Limecraft

🚨 𝗟𝗮𝘀𝘁 𝗰𝗮𝗹𝗹: 𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝗮𝘁 @mpts_london 𝘁𝗵𝗶𝘀 𝘄𝗲𝗲𝗸 This Wednesday and Thursday, you'll find us at Stand F70 at Olympia London, ready to rethink high-volume workflows, distributed production, and the relentless pressure of tighter turnarounds. Also on the programme – and not to be missed: our co-founder Maarten Verwaest takes the stage on Wednesday 13 May at 15:15 in the Production Theatre, alongside Jonathan Vermeulen (@nep_group Europe) and Edwin van der Veen (@itvstudiosnl ), chaired by Louise Wells (@bubbleagency_ ). They'll share first-hand insights from building a connected production workflow for The Voice of Holland, from live capture to edit-ready content in real time, across dozens of cameras and unforgiving turnaround windows. 📍 Stand F70 | 13–14 May | Olympia London 🎤 "From Capture to Cut in Real Time" | Wed 13 May | 15:15 | Production Theatre 👉 Schedule's filling up, grab your slot via our website. #MPTS2026 #MPTSLondon #MediaTechnology #PostProduction

𝘽𝙚𝙝𝙞𝙣𝙙 𝙚𝙫𝙚𝙧𝙮 𝙨𝙪𝙘𝙘𝙚𝙨𝙨𝙛𝙪𝙡 𝙢𝙚𝙙𝙞𝙖 𝙤𝙥𝙚𝙧𝙖𝙩𝙞𝙤𝙣 𝙞𝙨 𝙖 𝙨𝙩𝙧𝙤𝙣𝙜 𝙬𝙤𝙧𝙠𝙛𝙡𝙤𝙬 𝙩𝙝𝙖𝙩 𝙙𝙤𝙚𝙨 𝙩𝙝𝙚 𝙟𝙤𝙗 𝙦𝙪𝙞𝙚𝙩𝙡𝙮, 𝙧𝙚𝙡𝙞𝙖𝙗𝙡𝙮, 𝙖𝙣𝙙 𝙖𝙩 𝙨𝙘𝙖𝙡𝙚. May sound simple, but real-life production workflows quickly become complex. Ingest, storage management, transcription, subtitling, archive logic, content exports, notifications, AI pipelines, graphic-content signalling, delivery checks. Each production has its own requirements and exceptions; often involving dozens of documents exchanged by email. Limecraft is built to manage that complexity without turning workflow changes into development projects. With Limecraft, workflow templates are configured centrally at account level. Admins define reusable templates for recurring processes, then quickly bring new workflow instances alive when bootstrapping a new workspace. That means less setup, fewer manual steps, and more consistency across productions. At the same time, workflows remain flexible. Limecraft’s low-code approach makes it easy to configure and customise workflows to match the needs of specific broadcasters, producers, language service providers, or archive operations. Execution is handled through local agents, so media processing can take place close to the content and storage environment. Meanwhile, workflow progress is reported centrally in real time through the Workflow Overview, giving admins visibility into what is running, completed, blocked, or failed. The result is an optimal balance between central control and local execution. For you as a producer, this means: ⚡ Faster and more cost-effective setup ⚡ Flexible configuration without unnecessary custom development ⚡ Better visibility across workflows ⚡ Easier troubleshooting and control ⚡ A solid foundation that evolves with changing requirements Media operations keep growing more complex. More content, versions, delivery requirements, automation, and AI-assisted processes add pressure to editorial. Limecraft helps them stay on top with configurable, reusable workflows and maximum visibility. 👉 To learn more, book a demo. #FeatureFriday #MediaOps #MediaIntelligence

𝟲𝟬% 𝙡𝙚𝙨𝙨 𝙩𝙞𝙢𝙚 𝙞𝙣 𝙩𝙝𝙚 𝙚𝙙𝙞𝙩 𝙨𝙪𝙞𝙩𝙚, 𝙗𝙚𝙘𝙖𝙪𝙨𝙚 𝙥𝙤𝙨𝙩 𝙝𝙖𝙨 𝙩𝙤 𝙨𝙩𝙖𝙧𝙩 𝙖𝙩 𝙧𝙪𝙣 𝙩𝙞𝙢𝙚 Opening @the_iamt Journal™ recently came with a nice surprise, seeing our project with @nep_group in print. It reflects something we’ve been saying for a while, but still not common in practice: "When production happens at scale, post-production cannot begin after recording has finished. It has to start at run time." That’s exactly what we built together with NEP Europe, with @itvstudios ’ The Voice of Holland (@teamtvoh ) as the proving ground. The result? A 60% reduction in edit suite preparation and pre-cutting time. On one of Europe's most demanding live formats: 24 camera feeds, multiple audio sources, ten-hour shoot days. A few things where Limecraft made the difference: – Ingest that doesn't wait Material is processed while recording is still ongoing. No gap between capture and access. – Notes that don’t get lost On-set input, via @editingtools.io , is structured as metadata and stays attached to the media. No separate notes; context stays with the material. – Timelines that aren’t built from scratch Template-based AAF export delivers a structured, multi-track timeline reflecting editorial logic. Defined once, applied consistently. None of this is about automation for its own sake. It’s about making sure that by the time content reaches the edit, most of the heavy lifting is already done. Credit to NEP Europe and ITV Studios for pushing it through in one of the more demanding environments out there. And thanks to IAMT Journal™ for telling the story. 🙏 🚀 Curious how this translates to your setup? Reach out or request a demo today. #PostProduction #LiveProduction #MediaWorkflow #Limecraft #NEPEurope #ITVStudios #TheVoiceofHolland #IAMTJournal #EntertainmentProduction

𝗡𝗔𝗕 𝟮𝟬𝟮𝟲 𝗹𝗲𝗳𝘁 𝘂𝘀 𝘄𝗶𝘁𝗵 𝗺𝗶𝘅𝗲𝗱 𝗳𝗲𝗲𝗹𝗶𝗻𝗴𝘀 𝗮𝗻𝗱 𝘀𝗼𝗺𝗲 𝗰𝗹𝗲𝗮𝗿 𝗶𝗻𝗱𝗶𝗰𝗮𝘁𝗶𝗼𝗻𝘀 𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝗶𝗻𝗱𝘂𝘀𝘁𝗿𝘆 𝗶𝘀 𝗵𝗲𝗮𝗱𝗶𝗻𝗴. First, the show became much smaller compared to last year. At least 25% fewer visitors, smaller booths, and overall a more modest footprint. More the footprint of a local show. It will be interesting to see whether overall interest is shrinking or shifting to other spaces like ISE in Barcelona. Second, despite all the overstretched expectations - if not noise - around AI, the buzz on the show floor suggested something different and more mature. AI is present, but factored in. A sign of the times, when even the large platform players were not leading with AI-heavy marketing messages everywhere you looked. That is significant. The industry has clearly moved beyond the illusion that value comes from brute-force AI or automation alone. The real value lies in the quality and purpose of the integration points. Well-integrated processes are what dictate usefulness. Connecting human and artificial intelligence in ways that actually help people do better work. That was also reflected in the conversations we had with partners and friends across the show floor. Great to see how @speechmatics_official , at the core of Limecraft, is the key enabler of text-based editing, modern journalistic workflows, and delivers best-in-class subtitles. This package embedded in @ooona_net creates the whole solution that gives subtitlers superpowers. Further to these, the blend of Carrick-Skills and Limecraft allows flexibility and scale in complex workflows, at industrial scale. Our view remains unchanged: don’t optimise for the cheapest. Look for the best. ➡️ Interested to know more? Book a meeting via the link in bio. @nabshow #NAB2026 #Limecraft #MediaIntelligence

𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝟮𝟬𝟮𝟲.𝟯 — 𝗨𝗻𝗹𝗼𝗰𝗸 𝘄𝗵𝗮𝘁’𝘀 𝗻𝗲𝘅𝘁 🚀 Next month, our third 2026 release makes collaboration and data management smoother than ever. Highlights include: · Better team management across multiple workspaces with role-based permissions · Backup application improvements to enhance data consistency, including the rollout of MHL (Media Hash List) files to ensure consistency across applications and production steps · Custom workspace metadata for more control over your workspaces 💡 See it in action: join our webinar on May 7 for an exclusive first look at Limecraft 2026.3 and how it enhances your workflow. 👉 Secure your spot, register now via Zoom via the link in bio. #Limecraft #MediaWorkflow #WorkflowAutomation #MediaIntelligence #LiveWebinar

𝘼𝙄 𝙩𝙧𝙖𝙣𝙨𝙘𝙧𝙞𝙥𝙩𝙞𝙤𝙣 𝙛𝙤𝙧 𝙢𝙚𝙙𝙞𝙖: 𝙙𝙤𝙣’𝙩 𝙜𝙤 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙘𝙝𝙚𝙖𝙥𝙚𝙨𝙩 𝙛𝙚𝙖𝙩𝙪𝙧𝙚, 𝙡𝙤𝙤𝙠 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙗𝙚𝙨𝙩 𝙬𝙤𝙧𝙠𝙛𝙡𝙤𝙬 While AI transcription in media has become commodity, the real question remains how to extract maximum value. Too often, buyers focus on the lowest unit price. That is the wrong metric. What matters is total cost, which hinges on accuracy and usability. Unreliable transcripts or extra cleanup before editing, logging, or delivery quickly make “cheap” expensive. Here are 4 practical points for media pros: 1. Proper nouns make or break transcript quality Names of people, programmes, places, and brands are notoriously hard for ASR to recognise consistently. Custom dictionaries are essential for near-perfect accuracy. Without them, even strong ASR can fall short where it matters most. 2. Raw accuracy ≠ usability Modern ASR handles noise, accents, and dialects better than before. It often captures speech perfectly, including repetitions, false starts, and filler words, but these disfluencies reduce usability. Choose tools that normalise or condense text. 3. Transcription always serves a purpose A transcript is not an end product by itself, it supports search search, logging, edits, subtitling, compliance, and delivery. That is why frame accuracy and timing consistency matter. If timing drifts or the transcript cannot reliably connect back to the media, its value drops to zero. 4. ASR is only one feature in a larger workflow If the transcription engine is silver, the surrounding workflow is gold. Flexible exports, metadata handling, and seamless integration are not nice-to-haves. They determine whether transcription saves time or adds friction. That’s why Limecraft fits naturally into professional @adobe and @avidtechnology workflows. 💡 Our advice is straightforward: do not optimise for the cheapest transcription. Optimise for the best workflow that adds the most value. That's where the real savings are. 🚀 Elevate your editorial workflow: try Limecraft and transform transcription into a seamless asset. #FeatureFriday #AITranscription #MediaWorkflow #PostProduction #MediaOperations #Limecraft

𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝗮𝘁 @mpts_london 𝟮𝟬𝟮𝟲!⠀ ⠀ On May 14–15, Limecraft will be at the Media Production & Technology Show in London, the UK’s leading event where media, tech, and storytelling collide.⠀ ⠀ 📍 Visit us at stand F70 to see how Limecraft blends workflow automation, media asset management, and content delivery, all in one intelligent, collaborative platform.⠀ ⠀ 💡 High volumes of content, distributed teams, or ever-tightening deadlines? We’ll show how producers are rethinking their operations and staying ahead.⠀ ⠀ Have a project in mind? Plan your visit and book a meeting with us on our website. ⠀ ⠀ #MPTS2026 #MPTSLondon #MediaTechnology #PostProduction #Limecraft #MediaIntelligence

#ICYMI – 𝗬𝗼𝘂𝗿 𝗳𝗿𝗼𝗻𝘁-𝗿𝗼𝘄 𝘀𝗲𝗮𝘁 𝘁𝗼 𝗟𝗶𝗺𝗲𝗰𝗿𝗮𝗳𝘁 𝟮𝟬𝟮𝟲.𝟮 Watch Jonna and Maarten break down all the updates in Limecraft 2026.2 in our latest webinar. Here’s what’s new: ✔️ Template-Based AAF Export: Say goodbye to repetitive setup. Configure once, reuse everywhere, and keep your editorial workflows consistent, even at scale. Export to Avid and Adobe Premiere with full control over colors, markers, and sequences, all without needing an engineer. ✔️ Smarter AI-Assisted Transcription: Faster, cleaner transcripts. Filter out “ums” and repetitions, fine-tune speaker detection, and post-edit smarter with AI guidance. Perfect for subtitling and localisation. ✔️ Platform polish & workflow perks: Flexible status filters, improved delivery logic, and Edge sessions that survive temporary license hiccups. Minor tweaks, major impact on daily production. 📌 Full blog post on our website & webinar replay via the link in bio Ready to dive in? Request a demo and try the new features hands-on. #MediaIntelligence #Limecraft #EditorialWorkflow #AITranscription #AAFExport

Introducing our BIGGEST launch ever. 💥 Find out all you need to know — hit play now! Any suggestions? Let us know in the comments. 👀 #Limecraft #BiggestLaunchEver #MoreComplexity #ComingSoonForever

𝙉𝙚𝙬 𝙏𝙚𝙖𝙢 𝙈𝙚𝙢𝙗𝙚𝙧𝙨! We’re happy to have Mr. Yasin Souabny and Mr. Kilian Rolland joining the team for a temporary assignment. During their time with us, they will be supporting strategic marketing and business development by engaging key industry players and helping amplify our content across core markets. We’re thrilled to have them with us and excited for the journey ahead. 💬 Yasin: "Delighted to join Limecraft for this exciting new chapter! I’m eager to contribute to the team in technical marketing and learning from the amazing people behind the screens." 💬 Kilian: "Thrilled to begin my journey with the Limecraft family! I’m looking forward to bringing my energy to the marketing team and learning from the brightest minds." Please join us in welcoming them to the team! #TeamGrowth #ProfessionalDevelopment #Limecraft #NewTalent

𝗥𝗲𝗹𝗶𝗮𝗯𝗹𝗲 𝗵𝗶𝗴𝗵-𝘃𝗼𝗹𝘂𝗺𝗲 𝘀𝘁𝗼𝗿𝗮𝗴𝗲 𝗮𝘁 𝗮 𝗳𝗿𝗮𝗰𝘁𝗶𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗰𝗼𝘀𝘁⠀ ⠀ Unlike generic backup solutions, Archiware fits Limecraft’s time-pressured production needs, turning tape from the “last archive station” into primary, reliable storage for high-volume media production.⠀ ⠀ While many production teams rely on cloud or hard drives, Archiware uses LTO tape storage to manage and protect every terabyte of footage so producers can:⠀ ⠀ ✔️ Reduce storage costs dramatically: LTO tape can be up to 20x cheaper than hard drives or cloud storage⠀ ✔️ Keep files safely offline: cold storage protects footage from cyberattacks and accidental deletion⠀ ✔️ Retrieve files smoothly: Archiware P5 ensures predictable, near real-time access when material is needed⠀ ⠀ Tape storage isn’t outdated, it’s a powerful and cost-efficient alternative to cloud storage, designed for modern production pipelines.⠀ ⠀ Thanks to David Fox and Marc Batschkus for their collaboration and insights. 🙏⠀ ⠀ 💡 Curious about how this works in practice?⠀ See how Hotel Bonka optimized their workflow, creating their award-winning documentary from 400 TB of footage, or request a demo via our website. ⠀ #Archiware #LTOStorage #MediaBackup #ProductionWorkflow #CreativeWorkflow #PostProduction #Limecraft

🚀 𝗔𝗔𝗙 𝗘𝘅𝗽𝗼𝗿𝘁𝘀: 𝗙𝘂𝗹𝗹 𝗰𝗼𝗻𝘁𝗿𝗼𝗹, 𝗻𝗼 𝗲𝗻𝗴𝗶𝗻𝗲𝗲𝗿𝗶𝗻𝗴 𝗿𝗲𝗾𝘂𝗶𝗿𝗲𝗱 AAF export on autopilot without losing control, to transfer edit projects to @avid.mediacomposer or @adobe Premiere. Limecraft offers full scale compatibility, creating a multi-track timeline with clip colors, set comments, and transcript fragments as markers. Or create multiple timelines with reusable templates. ✔️ Configure once, export consistently, and keep your editorial workflow flowing. 👉 Learn more about Template-Based AAF Export in our blog via the link in bio. #ExportToEdit #PostProduction #Limecraft #MediaIntelligence