The performance created in the context of
@b1dr.world in Venice gives voice to the volcano as a living, resonant entity—often referred to in Sicilian culture as la Grande Madre. Through sound, text, and vibration, the work invites the audience into an embodied encounter with geological time and force, reflecting on Earth as both destructive and regenerative matter. Human perception is positioned as porous and receptive: a body that listens not only with the ears, but through skin, breath, and internal resonance. Operating at the intersection of sound art, performance, architecture, and environmental research, Mother’s singing proposes infrasound as a shared vibrational condition linking human bodies, landscapes, and non-human intelligences—transforming listening into a physical, relational, and planetary act.
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Ph. by
@grace_face_8 🔥
