Marfa'

Raed Yassin on view in Venice at @labiennale For the 61st International Art Exhibition of La Biennale di Venezia “In Minor Keys” curated by Koyo Kouoh, Raed Yassin presents two separate bodies of work. “Warhol of Arabia” is on view at the Giardini and “Azya’ Yassin/Yassin Haute Couture” is on view at the Arsenale.

💧Major💧Caline Aoun’s upcoming solo exhibition that is taking place at both the Kunstmuseum and Kunsthalle Appenzell in the e-flux Agenda

On view in Switzerland at Kunsthaus Baselland Tamara Al-Samerraei “Sounding the Interior” duo exhibition with Mireille Blanc, curated by Dr Ines Goldbach. Exhibition views: Finn Curry / Kunsthaus Baselland Opening images: Ivana Kresic / Kunsthaus Baselland

In Sydney | Tamara Al-Samerraei currently on view at @amesyavuz

. ⚫️ Il est… 2025, encre permanente sur carton / Permanent ink on cardboard Chacun / Each: 29,7 × 42 cm (avant encadrement / unframed) ⚪️ Une journée en douze heures / One day in twelve hours (images 1–2) Une heure en soixante minutes / One hour in sixty minutes (images 3–4) Une minute en soixante secondes / One minute in sixty seconds (images 5–6) ⚫️ Vues de l’exposition Des mots et des mondes / Exhibition views from Des mots et des mondes ⚪️ Commissariat : Mélanie Bouteloup & Armelle Pradalier, en collaboration avec les étudiant·e·s du programme « Artistes & pratiques de l’exposition » / Curated by Mélanie Bouteloup & Armelle Pradalier, in collaboration with students from the “Artists & Exhibition Practices” program @melaniebouteloup @armellepradalier ⚫️ 24 mars – 24 mai 2026 / March 24 – May 24, 2026 Beaux-Arts de Paris @beauxartsparis

🧤 In Antwerp | Mohamad Abdouni “The First Boy I Ever Loved / I Know Nothing About Today” Currently on view at @fomuantwerp until 10.05.2026

@marfaprofects in Beirut, @ranrounjoun exhibition ‘Isn’t It About Time’ presents a stark proposition. A vertical totem of televisions stands stacked, each screen flickering with grainy footage of explosions. One clip recalls a car bomb outside her childhood home in 1983 that left her mother severely injured. Another captures the 2006 war. A third draws from the Beirut Port Explosion. The final image, more recent, shows her neighbourhood in Basta under bombardment during the 2024 war. Titled Wreckage of History, the work orbits the unstable terrain of time. Stephan does not present history as a sequence but as recurrence, where images often return with unnerving familiarity. The piece has of course only sharpened in urgency since its initial unveiling at the start of February; as bombardments once again strike Lebanon, Wreckage of History lands with renewed weight. This preoccupation threads through the wider exhibition, where science fiction and editing converge as parallel tools for thinking about time. To find out more, read the full article by @ameliadhuga at the link in our bio.

Mohamad Abdouni - last week’s screenings in London 🎥 Screening with Shasha Movies at ICA and screenings at the BFI

🐣 EASTER HOURS 🌼 The gallery will be closed from 3rd to the 6th of April Seta Manoukian, Whatever Interest, 2024, Acrylic on canvas, 62 x 62 cm.

Exhibition views of Lamia Joreige’s and Stéphanie Saadé works from Shifting Crossroads - group show at @circolo.art in Milan Photos by Andrea Rossetti

IN LONDON March 29, 18:15pm! Mohamad Abdouni’s Treat Me Like Your Mother will be screened at the @icalondon followed by an in-person discussion with director Mohamad and Róisín Tapponi. Through personal archives, home videos and Mohamad Abdouni’s own reflections on growing up and exploring gender, this film captures love, friendship and community amid war and uncertainty. Tickets are available in @shashamovies bio

In today’s L’Orient Le Jour, Jim Quilty’s article on Rania Stephan’s exhibition at Marfa’, on view until April 10.