My newest piano piece, Elegy, is out this Friday. I wrote this simple, mournful tune as an exploration of loss. I hope it brings you solace like writing it did for me.
@amp_pandora@spotifyforartists@applemusicforartistsusa
Even though I’m playing the guitar rn I’m stoked to announce another new piano single coming out Jan 1 - named Delete. Originally a rock song about deleting pictures of your ex out of your phone, it turned itself into the slowest, saddest piano piece I’ve released (yet!). In the immortal words of @nate.stoll , “slower!!!”
@amp_pandora@spotifyforartists@applemusicforartistsusa
Loam, the chillest piano piece I’ve ever released, is out now. Snooze your heart out ❤️🎹🤓 Link in bio
The mensch @nate.stoll produced, mixed, mastered. I wrote and performed.
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You Got Me Feeling, my next New Beau single, comes out Oct 23. The indefatigable @nate.stoll produced, tracked, and mixed, @uniquityfoto is responsible for this sick cover image, and the all-time guru @steelvaportrails mastered the track. I wrote and performed all parts of the song.
Quick disclaimer to the families of my students: this, and basically all of my future rock releases under New Beau contain adult themes and language, and should be shared with students only at caregivers’ discretion. My instrumental pieces released under Patrick Beau will always be appropriate to share with students.
These backpacking pics with @nate.stoll are actually an announcement that I will be releasing a buttload of music this year, starting with a piano track, Loam, followed by a rock track, You Got Me Feeling, and then another piano track, Delete. Plus some other not as finished yet songs that are in the pipeline 🎹🎸🥁
My debut solo piano single Lilac out now everywhere, link in bio. Dissociate out 3/31, Nightlight 4/21 and Fade 5/12. Thanks to @nate.stoll for producing, tracking, and mixing, @_johnwebbermasters for mastering, and @shadestandard for taking these pics forever ago.
Practice log: this beautiful piece, Excursion III Op.20 by Samuel Barber, is much harder than it sounds. The left hand is playing steady eighth notes while the right hand performs an eighth note “septuplet” creating a seven against eight polyrhythm
