Liam Mullen

@lsemullen

Artist-Researcher-Writer
Followers
1,447
Following
3,065
Account Insight
Score
26.97%
Index
Health Rate
%
Users Ratio
0:1
Weeks posts
Untitled (Authority Figure VIII), 2024 clipboard, name tag, .38 calibre munition, London Kills Me, Dragonfly Wingman® Deer and Horse Fly Repellent, rare-earth magnet, LAMP MJ-45BR key hook, binding ring, paperclip, aluminum super clips 29.5 cm x 12.75 cm x 18.5 cm
171 6
1 year ago
Untitled (Authority Figure II), 2024 clipboard, Diagnostic Test, MAGIC STITCH FUN, Scottish Love Letter, colour-shape identification card, aluminum super clips. 35.5 cm x 22.5 cm x 0.75 cm
131 1
2 years ago
Untitled (Authority Figure), 2024 clipboard, pocket protector, .38 calibre munition, fierce cotton swabs, Daisy®️ National Rifle Association 5 metre BB Gun Target, Maxi-Mini child’s Panzer card. 10 cm X 22 cm X 1.75 cm
161 5
2 years ago
10 0
17 days ago
Untitled (Authority Figure IX), 2025 clipboard, Jakar Circular Stencil, Jakar United Kingdom Map Stencil, price sticker (£), POST OFFICE/TELEPHONE reference card
61 3
5 months ago
I’m fortunate to be showing a few selections from my series of Untitled (Authority Figures) with Soup this month. This show is brimming with exciting work, and well-worth a visit if you’re in town! Thanks to Hector for the invitation, and congratulations to the participating artists. Exhibition view: «All the Small Things II» at Soup Gallery in London. Courtesy: Soup Gallery. Photography by Peter Otto.
78 2
7 months ago
February, 2025
66 0
7 months ago
18 0
8 months ago
Introducing @lsemullen , our graduating MA Media student! Liam Mullen is a Canadian artist, writer, and researcher holding a BA in Visual Studies from the University of Toronto’s Daniels Faculty of Architecture, Landscape, and Design. They are an MA candidate at University College London’s Slade School of Fine Art, where their research-based practice draws from methods in sound studies, queer theory, feminist theory, and social epidemiology to comprehend pedagogical systems and environmental violence. Through time-based media and installation techniques, Mullen’s work re-configures abstracted systems and, otherwise, ambient governing forces to prompt affective awakenings—described by cultural theorist Kathleen Stewart as encounters that intensify one’s awareness to their relations with discursive bodies and environmental forces. In tethering their thinking via art-making to their writing, they have come to understand sound as a key component in eliciting these affective responses. As a material: sound is robust and pervasive, while also being incredibly malleable and discreet. It is this paradox that privileges sound’s ability to provoke corporeal surges, as it literally resonates with and within bodies. Previously, they have worked on projects shown at MOCA (Toronto, Canada), Gallery 44 (Toronto, Canada), Gallery TPW (Toronto, Canada), Trinity Square Video (Toronto, ON), TANK Magazine (London, UK), Art Museum (Toronto, Canada), Susan Hobbs Gallery (Toronto, Canada), Visual Arts Centre of Clarington (Clarington, Canada), and VIVO (Vancouver, Canada). To read along with Mullen, you can find their words published in CMag, and Cornelia Magazine (Buffalo, NY). You can find Liam’s work in studio 7 during the grad show, opening on the 13th of June. Image 1.) In-Studio Portrait taken by Julia-Anna Simonchuk Image 2.) Untitled (Authority Figure), 2024 Image 3.) Daily Mail, 2024 Image 4.) Mail box in Islington Image 5.) “Liam” backwards is “Mail”, 2024 Image 6.) Screen recording: You’ve Got Mail (1998) Image 7.) Still from: Mums, 2025 Image 8.) anyone still awake?, 2022/2024 Image 9.) Screen recording: Wet Hot American Summer – “Bat Boy” (2001)
220 8
11 months ago
I’m excited to share the representative work from my time at the Slade School of Fine Art with everyone! Opening Reception: June 13th (bookable visits via eventbrite @sladeschool ) If you are unable to join us for the opening, you can catch the show from June 14th - June 22nd (weekends from 10am to 5pm, and weekdays from 10am to 8pm). The exhibition mounts a modular apparatus bearing 7-speakers, made in the likeness of batboxes, that form a discursive listening-system. Collaborating with UCL People and Nature Lab’s spatial and ultrasonic data gathered from their recording array installed throughout Queen Elizabeth Olympic Park, the work transposes the migration patterns and ultrasonic vocalizations of bats to emulate their unique practices of sensing (which is to say: “sense-making”) and relating. Through publics’ collective, and dividual listening, the work seeks to generate new and surprising understandings of our spatial and ecological relationships to others. Special thanks to the conversations held with UCL’s Department of Public Anthropology, and the UCL People and Nature Lab for allowing me to collaborate with a sampling of their work at UCL East.
135 12
11 months ago
Would you believe me if I told you this was in Brighton?
27 1
1 year ago
38 3
1 year ago