MACRO

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✷ π™΅πš’πš—πš πšˆπš˜πšžπš› πšƒπ™Ύπšƒπ™΄π™Ό ✷
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⬛ μž₯식은 μžμ‹ κ° μ—†λŠ” ν˜•νƒœμ˜ λ³΄μƒμž…λ‹ˆλ‹€. 본질이 μΆ©λΆ„νžˆ κ°•ν•œ 물건은 κΎΈλ°€ ν•„μš”κ°€ μ—†μŠ΅λ‹ˆλ‹€. MACROκ°€ μ„ νƒν•˜λŠ” μ˜€λΈŒμ œλ“€μ€ λͺ¨λ‘ κ·Έ 기쀀을 ν†΅κ³Όν•œ κ²ƒλ“€μž…λ‹ˆλ‹€. πŸ“ λ°”μš°ν•˜μš°μŠ€λŠ” β€œν˜•νƒœλŠ” κΈ°λŠ₯을 λ”°λ₯Έλ‹€β€κ³  μ„ μ–Έν–ˆμŠ΅λ‹ˆλ‹€. κ·ΈλŸ¬λ‚˜ ν† ν…œμ˜ ν˜•νƒœλŠ” κΈ°λŠ₯을 λ„˜μ–΄μ„­λ‹ˆλ‹€. κΈ°λŠ₯도 없이 쑴재 자체둜 μΆ©λΆ„ν•œ ν˜•νƒœ. 그것이 더 μ–΄λ ΅μŠ΅λ‹ˆλ‹€. 🧊 κ³Όμž₯ μ—†λŠ” 물건은 κ³΅κ°„μ—μ„œ μ†Œλ¦¬λ₯Ό λ‚΄μ§€ μ•ŠμŠ΅λ‹ˆλ‹€. κ·ΈλŸ¬λ‚˜ 치우면 곡간이 λΉ„μ–΄ λ³΄μž…λ‹ˆλ‹€. λˆˆμ— 띄지 μ•ŠμœΌλ©΄μ„œλ„ μ—†μœΌλ©΄ μ•ˆ λ˜λŠ” 것. 그게 μ§„μ§œ 였브제의 νž˜μž…λ‹ˆλ‹€. πŸ”² λ―Έλ‹ˆλ©€λ¦¬μ¦˜μ€ 비움이 μ•„λ‹™λ‹ˆλ‹€. 남길 κ²ƒλ§Œ 남긴 κ²°κ³Όμž…λ‹ˆλ‹€. κ·Έ μ„ νƒμ˜ 밀도가 ν˜•νƒœμ˜ 무게λ₯Ό κ²°μ •ν•©λ‹ˆλ‹€. πŸͺ¬ μ†ŒμŒ μ—†λŠ” 물건이 κ³΅κ°„μ—μ„œ κ°€μž₯ 였래 μ‚΄μ•„λ‚¨μŠ΅λ‹ˆλ‹€. Find Your Own Totem. ⬛ Decoration is compensation for a form that lacks confidence. When the essence is strong enough, there is nothing to embellish. Every object MACRO selects has passed that standard. πŸ“ The Bauhaus declared that form follows function. But the form of a totem surpasses function. A form sufficient in its own existence without needing to function β€” that is harder. 🧊 An object without exaggeration makes no sound in a space. But remove it, and the space looks empty. What goes unnoticed yet cannot be absent β€” that is the true power of an object. πŸ”² Minimalism is not emptiness. It is the result of leaving only what must remain. The density of that decision determines the weight of the form. πŸͺ¬ Objects without noise survive longest in a space. Find Your Own Totem. π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / 𝚠𝚠𝚠.πš–πšŠπšŒπš›πš˜πšœπšŽπš•πšŽπšŒπšπšœπš‘πš˜πš™.πšŒπš˜πš– Β© πš‚πš’πš—πšŒπšŽ 2024 π™Όπ™°π™²πšπ™Ύ. π™°πš•πš• πšπš’πšπš‘πšπšœ πšπšŽπšœπšŽπš›πšŸπšŽπš.
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7 hours ago
πŸ“ λͺ¨λ“  λ¬Όκ±΄μ—λŠ” μ œμžλ¦¬κ°€ μžˆμŠ΅λ‹ˆλ‹€. ν—ˆλ‚˜ ν† ν…œμ˜ μ œμžλ¦¬λŠ” κΈ°λŠ₯이 μ•„λ‹ˆλΌ 의미둜 κ²°μ •λ˜μ£ . 어디에 λ‘λŠ”κ°€κ°€ κ·Έ λ¬Όκ±΄μ—κ²Œ μ–΄λ–€ 역할을 λΆ€μ—¬ν•˜λŠ”κ°€μž…λ‹ˆλ‹€. πŸͺŸ 창가에 두면 λΉ›κ³Ό ν•¨κ»˜ μˆ¨μ‰¬λŠ” μ˜€λΈŒμ œκ°€ λ©λ‹ˆλ‹€. 책상 μœ„μ— 두면 맀일 μ•„μΉ¨ κ°€μž₯ λ¨Όμ € λˆˆμ— λ“€μ–΄μ˜€λŠ” μ‘΄μž¬κ°€ λ©λ‹ˆλ‹€. μΉ¨λŒ€ μ˜†μ— 두면 μž λ“€κΈ° μ „ λ§ˆμ§€λ§‰μœΌλ‘œ λ°”λΌλ³΄λŠ” ν˜•νƒœκ°€ λ©λ‹ˆλ‹€. 🚿 κ³ λŒ€ 둜마의 라레슀(Lares)λŠ” μ§‘ μ•ˆ νŠΉμ • μœ„μΉ˜μ— 놓인 수호 ν˜•μƒμž…λ‹ˆλ‹€. λΆ€μ—Œ 근처, λ¬Έ μ•ž, μΉ¨μ‹€ μž…κ΅¬. μœ„μΉ˜ μžμ²΄κ°€ κ·Έ ν˜•μƒμ— κΈ°λŠ₯을 λΆ€μ—¬ν–ˆμŠ΅λ‹ˆλ‹€. πŸ—‚οΈ 당신이 였브제λ₯Ό 어디에 λ‘λŠ”μ§€λŠ” λ‹Ήμ‹ μ˜ ν•˜λ£¨κ°€ μ–΄λ–»κ²Œ κ΅¬μ‘°ν™”λ˜μ–΄ μžˆλŠ”μ§€λ₯Ό λ³΄μ—¬μ€λ‹ˆλ‹€. 아침을 μ‹œμž‘ν•˜λŠ” 곡간, μ§‘μ€‘ν•˜λŠ” 자리, μ‰¬λŠ” ꡬ석. ν† ν…œμ€ κ·Έ μ’Œν‘œ μœ„μ— 놓일 λ•Œ λΉ„λ‘œμ†Œ μ™„μ „ν•΄μ§‘λ‹ˆλ‹€. πŸͺ¬ μž₯μ†Œκ°€ 의미λ₯Ό λ§Œλ“­λ‹ˆλ‹€. μ˜€λΈŒμ œκ°€ κ·Έ 의미λ₯Ό κ³ μ •ν•©λ‹ˆλ‹€. Find Your Own Totem. πŸ“ Every object has its place. But for a totem, that place is determined not by function but by meaning. Where you put it decides what role you give it. πŸͺŸ On a windowsill, it becomes something that breathes with light. On a desk, it becomes the first thing you see each morning. Beside the bed, it becomes the last form your eyes rest on before sleep. 🚿 The ancient Roman Lares were protective figures placed at specific positions within the home β€” near the kitchen, before the door, at the entrance to the bedroom. The location itself assigned the figure its function. πŸ—‚οΈ Where you place your object reflects how your day is structured. The space where morning begins, the seat of focus, the corner of rest. A totem becomes complete only when placed on that coordinate. πŸͺ¬ Place creates meaning. The object fixes it. Find Your Own Totem. π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / Β© Since 2024 MACRO. All Rights Reserved.
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2 days ago
βœ‹ κΈ°κ³„λŠ” 였차λ₯Ό μ œκ±°ν•©λ‹ˆλ‹€. 손은 였차λ₯Ό κΈ°μ–΅ν•©λ‹ˆλ‹€. κ·Έ 차이가 수곡예 였브제λ₯Ό λŒ€μ²΄ λΆˆκ°€λŠ₯ν•˜κ²Œ λ§Œλ“œλŠ” μ΄μœ μž…λ‹ˆλ‹€. πŸ”¨ 도곡이 흙을 λΉšμ„ λ•Œ, λŒ€μž₯μž₯이가 κΈˆμ†μ„ λ‘λ“œλ¦΄ λ•Œ, 쑰각가가 뼈λ₯Ό κΉŽμ„ λ•Œ. κ·Έ μ†μ˜ μ••λ ₯, 속도, μ˜¨λ„κ°€ ν˜•νƒœ 속에 κ³ μŠ€λž€νžˆ κ°μΈλ©λ‹ˆλ‹€. λˆˆμ— 보이지 μ•Šμ§€λ§Œ, μ†μœΌλ‘œ λ§Œμ§€λ©΄ λŠκ»΄μ§€λŠ” κ²ƒλ“€μž…λ‹ˆλ‹€. 🧀 인λ₯˜ν•™μž νŒ€ μž‰κ³¨λ“œ(Tim Ingold)λŠ” λ§Œλ“€κΈ°λ₯Ό β€˜μž¬λ£Œμ™€μ˜ λŒ€ν™”β€™λΌκ³  μ •μ˜ν–ˆμŠ΅λ‹ˆλ‹€. μž₯인은 μž¬λ£Œμ—κ²Œ 일방적으둜 ν˜•νƒœλ₯Ό κ°•μš”ν•˜μ§€ μ•ŠμŠ΅λ‹ˆλ‹€. μž¬λ£Œκ°€ ν—ˆλ½ν•˜λŠ” λ°©ν–₯으둜 손을 μ›€μ§μž…λ‹ˆλ‹€. πŸͺ¬ MACROκ°€ νλ ˆμ΄μ…˜ν•˜λŠ” μ˜€λΈŒμ œλ“€μ€ λͺ¨λ‘ κ·Έ λŒ€ν™”μ˜ 흔적을 ν’ˆκ³  μžˆμŠ΅λ‹ˆλ‹€. μ–΄λ”˜κ°€ λ―Έμ„Έν•˜κ²Œ λΆˆκ· ν˜•ν•œ ν‘œλ©΄, μ •ν™•νžˆ κ³„μ‚°λ˜μ§€ μ•Šμ€ 곑선. 그것이 생λͺ…μž…λ‹ˆλ‹€. πŸͺ¬ μ†μœΌλ‘œ λ§Œλ“  것은 μ†μ—κ²Œ λŒμ•„μ˜΅λ‹ˆλ‹€. Find Your Own Totem. βœ‹ A machine eliminates error. A hand remembers it. That difference is what makes a handcrafted object irreplaceable. πŸ”¨ When a potter shapes clay, when a blacksmith strikes metal, when a sculptor carves bone β€” the pressure, speed, and temperature of that hand is imprinted into the form. Invisible to the eye, but felt through touch. 🧀 Anthropologist Tim Ingold defined making as β€˜a conversation with material.’ The craftsman does not force form onto material unilaterally. The hand moves in the direction the material allows. πŸ–οΈ Every object MACRO curates carries the trace of that conversation. A surface slightly asymmetric somewhere, a curve not precisely calculated. That is life. πŸͺ¬ What is made by hand returns to the hand. Find Your Own Totem. π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / Β© Since 2024 MACRO. All Rights Reserved.
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4 days ago
🌫️ λ™μ–‘μ˜ λ―Έν•™μ—μ„œ 여백은 λΉ„μ–΄μžˆμŒμ΄ μ•„λ‹™λ‹ˆλ‹€. κ³΅κ°„μ˜ κΈ΄μž₯을 μœ μ§€ν•˜λŠ” νž˜μž…λ‹ˆλ‹€. ν•œ 점의 μ˜€λΈŒμ œκ°€ λ°© μ „μ²΄μ˜ λ¬΄κ²Œμ€‘μ‹¬μ΄ 될 수 μžˆλŠ” μ΄μœ μž…λ‹ˆλ‹€. πŸ›οΈ 일본의 β€˜λ§ˆ(ι–“)’ κ°œλ…μ€ 물리적 곡간이 μ•„λ‹Œ μ‚¬μ΄μ˜ μ§ˆμ„ λ§ν•©λ‹ˆλ‹€. 사물과 사물 사이, ν˜•νƒœμ™€ ν˜•νƒœ 사이에 μ‘΄μž¬ν•˜λŠ” 숨결. κ·Έ μˆ¨κ²°μ„ λ§Œλ“œλŠ” 것이 단 ν•˜λ‚˜μ˜ μ˜€λΈŒμ œμž…λ‹ˆλ‹€. πŸ•³οΈ λ―Έλ‹ˆλ©€ν•œ 곡간에 였브제 ν•˜λ‚˜λ₯Ό λ‘λŠ” ν–‰μœ„λŠ” λ‹¨μˆœν•œ μΈν…Œλ¦¬μ–΄κ°€ μ•„λ‹™λ‹ˆλ‹€. κ·Έ λ¬Όκ±΄μ—κ²Œ λ°œμ–ΈκΆŒμ„ μ£ΌλŠ” κ²ƒμž…λ‹ˆλ‹€. μ—¬λŸ¬ 개λ₯Ό 두면 κ·Έ λ°œμ–Έμ€ ν¬μ„λ©λ‹ˆλ‹€. πŸͺ¨ MACROλŠ” λͺ¨λ“  였브제λ₯Ό β€˜κ³΅κ°„ 속 λ‹¨λ…μžβ€™λ‘œ μƒμƒν•˜λ©° νλ ˆμ΄μ…˜ν•©λ‹ˆλ‹€. 아무것도 μ—†λŠ” 곳에 λ†“μ˜€μ„ λ•Œλ„ 슀슀둜λ₯Ό 증λͺ…ν•  수 μžˆλŠ” ν˜•νƒœ. 그것이 μ„ νƒμ˜ κΈ°μ€€μž…λ‹ˆλ‹€. πŸͺ¬ 곡간은 무엇을 λ‘λŠλƒκ°€ μ•„λ‹ˆλΌ, 무엇을 λΉ„μ›Œλ‘λŠλƒλ‘œ μ™„μ„±λ©λ‹ˆλ‹€. Find Your Own Totem. 🌫️ In Eastern aesthetics, negative space is not emptiness. It is the force that sustains the tension of a room. This is why a single object can become the gravitational center of an entire space. πŸ›οΈ The Japanese concept of β€˜Ma (ι–“)’ refers not to physical space but to the quality of the interval. The breath that exists between things, between forms. A single object is what creates that breath. πŸ•³οΈ Placing one object in a minimal space is not mere interior decoration. It is giving that object the right to speak. Place many, and the speech becomes diluted. πŸͺ¨ MACRO curates every object as a β€˜solitary figure in space.’ A form that can justify its own existence even when placed against nothing.That is the standard of selection. πŸͺ¬ A space is completed not by what is placed in it, but by what is left empty. Find Your Own Totem. π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / Β© Since 2024 MACRO. All Rights Reserved.
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6 days ago
γ€ˆThe First Ritual〉 Sponsors & Booths μŒμ•… κ·Έ μ΄μƒμ˜ 곡감각적 κ²½ν—˜μ„ μœ„ν•΄ 5μ›” 16일, μ—°ν¬μ˜ˆμˆ κ·Ήμž₯μ—μ„œ μ—΄λ¦¬λŠ” Patina Sound System의 첫 번째 리좔얼을 λ”μš± ν’μ„±ν•˜κ²Œ μ±„μ›Œμ€„ νŒŒνŠΈλ„ˆλ“€μ„ μ†Œκ°œν•©λ‹ˆλ‹€. 청각을 λ„˜μ–΄ 미각, μ‹œκ°, 그리고 영감의 μ˜μ—­κΉŒμ§€. μ—¬λŸ¬λΆ„μ˜ ν•˜λ£¨κ°€ 더 깊고 λ‹€μ±„λ‘œμš΄ κΈ°μ–΅μœΌλ‘œ 남을 수 μžˆλ„λ‘ 정성껏 μ€€λΉ„ν–ˆμŠ΅λ‹ˆλ‹€. Benson | Premium Ice Cream @benson_creamery 정직함과 μ‹ λ’°λ₯Ό λ°”νƒ•μœΌλ‘œ νƒ„μƒν•œ 프리미엄 μ•„μ΄μŠ€ν¬λ¦Ό, λ²€μŠ¨μž…λ‹ˆλ‹€. κ΅­μ‚° μ›μœ  100%, λ¬Ό ν•œ 방울 μ„žμ§€ μ•Šμ€ μœ μ§€λ°© 17%의 밀도 높은 풍미λ₯Ό λŠκ»΄λ³΄μ„Έμš”. μž…μ•ˆ 가득 νΌμ§€λŠ” μ«€λ“ν•œ 식감이 μŒμ•…μ˜ μ—¬μš΄μ„ λ”μš± λ‹¬μ½€ν•˜κ²Œ μ™„μ„±ν•©λ‹ˆλ‹€. Hifi sound reference | Fashion & Lifestyle @hifisoundreference μŒμ•…μ„ μ‚¬λž‘ν•˜λŠ” μ΄λ“€μ˜ 철학을 담은 λΌμ΄ν”„μŠ€νƒ€μΌ λΈŒλžœλ“œμž…λ‹ˆλ‹€. μ™„λ²½ν•œ μ†Œλ¦¬λ₯Ό ν–₯ν•œ ’High Fidelityβ€˜μ˜ 정신을 νŒ¨μ…˜κ³Ό μ˜€λΈŒμ œμ— νˆ¬μ˜ν–ˆμŠ΅λ‹ˆλ‹€. λ‹¨μˆœν•œ μŠ€νƒ€μΌμ„ λ„˜μ–΄, μŒμ•…κ³Ό 삢이 μƒν˜Έμž‘μš©ν•˜λŠ” μƒˆλ‘œμš΄ 기쀀을 μ œμ•ˆν•©λ‹ˆλ‹€. MACRO | Curated Object & Totem @macroselectshop ’Find Your Totemβ€˜μ„ ν…Œλ§ˆλ‘œ ν•˜λŠ” 였브제 μ…€λ ‰νŠΈ μˆμž…λ‹ˆλ‹€. λΉˆν‹°μ§€μ™€ 헀리티지, μ•„λ©”λ¦¬μΉ΄λ‚˜ 감성을 μž¬ν•΄μ„ν•œ μœ λ‹ˆν¬ν•œ μ•„μ΄ν…œλ“€μ„ λ§Œλ‚˜λ³΄μ„Έμš”. κ³΅κ°„μ˜ 쀑심이 λ˜λŠ” 단 ν•œ 점의 μ˜€λΈŒμ œκ°€ λ‹Ήμ‹ μ˜ 감각을 ν™•μž₯ν•΄ 쀄 κ²ƒμž…λ‹ˆλ‹€. λ…Όλ…Όνƒ€λ‘œ | Tarot Artist @nonnonthinkin μΌλŸ¬μŠ€νŠΈλ ˆμ΄ν„° μΆœμ‹ μ˜ μ•„ν‹°μŠ€νŠΈ 논논이 μ „ν•˜λŠ” 깊이 μžˆλŠ” 해석. νƒ€λ‘œμ™€ λ ˆλ…Έλ¨Όλ“œ μΉ΄λ“œλ₯Ό 톡해 λ‹Ήμ‹ μ˜ κ³ λ―Όκ³Ό μ§ˆλ¬Έμ„ μ„¬μ„Έν•˜κ²Œ λ“€μ—¬λ‹€λ΄…λ‹ˆλ‹€. 감도 높은 κ³΅κ°„μ—μ„œ 이어져 온 리딩을 톡해 λ‚΄λ©΄μ˜ λͺ©μ†Œλ¦¬μ— κ·€ κΈ°μšΈμ—¬ λ³΄μ„Έμš”. ssojoyful | Handmade Jewelry @ssojoyful ”Wish your joyful life.β€œ λ‹Ήμ‹ μ˜ 삢이 λ”μš± λΉ›λ‚˜κΈ°λ₯Ό λ°”λΌλŠ” 마음으둜 μ œμž‘λœ ν•Έλ“œλ©”μ΄λ“œ μ£Όμ–Όλ¦¬μž…λ‹ˆλ‹€. μ •μ„±κ³Ό 감성이 κΉƒλ“  μ†Œμ€‘ν•œ ν”ΌμŠ€λ“€μ΄ 이번 λ¦¬μΆ”μ–Όμ˜ 기얡을 λͺΈμ†Œ κ°„μ§ν•˜κ²Œ 해쀄 κ²ƒμž…λ‹ˆλ‹€. 이듀이 λͺ¨μ—¬ λ§Œλ“œλŠ” νŠΉλ³„ν•œ μ‹œλ„ˆμ§€, Patina Sound System: The First Ritualμ—μ„œ 직접 κ²½ν—˜ν•˜μ„Έμš”. Artwork by @janghyeeung
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6 days ago
γ€ˆThe First Ritual〉 Sponsors & Booths μŒμ•… κ·Έ μ΄μƒμ˜ 곡감각적 κ²½ν—˜μ„ μœ„ν•΄ 5μ›” 16일, μ—°ν¬μ˜ˆμˆ κ·Ήμž₯μ—μ„œ μ—΄λ¦¬λŠ” Patina Sound System의 첫 번째 리좔얼을 λ”μš± ν’μ„±ν•˜κ²Œ μ±„μ›Œμ€„ νŒŒνŠΈλ„ˆλ“€μ„ μ†Œκ°œν•©λ‹ˆλ‹€. 청각을 λ„˜μ–΄ 미각, μ‹œκ°, 그리고 영감의 μ˜μ—­κΉŒμ§€. μ—¬λŸ¬λΆ„μ˜ ν•˜λ£¨κ°€ 더 깊고 λ‹€μ±„λ‘œμš΄ κΈ°μ–΅μœΌλ‘œ 남을 수 μžˆλ„λ‘ 정성껏 μ€€λΉ„ν–ˆμŠ΅λ‹ˆλ‹€. Benson | Premium Ice Cream @benson_creamery 정직함과 μ‹ λ’°λ₯Ό λ°”νƒ•μœΌλ‘œ νƒ„μƒν•œ 프리미엄 μ•„μ΄μŠ€ν¬λ¦Ό, λ²€μŠ¨μž…λ‹ˆλ‹€. κ΅­μ‚° μ›μœ  100%, λ¬Ό ν•œ 방울 μ„žμ§€ μ•Šμ€ μœ μ§€λ°© 17%의 밀도 높은 풍미λ₯Ό λŠκ»΄λ³΄μ„Έμš”. μž…μ•ˆ 가득 νΌμ§€λŠ” μ«€λ“ν•œ 식감이 μŒμ•…μ˜ μ—¬μš΄μ„ λ”μš± λ‹¬μ½€ν•˜κ²Œ μ™„μ„±ν•©λ‹ˆλ‹€. Hifi sound reference | Fashion & Lifestyle @hifisoundreference μŒμ•…μ„ μ‚¬λž‘ν•˜λŠ” μ΄λ“€μ˜ 철학을 담은 λΌμ΄ν”„μŠ€νƒ€μΌ λΈŒλžœλ“œμž…λ‹ˆλ‹€. μ™„λ²½ν•œ μ†Œλ¦¬λ₯Ό ν–₯ν•œ ’High Fidelityβ€˜μ˜ 정신을 νŒ¨μ…˜κ³Ό μ˜€λΈŒμ œμ— νˆ¬μ˜ν–ˆμŠ΅λ‹ˆλ‹€. λ‹¨μˆœν•œ μŠ€νƒ€μΌμ„ λ„˜μ–΄, μŒμ•…κ³Ό 삢이 μƒν˜Έμž‘μš©ν•˜λŠ” μƒˆλ‘œμš΄ 기쀀을 μ œμ•ˆν•©λ‹ˆλ‹€. MACRO | Curated Object & Totem @macroselectshop ’Find Your Totemβ€˜μ„ ν…Œλ§ˆλ‘œ ν•˜λŠ” 였브제 μ…€λ ‰νŠΈ μˆμž…λ‹ˆλ‹€. λΉˆν‹°μ§€μ™€ 헀리티지, μ•„λ©”λ¦¬μΉ΄λ‚˜ 감성을 μž¬ν•΄μ„ν•œ μœ λ‹ˆν¬ν•œ μ•„μ΄ν…œλ“€μ„ λ§Œλ‚˜λ³΄μ„Έμš”. κ³΅κ°„μ˜ 쀑심이 λ˜λŠ” 단 ν•œ 점의 μ˜€λΈŒμ œκ°€ λ‹Ήμ‹ μ˜ 감각을 ν™•μž₯ν•΄ 쀄 κ²ƒμž…λ‹ˆλ‹€. λ…Όλ…Όνƒ€λ‘œ | Tarot Artist @nonnonthinkin μΌλŸ¬μŠ€νŠΈλ ˆμ΄ν„° μΆœμ‹ μ˜ μ•„ν‹°μŠ€νŠΈ 논논이 μ „ν•˜λŠ” 깊이 μžˆλŠ” 해석. νƒ€λ‘œμ™€ λ ˆλ…Έλ¨Όλ“œ μΉ΄λ“œλ₯Ό 톡해 λ‹Ήμ‹ μ˜ κ³ λ―Όκ³Ό μ§ˆλ¬Έμ„ μ„¬μ„Έν•˜κ²Œ λ“€μ—¬λ‹€λ΄…λ‹ˆλ‹€. 감도 높은 κ³΅κ°„μ—μ„œ 이어져 온 리딩을 톡해 λ‚΄λ©΄μ˜ λͺ©μ†Œλ¦¬μ— κ·€ κΈ°μšΈμ—¬ λ³΄μ„Έμš”. ssojoyful | Handmade Jewelry @ssojoyful ”Wish your joyful life.β€œ λ‹Ήμ‹ μ˜ 삢이 λ”μš± λΉ›λ‚˜κΈ°λ₯Ό λ°”λΌλŠ” 마음으둜 μ œμž‘λœ ν•Έλ“œλ©”μ΄λ“œ μ£Όμ–Όλ¦¬μž…λ‹ˆλ‹€. μ •μ„±κ³Ό 감성이 κΉƒλ“  μ†Œμ€‘ν•œ ν”ΌμŠ€λ“€μ΄ 이번 λ¦¬μΆ”μ–Όμ˜ 기얡을 λͺΈμ†Œ κ°„μ§ν•˜κ²Œ 해쀄 κ²ƒμž…λ‹ˆλ‹€. 이듀이 λͺ¨μ—¬ λ§Œλ“œλŠ” νŠΉλ³„ν•œ μ‹œλ„ˆμ§€, Patina Sound System: The First Ritualμ—μ„œ 직접 κ²½ν—˜ν•˜μ„Έμš”. Artwork by @janghyeeung
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πŸ«† 황동은 μ²˜μŒλΆ€ν„° κ·Έ 색이 μ•„λ‹ˆμ—ˆμŠ΅λ‹ˆλ‹€. μ‚°μ†Œμ™€ μ‹œκ°„μ΄ λ‹Ώμ•„μ•Ό λΉ„λ‘œμ†Œ κ·Έ κΉŠμ΄κ°€ μƒκΉλ‹ˆλ‹€. μ‚°ν™”λŠ” 훼손이 μ•„λ‹™λ‹ˆλ‹€. μ™„μ„±μ˜ κ³Όμ •μž…λ‹ˆλ‹€. 🏺 λ„μžκΈ°μ˜ κ· μ—΄, κ°€μ£½μ˜ 주름, 뼈의 변색. 이 λͺ¨λ“  것은 κ·Έ 물건이 μ‚΄μ•„μ˜¨ μ‹œκ°„μ˜ κΈ°λ‘μž…λ‹ˆλ‹€. μƒˆκ²ƒλ³΄λ‹€ 였래된 것이 더 λ§Žμ€ 이야기λ₯Ό ν’ˆλŠ” μ΄μœ μž…λ‹ˆλ‹€. ⏳ 일본의 λ―Έν•™ κ°œλ… ’와비사비(δΎ˜ε―‚)β€™λŠ” λΆˆμ™„μ „ν•¨κ³Ό λ§μ—†μŒ μ†μ—μ„œ 아름닀움을 μ°ΎμŠ΅λ‹ˆλ‹€. 마λͺ¨λ˜κ³  λ°”λžœ κ²ƒμ—μ„œ λ°œκ²¬ν•˜λŠ” κ³ μš”ν•œ 완전함. MACROκ°€ 였브제λ₯Ό κ³ λ₯Ό λ•Œ κ°€μž₯ μ£Όλͺ©ν•˜λŠ” κ°κ°μž…λ‹ˆλ‹€. 🦴 λ‹Ήμ‹ μ˜ ν† ν…œλ„ λ‹Ήμ‹ κ³Ό ν•¨κ»˜ λ‚˜μ΄λ“€ κ²ƒμž…λ‹ˆλ‹€. λͺ‡ 년이 μ§€λ‚˜λ©΄ κ·Έ λ¬Όκ±΄μ—λŠ” λ‹Ήμ‹ μ˜ μ†λ•Œμ™€ μ‹œκ°„μ΄ μŠ€λ©°λ“€μ–΄ μžˆμ„ κ²ƒμž…λ‹ˆλ‹€. κ·Έλ•Œ κ·Έ 물건은 세상에 단 ν•˜λ‚˜λΏμΈ 것이 λ©λ‹ˆλ‹€. πŸͺ¬ μ‹œκ°„μ΄ λ§Œλ“œλŠ” 것은 λ³΅μ œν•  수 μ—†μŠ΅λ‹ˆλ‹€. Find Your Own Totem. πŸ«† Brass was never that color from the start. It takes oxygen and time before depth appears. Oxidation is not damage. It is the process of completion. 🏺 The crack in ceramic, the crease in leather, the discoloration of bone. All of it is a record of the time an object has lived. This is why old things hold more stories than new ones. ⏳ The Japanese aesthetic concept of wabi-sabi finds beauty in imperfection and transience. A quiet wholeness discovered in what is worn and faded. This is the sensibility MACRO looks for most when curating objects. 🦴 Your totem will age alongside you. Years from now, it will carry your touch and your time inside it. At that point, it becomes the only one of its kind in the world. πŸͺ¬ What time builds cannot be replicated. Find Your Own Totem. π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / Β© Since 2024 MACRO. All Rights Reserved.
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7 days ago
πŸ‘οΈ 물건을 κ³ λ₯Ό λ•Œ, μš°λ¦¬λŠ” 사싀 νƒœλ„λ₯Ό κ³ λ₯΄κ³  μžˆμŠ΅λ‹ˆλ‹€. μ–΄λ–€ 물건을 곁에 λ‘λŠ”κ°€λŠ” μ–΄λ–€ μ‚¬λžŒμœΌλ‘œ μ‚΄μ•„κ°€λŠ”κ°€μ™€ 같은 λ§μž…λ‹ˆλ‹€. 🧱 κΈ°λŠ₯으둜만 물건을 κ³ λ₯΄λŠ” μ‹œλŒ€λŠ” 이미 μ§€λ‚¬μŠ΅λ‹ˆλ‹€. μ‚¬λžŒλ“€μ€ 이제 물건의 이면에 μžˆλŠ” 관점과 νƒœλ„λ₯Ό μ½μŠ΅λ‹ˆλ‹€. κ·Έ 물건이 μ–΄λ””μ„œ μ™”λŠ”μ§€, μ™œ κ·Έ ν˜•νƒœμΈμ§€, λˆ„κ°€ λ§Œλ“€μ—ˆλŠ”μ§€. πŸ”© MACROκ°€ νλ ˆμ΄μ…˜ν•˜λŠ” μ˜€λΈŒμ œλ“€μ€ λͺ¨λ‘ ν•˜λ‚˜μ˜ μ§ˆλ¬Έμ„ ν’ˆκ³  μžˆμŠ΅λ‹ˆλ‹€. 당신은 μ–΄λ–€ λ°©μ‹μœΌλ‘œ μ‘΄μž¬ν•˜κ³  싢은가. κ·Έ μ§ˆλ¬Έμ— λŒ€ν•œ 닡이 ν˜•νƒœλ‘œ κ΅¬μ²΄ν™”λœ 것이 ν† ν…œμž…λ‹ˆλ‹€. ⚫ 물건은 λ§ν•˜μ§€ μ•ŠμŠ΅λ‹ˆλ‹€. κ·ΈλŸ¬λ‚˜ λ‹Ήμ‹  곡간에 놓인 μˆœκ°„, κ·Έ 물건은 λ‹Ήμ‹  λŒ€μ‹  λ§ν•˜κΈ° μ‹œμž‘ν•©λ‹ˆλ‹€. 무엇을 λ‘λŠ”κ°€κ°€ κ³§ 당신이 무엇인가λ₯Ό λ“œλŸ¬λƒ…λ‹ˆλ‹€. πŸͺ¬ 선택은 μ–Έμ œλ‚˜ νƒœλ„μ˜ ν‘œν˜„μž…λ‹ˆλ‹€. Find Your Own Totem. πŸ‘οΈ When we choose an object, we are actually choosing an attitude. What we keep beside us is simply another way of saying how we choose to live. 🧱 The era of choosing objects purely by function is over. People now read the perspective and stance embedded in a thing β€” where it came from, why that form, who made it. πŸ”© Every object MACRO curates carries a single question: How do you want to exist? The totem is that question made physical. ⚫ Objects do not speak. But the moment they enter your space, they begin to speak for you. What you place defines what you are. πŸͺ¬ Every choice is an expression of attitude. Find Your Own Totem. π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / Β© Since 2024 MACRO. All Rights Reserved.
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9 days ago
πŸͺ¬ π™π™„π™‰π˜Ώ π™”π™Šπ™π™ π™π™Šπ™π™€π™ˆ. 𝙀𝙭π™₯𝙖𝙣𝙙 𝙔𝙀π™ͺ𝙧 π™Šπ™¬π™£ π™π™£π™žπ™«π™šπ™§π™¨π™š. π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / Β© Since 2024 MACRO. All Rights Reserved.
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18 days ago
AMULET β€” λΆ€μ μ˜ 건좕학 Macro Totem Curation Vol. 18 뢀적은 쒅ꡐ가 발λͺ…ν•œ 것이 μ•„λ‹™λ‹ˆλ‹€. 인간이 λ¨Όμ €μ˜€μŠ΅λ‹ˆλ‹€. κ³ κ³ ν•™ 기둝상 κ°€μž₯ 였래된 뢀적은 μ•½ 7만 5천 λ…„ μ „ 남아프리카 λΈ”λ‘¬λ³΄μŠ€ λ™κ΅΄μ—μ„œ 발견된 천곡된 쑰개 κ»λ°κΈ°μž…λ‹ˆλ‹€. λ¬Έμžλ„ ꡭ가도 쒅ꡐ 체계도 ν˜•μ„±λ˜κΈ° 훨씬 이전, 인간은 이미 무언가λ₯Ό λͺΈμ— μ§€λ‹ˆκ³  μžˆμ—ˆμŠ΅λ‹ˆλ‹€. 문화인λ₯˜ν•™μž BronisΕ‚aw MalinowskiλŠ” νŠΈλ‘œλΈŒλ¦¬μ•ˆλ“œ μ œλ„ 어뢀듀을 κ΄€μ°°ν•˜λ©°, μ•ˆμ „ν•œ 얕은 λ°”λ‹€μ—μ„œ μ‘°μ—…ν•  λ•ŒλŠ” μ˜λ‘€κ°€ μ—†μ—ˆμ§€λ§Œ 깊고 μœ„ν—˜ν•œ λ°”λ‹€λ‘œ λ‚˜κ°ˆμˆ˜λ‘ 뢀적과 μ£Όμˆ μ— μ˜μ‘΄ν•˜λŠ” κ²½ν–₯이 κ°•ν•΄μ§„λ‹€λŠ” 것을 λ°œκ²¬ν–ˆμŠ΅λ‹ˆλ‹€. 뢀적은 ν†΅μ œ λΆˆκ°€λŠ₯ν•œ μ˜μ—­ μ•žμ—μ„œ 인간이 μ„ νƒν•œ 심리적 κ΅¬μ‘°μž…λ‹ˆλ‹€. ν˜•νƒœλŠ” λ¬Έν™”λ§ˆλ‹€ λ‹¬λžμ§€λ§Œ, κΈ°λŠ₯은 ν•˜λ‚˜μ˜€μŠ΅λ‹ˆλ‹€. 두렀움을 물질둜 λ²ˆμ—­ν•˜λŠ” 것. 그리고 κ·Έ λ¬Όμ§ˆμ„ λͺΈ κ°€κΉŒμ΄ λ‘λŠ” 것. 당신이 무언가λ₯Ό 지닐 λ•Œ, 그것은 이미 λΆ€μ μž…λ‹ˆλ‹€. ν˜•νƒœκ°€ μ•„λ‹ˆλΌ 관계가 그것을 λ§Œλ“­λ‹ˆλ‹€. Find Your Own Totem. πŸͺ¬ AMULET β€” The Architecture of Protection The amulet was not invented by religion. Humans came first. The oldest amulet in the archaeological record is a perforated shell found in the Blombos Cave of South Africa, dating to approximately 75,000 years ago. Long before writing, states, or organized religion, humans were already wearing something on their bodies. Cultural anthropologist BronisΕ‚aw Malinowski observed that fishermen of the Trobriand Islands performed no rituals when working in safe, shallow waters β€” but the deeper and more dangerous the sea, the stronger their reliance on amulets and incantations. The amulet is the psychological structure humans chose in the face of the uncontrollable. The form varied across cultures, but the function was singular: to translate fear into matter. And to keep that matter close to the body. When you carry something, it is already an amulet. Not the form, but the relationship makes it so. Find Your Own Totem. πŸͺ¬ π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / Β© Since 2024 MACRO. All Rights Reserved.
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22 days ago
Macro Totem Curation Vol. 17 MEMENTO MORI β€” μ£½μŒμ„ κΈ°μ–΅ν•˜λΌ 쀑세 μœ λŸ½μ—μ„œ 해골 μ˜€λΈŒμ œλŠ” 곡포의 상징이 μ•„λ‹ˆμ—ˆμŠ΅λ‹ˆλ‹€. β€˜λ©”λ©˜ν†  λͺ¨λ¦¬(Memento Mori)β€™λŠ” λΌν‹΄μ–΄λ‘œ β€˜μ£½μŒμ„ κΈ°μ–΅ν•˜λΌβ€™λŠ” λœ»μž…λ‹ˆλ‹€. 이 κ°œλ…μ€ 둜마 μ‹œλŒ€ κ°œμ„ μž₯ꡰ의 κ·€ν™˜ ν–‰μ§„μ—μ„œ κΈ°μ›ν–ˆλŠ”λ°, μž₯κ΅° 뒀에 μ„  λ…Έμ˜ˆκ°€ ”당신도 κ²°κ΅­ 죽을 κ²ƒμž…λ‹ˆλ‹€β€œλΌκ³  μ†μ‚­μ˜€λ‹€λŠ” 기둝이 남아 μžˆμŠ΅λ‹ˆλ‹€. 죽음의 μƒκΈ°λŠ” 겸손이 μ•„λ‹ˆλΌ, ν˜„μž¬λ₯Ό μ΅œλŒ€ν•œ μ‚΄μ•„λ‚΄κΈ° μœ„ν•œ 철학적 μž₯μΉ˜μ˜€μŠ΅λ‹ˆλ‹€. μŠ€ν† μ•„ μ² ν•™μž 마λ₯΄μΏ μŠ€ μ•„μš°λ λ¦¬μš°μŠ€λŠ” 맀일 μ•„μΉ¨ μžμ‹ μ˜ μ£½μŒμ„ λ– μ˜¬λ¦¬λŠ” ν›ˆλ ¨μ„ ν–ˆλ‹€κ³  μ „ν•΄μ§‘λ‹ˆλ‹€. 해골, λͺ¨λž˜μ‹œκ³„, κΊΌμ§„ μ΄›λΆˆμ„ κ·Έλ¦° μ •λ¬Όν™”(Vanitas)λŠ” 17μ„ΈκΈ° λ„€λœλž€λ“œ 화가듀이 이 철학을 μ‹œκ°ν™”ν•œ κ²°κ³Όμž…λ‹ˆλ‹€. λ‹Ήμ‹œ 이 그림듀은 λΆ€μœ ν•œ μƒμΈμ˜ μ„œμž¬μ— κ±Έλ ΈμŠ΅λ‹ˆλ‹€. 두렀움이 μ•„λ‹ˆλΌ, μ˜μ‹μ„ μœ„ν•΄. 해골 ν˜•νƒœμ˜ 였브제λ₯Ό 곡간에 λ‘λŠ” ν–‰μœ„λŠ” μ·¨λ―Έκ°€ μ•„λ‹™λ‹ˆλ‹€. 그것은 μœ ν•œμ„±μ„ μΈμ‹ν•˜κ³  μ§€κΈˆμ„ 더 μ„ λͺ…ν•˜κ²Œ μ‚΄κ² λ‹€λŠ” μ„ νƒμ˜ ν‘œν˜„μž…λ‹ˆλ‹€. μ£½μŒμ„ μ˜†μ— λ‘λŠ” μ‚¬λžŒμ΄ 였히렀 κ°€μž₯ μΉ˜μ—΄ν•˜κ²Œ μ‚½λ‹ˆλ‹€. 곡포가 μ•„λ‹™λ‹ˆλ‹€, μ„ νƒμž…λ‹ˆλ‹€. Find Your Own Totem. πŸͺ¬ MEMENTO MORI β€” Remember That You Will Die In medieval Europe, skull objects were not symbols of fear. β€˜Memento Mori’ means β€˜remember that you will die’ in Latin. The concept originated in Roman triumphal processions, where a slave standing behind a victorious general would whisper the reminder of his mortality. The recollection of death was not an exercise in humility β€” it was a philosophical device to live the present moment to its fullest. Stoic philosopher Marcus Aurelius is said to have practiced meditating on his own death every morning. Skull motifs, hourglasses, and extinguished candles depicted in Vanitas still lifes were the 17th-century Dutch mastersβ€˜ visualization of this philosophy. These paintings hung in the studies of wealthy merchants β€” not out of fear, but for the sake of awareness. Placing a skull-form object in your space is not a hobby. It is an expression of the choice to recognize finitude and live more vividly in the present. Those who keep death nearby live the most fiercely. Not fear β€” a choice. Find Your Own Totem. πŸͺ¬ π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / Β© Since 2024 MACRO. All Rights Reserved.
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24 days ago
Macro Totem Curation Vol. 16 THRESHOLD OBJECT β€” 경계λ₯Ό μ§€ν‚€λŠ” 였브제 λ¬Έ μ•žμ— 무언가λ₯Ό λ‘λŠ” ν–‰μœ„λŠ” μ „ 세계 거의 λͺ¨λ“  λ¬Έν™”μ—μ„œ λ°œκ²¬λ©λ‹ˆλ‹€. ν•œκ΅­μ˜ μž₯승, 일본의 μ½”λ§ˆμ΄λˆ„(η‹›ηŠ¬), 그리슀의 ν—€λ₯΄λ§ˆ(Herma), μ€‘κ΅­μ˜ λ¬Έμ‹ (ι–€η₯ž), λ©”μ†Œν¬νƒ€λ―Έμ•„μ˜ 라마수(Lamassu). ν˜•νƒœλŠ” μ „ν˜€ λ‹€λ₯΄μ§€λ§Œ 배치의 λ…Όλ¦¬λŠ” λ™μΌν•©λ‹ˆλ‹€. 내뢀와 μ™ΈλΆ€μ˜ 경계에 상징물을 두고, κ·Έ 경계λ₯Ό μ˜λ―Έν™”ν•˜λŠ” κ²ƒμž…λ‹ˆλ‹€. 건좕인λ₯˜ν•™μžλ“€μ€ 이 ν˜„μƒμ„ β€˜λ¦¬λ―Έλ„ 였브제(Liminal Object)’라고 λΆ€λ¦…λ‹ˆλ‹€. 리미널(liminal)은 λΌν‹΄μ–΄λ‘œ λ¬Έμ§€λ°©(limen)μ—μ„œ νŒŒμƒλœ λ‹¨μ–΄μž…λ‹ˆλ‹€. 경계에 놓인 μ˜€λΈŒμ œλŠ” μ•ˆκ³Ό 밖을 κ΅¬λΆ„ν•˜λŠ” 것이 μ•„λ‹ˆλΌ, 경계 κ·Έ 자체λ₯Ό μ‚΄μ•„μžˆκ²Œ λ§Œλ“œλŠ” μž₯μΉ˜μž…λ‹ˆλ‹€. ν˜„λŒ€ κ³΅κ°„μ—μ„œ ν˜„κ΄€μ΄λ‚˜ 창가에 였브제λ₯Ό λ‘λŠ” ν–‰μœ„λŠ” 이 수만 λ…„μ˜ 인λ₯˜ λ³ΈλŠ₯κ³Ό μ •ν™•νžˆ 같은 λ§₯락에 μžˆμŠ΅λ‹ˆλ‹€. μΈν…Œλ¦¬μ–΄κ°€ μ•„λ‹™λ‹ˆλ‹€. κ²½κ³„μ˜ μ˜μ‹ν™”μž…λ‹ˆλ‹€. κ³΅κ°„μ—λŠ” λ°˜λ“œμ‹œ 경계가 μžˆμŠ΅λ‹ˆλ‹€. κ·Έ 경계λ₯Ό μ˜μ‹ν•˜λŠ” μ‚¬λžŒλ§Œμ΄ 곡간을 μ†Œμœ ν•©λ‹ˆλ‹€. Find Your Own Totem. πŸͺ¬ THRESHOLD OBJECT β€” Objects That Guard the Boundary The act of placing something at a doorway is found in nearly every culture across the world. Koreaβ€˜s Jangseung, Japan’s Komainu, Greeceβ€˜s Herma, China’s Door Gods, Mesopotamiaβ€˜s Lamassu. The forms are entirely different, but the logic of placement is identical: to position a symbol at the boundary between interior and exterior, and to give that boundary meaning. Architectural anthropologists call this phenomenon the ’Liminal Object.β€˜ The word ’liminalβ€˜ derives from the Latin ’limen,β€˜ meaning threshold. An object placed at a boundary does not divide inside from outside β€” it is a device that makes the boundary itself alive. Placing an object at your entryway or windowsill in a modern space carries the exact same logic as this tens-of-thousands-of-years-old human instinct. It is not interior design. It is the ritualization of a boundary. Every space has a boundary. Only those who are conscious of that boundary truly possess the space. Find Your Own Totem. πŸͺ¬ π•Έπ–†π–ˆπ–—π–” π•Ύπ–Šπ–‘π–Šπ–ˆπ–™ 𝕾𝖍𝖔𝖕 / Β© Since 2024 MACRO. All Rights Reserved.
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26 days ago