Southside Contemporary is pleased to present select new works by
@lightbody.studio as part of the 2026 NADA NY art fair by
@newartdealers
Huey Lightbody (b. 1998) is a multidisciplinary visual practitioner residing in Philadelphia, Pennsylvania. Born in Jamaica, Queens, and raised in Virginia Beach, Lightbody turned to creative investigation after stepping off a conventional life path, finding in his practice both refuge and revelation. His work merges street-inspired gestures, abstract portrait fragments, and modernist impulses. More than form or decoration, his surfaces serve as communicative fields for exploring the human complex, with a particular focus on the mechanisms and emotions of addiction. Through every layer and abrasion, Lightbody’s practice seeks not only to reflect personal narrative but to spark collective reckoning—and to transform vulnerability into a sharpened shared language of renewal.
“My practice is rooted in a deliberate process of dismantling and reconstructing form to confront interior landscapes and inherited structures. I approach material as both site and subject, allowing acts of disruption and rebuilding to reveal deeper sources of meaning. My paintings begin with a decision to surrender: to let the work carry the weight of life’s complexity, the inevitability of death, and the daily practice of returning to the present.
Moving through addiction, impatience, greed, and attachment, I use the studio as a site of healing where raw experience is refined into form. Built through ink and charcoal drag, abrasion, and graphic line informed by graffiti’s grit and materiality, my surfaces accumulate like architecture. I am drawn to Brutalism for its insistence on honesty in material, structure, and process. In a similar spirit, I leave evidence intact: the scrape, the spill, the overpaint, the fracture.
Each mixed-media composition becomes a communicative field that holds turbulence and tenderness at once. Layer by layer, the paintings anthropomorphize growth and inner refinement, offering metaphorical cycles of unmaking and remaking.”