超藝術欣然宣布參與首屆【台北藝軒2026】。
我們榮幸呈獻新興藝術家陳寬睿，其創作以裝置、雕塑與動力機械等混合形式，探討個人情感、自然與社會間的連結與變化，將時間與情感轉化為可被觀看與感知的視覺語彙，在可控與隨機之間構築張力。
重點展出作品包括《落哀》（2023–2025），一件鏽蝕鐵葉的現場特定裝置，懸置於存在與消逝、重量與飄浮之間，試圖保存那段無法被保存的時間——尚未成為結局的瞬間；以及《初潤系列》（2026），黑色鐵板承載硫泉水紋理，捕捉初次踏入土地時的片刻停留，以及對變化本身的凝視與承認。
期待在臺北與您相見。
1月22-26日 @ 大院子
台北市大安區和平東路一段248巷10號
查詢請私訊
Hyper Arte is delighted to announce our participation in the inaugural PAVILION Taipei 2026.
We are proud to present CHEN Kuang-jui, an emerging voice whose practice transforms personal emotion, nature, and societal change into tactile visual languages through installation, sculpture, and kinetic forms.
Featured works include Fallen Grief (2023–2025), a site-specific installation of rusted iron leaves suspended between weight and buoyancy, preserving the unpreservable stretch of time just before conclusion, and the Nascent Ravine Series (2026), black iron panels bearing sulfur-water textures that hold the quiet pause of first encounter and the gentle acknowledgment of impermanence.
We look forward to seeing you in Taipei.
January 22-26 @ Grand Courtyard:
No. 10, Ln 248, Sec. 1 Heping E. Rd., Da An District, Taipei
DM For inquiries
@ray_881112@its.a.pavilion
@hyperarte.co Welcome to Hyper Arte! We are a new hybrid art space that evolves the traditional gallery model into a multifaceted platform for discovery, collaboration, and growth.
At its core, we offer tailored advisory services for collectors, guiding acquisitions and portfolio management with a blend of Eastern and Western expertise. Our agency arm represents emerging artists, fostering commercial partnerships that extend art into fashion, merchandise, and cultural projects. Complementing this is our art lab, an incubator nurturing creative talent through grants and mentorship.
By maximizing our experience, networks, and resources, Hyper Arte bridges markets, delivering value through agile, innovative strategies that adapt to the art world’s shifting landscape.
We’re not reinventing the wheel; we’re refining it to move faster and farther.
龍躍新境：河上•高惠君 - 2025台北國際藝術博覽會參展藝術家
自號「河上」的高惠君（1966-），師古而化新，將八大山人之孤傲、倪瓚之澹遠，轉譯為當代超現實寓言。1992年畢業於清華大學藝術與設計學院，長年以宋莊為創作基地。其筆下擬人化的禽鳥與夢幻山水，於巴黎、新加坡等國際舞台屢獲迴響。作為本展「中國當代中生代代表」，高惠君的作品既溯源文人傳統，又以實驗精神拓疆，完美詮釋龍門雅集「承古開今」的策展宏旨。
2025年，龍門迎來創立五十週年誌慶，並榮耀開啟台北內湖全新空間「超藝術 HYPER ARTE」。我們以「龍躍新境」為題，參與2025台北國際藝術博覽會，呈現河上•高惠君等六位藝術家從現代主義到當代創新的藝術軌跡。龍門雅集自1975年以「台北龍門畫廊」為起點，半世紀以來持續推動藝術對話，「超藝術 HYPER ARTE」的啟用標誌著我們以更開闊的視野，構築連接傳統與未來的藝術平台。本次展覽既是對先驅者的致敬，也是我們迎向未來的新頁。
Gao Huijun (1966-), known by his style name Heshang (literally “on the river”), was born in Baoding, Hebei Province. He graduated from the Central Institute of Arts and Crafts (now the Academy of Arts & Design, Tsinghua University) in 1992 and has made Songzhuang his artistic haven since 1994. He now resides in Los Angeles. His works have been exhibited globally in Singapore, Paris, and Taiwan. Gao’s art deftly intertwines the essence of traditional Chinese painting with modern contexts, sometimes incorporating Western painting media. Personified birds and otherworldly landscapes take center stage, demonstrating a profound connection to the legacy of ancient masters like Bada Shanren (1626–1705), Ni Zan (1301–1374), and Mi Fu (1051–1107). As a contemporary anchor, Gao’s inclusion highlights Longmen’s forward-looking ethos, bridging historical legacies with the dynamic energy of the present. His vibrant, innovative works will captivate viewers, emphasizing renewal in the exhibition’s narrative.
盧明德（1950-）以水墨為媒、當代為鏡，解構傳統筆墨並重構都市記憶圖景。生於台北，畢業於國立台灣藝術大學，作品獲國立台灣美術館等收藏。其畫布上的躍動線條與塊面，隱喻現代中國身份的多重辯證。作為展覽中的「當代橋樑」，盧明德的參與正呼應龍門雅集培育新銳的使命，為歷史敘事注入鮮活當代性。
2025年，龍門迎來創立五十週年誌慶，並榮耀開啟台北內湖全新空間「超藝術 HYPER ARTE」。我們以「龍躍新境」為題，參與2025台北國際藝術博覽會，呈現盧明德等六位藝術家從現代主義到當代創新的藝術軌跡。龍門雅集自1975年以「台北龍門畫廊」為起點，半世紀以來持續推動藝術對話，「超藝術 HYPER ARTE」的啟用標誌著我們以更開闊的視野，構築連接傳統與未來的藝術平台。本次展覽既是對先驅者的致敬，也是我們迎向未來的新頁。
Lu Ming-Te (1950-) represents a bridge to contemporary art, known for his innovative paintings that combine traditional Chinese ink techniques with modern compositions. Born in Taipei, Lu studied at the National Taiwan University of Arts and has exhibited widely in Asia and beyond. His works, which often explore themes of memory and urban life, use bold colors and dynamic forms to reflect the complexities of modern Chinese identity. Held in private and institutional collections, including the National Taiwan Museum of Fine Arts, Lu’s art resonates with younger audiences, aligning with Longmen’s mission to foster new voices. His inclusion introduces a contemporary perspective, connecting the exhibition’s historical roots to the present.
Marking its 50th anniversary, Longmen proudly inaugurates its new Taipei Neihu space, Hyper Arte, under the thematic title Dragon Leaps into New Realms. The same theme extends to Longmen’s presentation at the 2025 Art Taipei International Art Fair, showcasing the artistic journeys of six artists, including Lu Ming-Te, and tracing the evolution from modernism to contemporary innovation. Since its founding as Taipei Lung Men Art Gallery in 1975, Longmen Art Projects has continuously fostered meaningful artistic dialogue across generations. The launch of Hyper Arte signifies a renewed commitment to building a platform that bridges tradition and the future, expanding the language of art through experimentation and exchange. This presentation stands as both a tribute to the pioneers who defined modern art in Taiwan and a declaration of a bold new chapter as Longmen strides confidently into its next era.
龍躍新境：蕭勤 - 2025台北國際藝術博覽會參展藝術家
中國抽象藝術先驅蕭勤（1935-2023），以禪意入畫、幾何賦形，開創融合道家哲思與西方現代語彙的抒情抽象。1956年於台灣創立「東方畫會」，為華人藝壇引入抽象之維。其作品典藏於紐約現代藝術博物館、上海中華藝術宮，以簡淨線條訴說宇宙秩序。龍門雅集早年即慧眼識珠，助其奠定國際聲望；本次展出不僅緬懷大師風範，更彰顯我們半世紀來對現代中國藝術的虔誠守護。
2025年，龍門迎來創立五十週年誌慶，並榮耀開啟台北內湖全新空間「超藝術 HYPER ARTE」。我們以「龍躍新境」為題，參與2025台北國際藝術博覽會，呈現蕭勤等六位藝術家從現代主義到當代創新的藝術軌跡。龍門雅集自1975年以「台北龍門畫廊」為起點，半世紀以來持續推動藝術對話，「超藝術 HYPER ARTE」的啟用標誌著我們以更開闊的視野，構築連接傳統與未來的藝術平台。本次展覽既是對先驅者的致敬，也是我們迎向未來的新頁。
Hsiao Chin (1935-2023) was a pioneering figure in Chinese abstract art, renowned for his lyrical abstractions that integrate Eastern philosophies with Western modernism. Born in Shanghai, he co-founded the Ton Fan Art Group in Taiwan in 1956, introducing abstract art to Chinese audiences. His works, characterized by geometric forms and vibrant colors, reflect a deep engagement with Zen Buddhism and Taoism, and are held in collections such as The Museum of Modern Art, New York, and the Shanghai Art Museum. Longmen’s early support for Hsiao Chin helped elevate his global presence, making his inclusion a testament to our 50-year commitment to modern Chinese art. His abstractions will invite viewers to explore the spiritual and cultural intersections that define Longmen’s vision.
Marking its 50th anniversary, Longmen proudly inaugurates its new Taipei Neihu space, Hyper Arte, under the thematic title Dragon Leaps into New Realms. The same theme extends to Longmen’s presentation at the 2025 Art Taipei International Art Fair, showcasing the artistic journeys of six artists, including Hsiao Chin, and tracing the evolution from modernism to contemporary innovation. Since its founding as Taipei Lung Men Art Gallery in 1975, Longmen Art Projects has continuously fostered meaningful artistic dialogue across generations. The launch of Hyper Arte signifies a renewed commitment to building a platform that bridges tradition and the future, expanding the language of art through experimentation and exchange. This presentation stands as both a tribute to the pioneers who defined modern art in Taiwan and a declaration of a bold new chapter as Longmen strides confidently into its next era.
龍躍新境：莊喆 - 2025台北國際藝術博覽會參展藝術家
莊喆（1934-）的抽象山水，以墨韻為骨、西式抽象為翼，構築獨特的「心象風景」。生於書香門第，早年參與台灣「五月畫會」，推動中國現代主義浪潮。其作品藏於克利夫蘭美術館、台北市立美術館等機構，在虛實間探尋自然與心靈的共鳴。龍門雅集與莊喆逾數十載的合作，映照我們對「文化邊界重構者」的堅定支持。本次展出的冥想之作，恰似展覽的中軸，連綴歷史積澱與當代使命。
2025年，龍門迎來創立五十週年誌慶，並榮耀開啟台北內湖全新空間「超藝術 HYPER ARTE」。我們以「龍躍新境」為題，參與2025台北國際藝術博覽會，呈現莊喆等六位藝術家從現代主義到當代創新的藝術軌跡。龍門雅集自1975年以「台北龍門畫廊」為起點，半世紀以來持續推動藝術對話，「超藝術 HYPER ARTE」的啟用標誌著我們以更開闊的視野，構築連接傳統與未來的藝術平台。本次展覽既是對先驅者的致敬，也是我們迎向未來的新頁。
Chuang Che (1934-) is celebrated for his abstract landscapes that fuse traditional Chinese ink painting with Western abstraction, creating a unique visual language. Born in Beijing to a calligrapher and scholar, Chuang Che joined the Fifth Moon Group in Taiwan, contributing to the modernist movement in Chinese art. His works, held in collections like the Cleveland Museum of Art and the Taipei Fine Arts Museum, reflect a dialogue between nature and abstraction. Longmen’s longstanding relationship with Chuang Che highlights our role in nurturing artists who redefine cultural boundaries. His contemplative works will anchor the exhibition, connecting Longmen’s past with its ongoing mission.
Marking its 50th anniversary, Longmen proudly inaugurates its new Taipei Neihu space, Hyper Arte, under the thematic title Dragon Leaps into New Realms. The same theme extends to Longmen’s presentation at the 2025 Art Taipei International Art Fair, showcasing the artistic journeys of six artists, including Chuang Che, and tracing the evolution from modernism to contemporary innovation. Since its founding as Taipei Lung Men Art Gallery in 1975, Longmen Art Projects has continuously fostered meaningful artistic dialogue across generations. The launch of Hyper Arte signifies a renewed commitment to building a platform that bridges tradition and the future, expanding the language of art through experimentation and exchange. This presentation stands as both a tribute to the pioneers who defined modern art in Taiwan and a declaration of a bold new chapter as Longmen strides confidently into its next era.
龍躍新境：丁雄泉 - 2025台北國際藝術博覽會參展藝術家
華裔美籍藝術家丁雄泉（1928–2010），以絢爛奔放的表現主義畫風獨步藝壇，熔鑄普普藝術之鮮明、抽象表現之張力與中國文人雅趣於一爐。生於無錫，旅居巴黎時與CoBrA藝術群體交遊，後扎根紐約，與山姆·法蘭西斯等巨匠共譜現代藝術篇章。其筆下恣意的女性、靈貓與花卉，現藏紐約現代藝術博物館、古根漢美術館等殿堂。龍門雅集榮膺其遺作代理，本次展出不僅致敬其跨越東西的美學實踐，更奠定展覽「傳承」之基石——以色彩為詩，詠唱永恆的生命力。
2025年，龍門迎來創立五十週年誌慶，並榮耀開啟台北內湖全新空間「超藝術 HYPER ARTE」。我們以「龍躍新境」為題，參與2025台北國際藝術博覽會，呈現丁雄泉等六位藝術家從現代主義到當代創新的藝術軌跡。龍門雅集自1975年以「台北龍門畫廊」為起點，半世紀以來持續推動藝術對話，「超藝術 HYPER ARTE」的啟用標誌著我們以更開闊的視野，構築連接傳統與未來的藝術平台。本次展覽既是對先驅者的致敬，也是我們迎向未來的新頁。
Walasse Ting (1928-2010) was a Chinese-American artist whose vibrant, expressive paintings seamlessly blended Pop Art, Abstract Expressionism, and Chinese cultural motifs. Born in Wuxi, China, Ting was self-taught, moving to Paris in 1952 where he engaged with the CoBrA group, and later to New York, collaborating with artists like Sam Francis. His iconic works, featuring vivid depictions of women, cats, and flowers, are celebrated in major collections, including the Museum of Modern Art and the Guggenheim Museum. Longmen Art Projects proudly represents his estate, and his inclusion in this exhibition underscores our foundational role in promoting artists who bridge Eastern and Western aesthetics. Ting’s work embodies the exuberance and cultural fusion central to Longmen’s legacy.
Marking its 50th anniversary, Longmen proudly inaugurates its new Taipei Neihu space, Hyper Arte, under the thematic title Dragon Leaps into New Realms. The same theme extends to Longmen’s presentation at the 2025 Art Taipei International Art Fair, showcasing the artistic journeys of six artists, including Walasse Ting, and tracing the evolution from modernism to contemporary innovation. Since its founding as Taipei Lung Men Art Gallery in 1975, Longmen Art Projects has continuously fostered meaningful artistic dialogue across generations. The launch of Hyper Arte signifies a renewed commitment to building a platform that bridges tradition and the future, expanding the language of art through experimentation and exchange. This presentation stands as both a tribute to the pioneers who defined modern art in Taiwan and a declaration of a bold new chapter as Longmen strides confidently into its next era.
Chi town, SD and LA represent!
Xiè Xiè Jingdezhen
This past Wednesday marked the opening reception of “Childlike Wonder”, An international artist group invitational at the international museum of art in Jingdezhen, China - also known as the Porcelain City. Honored to have select works curated amongst other amazing artist from all over the world.
As this marks our very first ever museum exhibition, I can’t be anymore grateful to see the works share a space and to be presented through this context in order to bring such a beautiful city together through art, design, innovation and creativity.
“Childlike Wonder” runs through December 31, 2025 🌏
龍躍新境：陳庭詩 - 2025台北國際藝術博覽會參展藝術家
陳庭詩（1916-2002）是台灣現代藝術的先驅，也是上世纪 1960 年代中期成立的五月畫會的創始成員之一，以宣紙版畫和雕塑對現代中國藝術的投入而聞名。他出生於中國福建，後定居台灣，發展出融合中國書法與水墨畫傳統及西方抽象形式的獨特美學語言。他的作品以大膽線條和極簡構圖為特色，被典藏於台北市立美術館和國立台灣美術館等機構。龍門与陳庭詩生前的合作關係也凸顯了我們當年在台灣推廣現代主義、銜接東西方美學的藝術市場經營人時代角色，為此次展覽的歷史敘事奠定詳實的基礎。
2025年，龍門迎來創立五十週年誌慶，並榮耀開啟台北內湖全新空間「超藝術 HYPER ARTE」。我們以「龍躍新境」為題，參與2025台北國際藝術博覽會，呈現陳庭詩等六位藝術家從現代主義到當代創新的藝術軌跡。龍門雅集自1975年以「台北龍門畫廊」為起點，半世紀以來持續推動藝術對話，「超藝術 HYPER ARTE」的啟用標誌著我們以更開闊的視野，構築連接傳統與未來的藝術平台。本次展覽既是對先驅者的致敬，也是我們迎向未來的新頁。
Chen Ting-shih (1916-2002) was a pioneering artist and a founding member of the Fifth Moon Group, renowned for his contributions to modern Chinese art through printmaking and sculpture. Born in Fujian, China, and later based in Taiwan, Chen developed a distinctive style that integrated Chinese calligraphy and ink painting traditions with Western abstract forms. His works, often characterized by bold lines and minimalist compositions, are held in collections such as the Taipei Fine Arts Museum and the National Taiwan Museum of Fine Arts. Longmen’s representation of Chen underscores our role in promoting early modernists who bridged Eastern and Western aesthetics. His inclusion anchors the exhibition’s historical narrative, celebrating Longmen’s legacy from its earliest days.
Marking its 50th anniversary, Longmen proudly inaugurates its new Taipei Neihu space, Hyper Arte, under the thematic title Dragon Leaps into New Realms. The same theme extends to Longmen’s presentation at the 2025 Art Taipei International Art Fair, showcasing the artistic journeys of six artists, including Chen Ting-Shih, and tracing the evolution from modernism to contemporary innovation. Since its founding as Taipei Lung Men Art Gallery in 1975, Longmen Art Projects has continuously fostered meaningful artistic dialogue across generations. The launch of Hyper Arte signifies a renewed commitment to building a platform that bridges tradition and the future, expanding the language of art through experimentation and exchange. This presentation stands as both a tribute to the pioneers who defined modern art in Taiwan and a declaration of a bold new chapter as Longmen strides confidently into its next era.
The Stravinsky Fountain: A Kinetic Dialogue Between Niki de Saint Phalle and Jean Tinguely
Located beside the Centre Pompidou, this fountain—commissioned in 1983—brings together de Saint Phalle’s vibrant, playful sculptures with Tinguely’s mechanical, kinetic structures. At first glance, the contrast is striking: Saint Phalle’s color-saturated, voluptuous forms seem to dance freely across the shallow pool, while Tinguely’s dark, skeletal machines churn, rotate, and spray water with a kind of mischievous unpredictability. Yet together, they compose a symphony—a playful, physical homage to the composer Igor Stravinsky, whose works often merged structure with irreverence, order with the unexpected.
Saint Phalle, known for her “Nanas” and for exploding the canon of patriarchal art history, imbues her forms here with symbolic references to Stravinsky’s oeuvre—figures representing The Firebird, Petrushka, The Rite of Spring. They are joyful, almost primal expressions of life, fertility, and ritual. In contrast, Tinguely’s machines evoke the fragility of order, the inevitability of entropy, and the absurdity of mechanized modernity—central concerns of his wider body of work.
Together, their collaboration at the Stravinsky Fountain challenges the viewer to reconcile these dualities: play and seriousness, chaos and order, color and shadow, movement and stasis. Under the June sun, the water’s reflections heighten these tensions, turning the fountain into a living performance—a kinetic theater where art, music, and environment coalesce.
