Mapping What Matters Conference

@mappingwhatmatters

A shared space for critical design thinking, exchange, and contemporary graphic design practice. May 16, 2026. Arena Theatre, Bratislava, Slovakia.
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Weeks posts
Sold out. First edition. No door tickets. See you today โ€” rain included ๐ŸŒง๏ธ
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1 day ago
Three days to gather, listen, and rethink what matters in contemporary graphic design๐Ÿ—บ๏ธ Find tickets via the link in our bio. May 16, 2026 | Bratislava, Slovakia
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3 days ago
Swipe right to view the conference schedule. You can also find the schedule on our websiteโ€”link in bio. This Saturday, May 16, starting at 10:00 a.m. at the Arรฉna Theater (Viedenskรก cesta, Bratislava).
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4 days ago
After the conference, the night continues with a free after-party at Ostblock in the city center, starting after 10 PM. Expect a proper underground electronic vibe with hardgroove, hard house, speed garage, and UK-influenced sounds from Slovak DJs kub0 and dorothyyy. kub0 blends everything from house and light UKG to harder club styles as part of the PLAYYARD collective, while dorothyyy brings underground techno energy mixed with reggaeton, liquid, and experimental influences inspired by Arca and Sega Bodega. ๐Ÿ“ธ: Barbara Koll See you! May 16.๐Ÿคบ
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5 days ago
Accept our invitation to next Saturdayโ€™s conference alongside this yearโ€™s curator. ๐Ÿ“ฏ The organizers, together with ฤฝubica Segeฤovรก, have selected designers theyโ€™ve known for yearsโ€”designers whose work has remained truly relevant throughout that time and continues to be so today. Another common thread is their shared role in the independent scene. See you on May 16, 2026, in Bratislava. You can find a few tickets via the link in the bio.
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7 days ago
After a day of listening to talks or browsing publications at the Temporary Library and Small Book Fair, youโ€™re invited to shift from words to sound with a curated DJ set by @chliebahry (yes, the curator) and @seafur . ๐Ÿช• chlieb a hryโ€™s selection moves in an anti-trend, timeless register, drifting through left-field electronics, heavily processed dub, echoing bass lines, and slow-burning atmospheric textures. ๐ŸŽท seafurโ€™s curatorial approach connects geographically and temporally distant musical contexts, tracing links between seemingly disparate genresโ€”from hyperpop to salsa, reggaeton to synthpop, as well as baile funk and digital remix cultures. The result is a dynamic, dance-driven set infused with subtle irony, playfully dismantling the notion of โ€œguilty pleasures.โ€ ๐ŸŽบ See you with a drink in hand. May 16, 2026.
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7 days ago
Thank you to all contributorsโ€”editors, illustrators, architects, and other figures from the visual culture and publishing scenesโ€”who helped shape and create the Temporary Library exhibition at the first edition of the Mapping What Matters conference. May 16, 2026โ€”see you there.
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9 days ago
About 50 places remain for the conference, and the list is slowly closing. ๐Ÿคพโ€โ™€๏ธ You can find the presale in our bio.
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10 days ago
The first edition of Mapping What Matters would not have been possible without the support of our partners and donors. Special thanks to Nadรกcia Tatra Banky, Pixel Federation, the Academy of Fine Arts and Design (Vล VU), the Slovak Arts Council, LITA โ€“ Society of Authors, the Kingdom of the Netherlands, Bright, and the Goethe-Institut. @tatra_banka @pixelstopixels @vsvu_afad @fond_na_podporu_umenia @lita_autorska_spolocnost @nl_netherlands @bright_printing_solutions @goetheinstitut_slovensko @dennikn @czechdesign.cz @hmota_mag @swinedaily
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11 days ago
๐™Š๐™ฃ ๐™ฉ๐™๐™š ๐™Ž๐™š๐™ก๐™š๐™˜๐™ฉ๐™ž๐™ค๐™ฃ ๐™ค๐™› ๐™Ž๐™ฅ๐™š๐™–๐™ ๐™š๐™ง ๐˜ผ๐™ฃ๐™ฃ๐™š ๐˜ฝ๐™ชฬˆ๐™ฉ๐™ฉ๐™ฃ๐™š๐™ง - ๐™๐™๐™š ๐˜พ๐™ช๐™ง๐™–๐™ฉ๐™ค๐™งโ€™๐™จ ๐™๐™š๐™จ๐™ฅ๐™ค๐™ฃ๐™จ๐™š: โ€œI first became aware of the work of @anne_buettner more than a decade ago, encountering a practice attuned to visual languages that hover just outside dominant cycles of revival. These are forms and typefaces that have circulated relatively recently, yet somehow slipped from view before they could be fully reabsorbed into contemporary design trends. Bรผttner reactivates them without using sense of nostalgia but through an acute, almost radical sensitivity. Bรผttner revisits them with a distinctive sensitivity, creating conditions in which they can be seen again, recontextualized and reconsidered. At the core of her approach lies a distinctly critical position. What might at first appear as a kind of โ€œshelterโ€ for discarded typefaces reveals itself as a precise intervention into design discourse. Bรผttner constructs spaces where visual forms deemed obsolete or unfashionable are not merely preserved, but examined, reframed, and reinserted into circulation under new conditions. She has developed visual identities, publications, websites, and cross-media projects, with a primary focus on the cultural sector.โ€ May 16, 2026 | Bratislava, Slovakia
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11 days ago
๐˜ฝ๐™–๐™ง๐™™๐™๐™ž ๐™ƒ๐™–๐™ก๐™ž๐™ฉ๐™ž selects ๐™๐™๐™š ๐™๐™ž๐™ฃ๐™ ๐™ก๐™š๐™ง๐™จ ๐˜พ๐™๐™–๐™ง๐™ฉ๐™จ ๐™–๐™ฃ๐™™ ๐™Ž๐™ฉ๐™ค๐™ง๐™ž๐™š๐™จ: โ€œI chose The Tinklers Charts and Stories for its raw, playful approach to publishing and storytelling. The work embraces a ๐˜ฟ๐™„๐™” ๐™จ๐™ฅ๐™ž๐™ง๐™ž๐™ฉ ๐™ฉ๐™๐™ง๐™ค๐™ช๐™œ๐™ ๐™˜๐™๐™–๐™ง๐™ฉ๐™จ, ๐™จ๐™ค๐™ฃ๐™œ๐™จ, ๐™–๐™ฃ๐™™ ๐™™๐™ง๐™–๐™ฌ๐™ž๐™ฃ๐™œ๐™จ. It feels loose and uncontained, like it could have been made at a copy shop on a random stack of colored sheets, assembled as it went. It holds onto that rough, ๐™จ๐™ก๐™ž๐™œ๐™๐™ฉ๐™ก๐™ฎ ๐™˜๐™๐™–๐™ค๐™ฉ๐™ž๐™˜ ๐™š๐™ฃ๐™š๐™ง๐™œ๐™ฎ where making feels playful, intuitive, and unpredictable.โ€ Tinklers Charts and Stories is published by @rollo.press . Temporary Library is a collectively curated exhibition in which contributors from different fields related to visual culture select publications from the past five years that mattered to them and deserve renewed attention. @bardhihaliti is a Kosovar graphic designer and researcher working between Prishtina and Amsterdam, known for his precise, typography-driven work for arts and cultural clients. In his lecture, he presents a long-term research project mapping sports halls in Kosovo, showing how their changing names and architecture reflect the countryโ€™s political and social transformations. He is also the co-founder and program director of REDO, an international graphic design event in Prishtina. May 16, 2026 | Bratislava, Slovakia
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12 days ago
๐™Ž๐™–๐™ฃ๐™™๐™ง๐™– ๐™†๐™–๐™จ๐™จ๐™š๐™ฃ๐™–๐™–๐™ง selects ๐™ˆ๐™ค๐™ฉ๐™๐™š๐™ง๐™ž๐™ฃ๐™œ ๐™ˆ๐™ฎ๐™ฉ๐™๐™จ: โ€œI selected the book โ€˜Mothering Myths โ€“ An ABC of Art, Birth and Careโ€™ edited by Laurie Cluitmans & Heske ten Cate. The book reads as ๐™– ๐™ง๐™ž๐™˜๐™ ๐™˜๐™ค๐™ข๐™ฅ๐™š๐™ฃ๐™™๐™ž๐™ช๐™ข ๐™ค๐™ฃ ๐™ข๐™ค๐™ฉ๐™๐™š๐™ง๐™๐™ค๐™ค๐™™, ๐™ฅ๐™–๐™ง๐™š๐™ฃ๐™ฉ๐™ž๐™ฃ๐™œ ๐™ž๐™ฃ ๐™ฉ๐™๐™š ๐™–๐™ง๐™ฉ๐™จ โ€“ spanning history and cultures. Beside it being a fantastic read, it is ๐™– ๐™—๐™š๐™–๐™ช๐™ฉ๐™ž๐™›๐™ช๐™ก๐™ก๐™ฎ ๐™™๐™š๐™จ๐™ž๐™œ๐™ฃ๐™š๐™™ ๐™ค๐™—๐™Ÿ๐™š๐™˜๐™ฉ by my dear friend Bart de Baets.โ€ Mothering Myths is published by @valiz_books_projects Temporary Library is a collectively curated exhibition in which contributors from different fields related to visual culture select publications from the past five years that mattered to them and deserve renewed attention. We are honored to have @sandrakassenaar as ๐™ค๐™ฃ๐™š ๐™ค๐™› ๐™ฉ๐™๐™š ๐™จ๐™ฅ๐™š๐™–๐™ ๐™š๐™ง๐™จ ๐™–๐™ฉ ๐™ฉ๐™๐™š ๐™˜๐™ค๐™ฃ๐™›๐™š๐™ง๐™š๐™ฃ๐™˜๐™š. You can learn more about her and the conference on our website. Link in bio. May 16, 2026 | Bratislava, Slovakia
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13 days ago