Marketa Slana

Interviewed the og vibe theorist @peligrietzer with some very important questions 4 @bassnotesonhope show at @sadlers_wells lasts Friday. What is Dark Tiki? What is Paradise? What is Hope? What is Core? What is Peace? What happens inside a coconut? Where does the path lead if you follow the compass? What is on the horizon?

obsessed with @bassnotesonhope and special thanks to @mar_sl 🤍 shotout to the team @aphoticsignals @fetchish_net @nazovi.menya.sam @elelizard @juzdezign @unadored & impeccable theatre team! & our fantastic artists @aishadevi5d @object.blue @bassnotesonhope collective

At the societal #crossroad

Markéta Slaná Congratulations, You Have Just Lost! in the projekt_room through August 16 performance August 15 Shine as a trap. Sparkle as a tactic. Markéta Slaná's exhibition project Congratulations,You Have Just Lost! in the projekt_room at hunt kastner presents a series of objects that analyse contemporary subjectivity, digital identity and spectacle through the optics of shine. The exhibition explores how visual attractiveness becomes a tool of manipulation in an age where attention is a valued commodity. Here, shine does not only function as a visual phenomenon, but as a medium of illusion. What appears to be a win may be an ingeniously constructed defeat. Under the so-called “politics of shine”, shine becomes an instrument of visibility and discipline: what is shiny is seen; what is seen is even more often displayed thanks to algorithms. This aesthetic strategy is directly related to the discourse of online performativity. Digital platforms–especially social media–reward specific forms of self-presentation, often supported by various filters and effects (“digital shine”). The subject thus becomes a player in a system where shine is not just an ornament but a symbol of success. We are therefore following the trajectory of the evolution of shine from its natural materials (water, pearl, silk) through industrialized forms (chrome, plastic,vinyl) to its digital equivalent, which loses its original value and becomes a sign of mass accessibility and a play on make-believe. From the exhibition text by curator Eva Slabá photos by Jan Kolský --

Fighting the newton’s law at the exhi “The Cake is a Lie” curated by @jirkaskala25 & @lamioideae 🤍 #on view till April 4th at @galerie_avu . ♾️♾️♾️

The world is a tragedy to those who feel, but a comedy to those who think.

Memory of Fauxchestra Thank you to everyone involved @dominikjulius @6wordbodie @ljuba.slechta @madonna.immaculata @dusheen.17 @valeriaadinkova @bronx.akuyaku @kacenna @kristynasumcova @basic_knife_safety @hvezdopad @dominikstyk @jakub.jansa @lilatesla_ @jakubkempny_ @pavlinamusick @ssaalliivvaa @filipv33 18/12/2025

Swagnotes on Hope Performance, 25’ 50” ~~~~~ ˚ʚ♡ɞ˚~~~~~ Marketa Slana & Effie Cherif Sound design Johannes Tröstler. Photos by Iryna Drahun. Performed by: Martyna Tymora, J’WOW, Joanka Taurogińska, Maria Manow, Torje Hanssen, Constantine Trots, Theo Mackenzie, Beth Clemens

Last minute hardddd post Dnes 19:00 @citysurferoffice společně s @dj.bingoo & goated guests. xoxo