: £13 door > booking_link -> bio 📸 by @echojulietdj 🖥️ by @hellocatfood

:: MARGATE ELECTRONICS # 12 > “What does the future look like?” > fri_24_apr :: @margateartsclub > VIDEO_SCREENING @gifnugget Eva Papamargariti is an artist working across moving image and installation, exploring the entangled relationships between digital environments and material reality through hybrid, often grotesque rendered worlds. Her practice examines themes of identity, metamorphosis, and human–nonhuman interaction, using technologies such as 3D animation, scanning, and virtual worldbuilding to trace how perception and embodiment are shaped by networked systems. Her work has been presented internationally at institutions including the New Museum, the Whitney Museum, Tate Britain, MoMA PS1, MUTEK and Transmediale. Images © Eva Papamargariti > TICKETS :: £8—£10 online :: £13 door > booking_link -> bio

:: MARGATE ELECTRONICS # 12 > “What does the future look like?” > FRI_24_APR :: @margateartsclub > PERFORMING_LIVE @rhizocorp Rhizocorp is sci-fi dance punk at the intersection of mutant disco, lo-fi beat tapes, no wave, noise, krautrock, proto-house, and parapsychological research.  Using a hardware sampler to emulate dub mixing, post-punk style bass guitar riffs loop over chuggy, dusty rythms. Dizzied alien vocalities accompany warped analogue texture added with live cassette tape manipulation, electromagnetic frequency transmitters, shortwave radio, noise generators and dub sirens. Recent performances include opening for Cabaret Voltaire at Forge in Sheffield and at The ICA in London, as well as appearances at LUFF Festival in Switzerland and Braille Satellite in Lithuania.

> TICKETS :: £8—£10 online :: £13 door > booking_link -> bio 📸 // @naturalist.jpeg 📹 // Live at ICA, London [2026] opening for Cabaret Voltaire

:: MARGATE ELECTRONICS # 12 > “What does the future look like?” > FRI_24_APR :: @margateartsclub > PERFORMING_LIVE @hellocatfood Antonio Roberts (aka hellocatfood) is a Birmingham-based musician and visual artist. Working primarily with TidalCycles, VCV Rack and Pure Data, he employs algorithmic methods to make music that is both rhythmic and glitchy. Since 2019, he has been building a reputation for his live performances, fusing genres ranging from ambient, footwork and IDM to drum and bass. He complements this with live visuals made using live coding software and hardware video synthesisers. He has performed across the UK and Europe at respected venues and festivals including Green Man, Barbican, No Bounds Festival, Tate Modern, Supernormal, Corsica Studios, Café OTO and IKLECTIK. He is currently working on his debut EP to be released in 2026, and at recent performances he has supported Avalanche Kaito, Matthew Herbert, Momoko Gill, Monoxide Brothers and Matters.

> TICKETS :: £8—£10 online :: £13 door > booking_link -> bio 📸 // Matt Favero 📹 // Live audiovisual performance at Tate Modern Lates - Electric Dreams [29.11.2024]

We’re now stocking the fantastic new tape by @margate.electronics of Suren Seneviratne’s Missing Music⚡️All of the music on this tape has been created using rare, obsolete software applications and plugins running on vintage Macintosh computers. Suren Seneviratne’s Missing Music project explores the overlooked history of computer music by bringing back to life the software synthesisers and VST plugins used between the 1990s and 2010s—tools that shaped much of the electronic music of that era and still echo in today’s production. A Sri Lankan sound artist based in London and Kent, Seneviratne first developed Missing Music as an online archive of more than 300 entries documenting old Mac-based music tools. The project has since grown into a live audio-visual performance using Apple iBook and PowerBook machines from the Y2K era, restoring these forgotten digital instruments to their original, working form.

Missing Music – 4.0 [ME.001] tape+digital is out now. ~ A few tapes still remaining, this release won’t be uploaded onto DSPs. Add it to your tape collection! ~ Available via Margate Electronics Bandcamp online, as well as in Margate shops @ghostpapamargate and @asobi_store.co.uk - if you’d rather go and get it in person✌️

:: MARGATE ELECTRONICS # 12 > “What does the future look like?” > Fri 24 Apr :: 20.00 :: @margateartsclub > LINE_UP Antonio Roberts @hellocatfood { live coding ~ audio-visual } Jim Osman @rhizocorp { live hardware sampling ~ tape-manipulation } Eva Papamargariti @gifnugget { video screening } > TICKETS :: £8—£10 online :: £13 door > booking_link -> bio // poster artwork & design @tomasjef // supported by @aceagrams

Thanks to everyone who made it down to Cafe OTO last Thursday - it was a special evening. There was a queue outside before doors opened, insane, that’s never happened before. Wonderful performances from Missing Music @mypandashalfly , YKLU @yokcushlu & Danny @a.city.of.dream , Tomas Jefanovas @tomasjef , and Jim Osman @rhizocorp . Big thanks to the Cafe OTO @cafeotodalston team for having us, it’s a real honour to be part of the programme. Shout out to Billy on sound tech 👌 Our next event is back home in Margate on 24 April. Line-up to follow. Sign up for the e-newsletter to get direct updates.

Pre-orders have now shipped ☑️ Half of the tapes are already gone, but you can still get one! 🛒 Order via Bandcamp 🔗 link in bio. We also ship to Europe and beyond - a few tapes are on their way to Paris and Norway.