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Leto William

@letowill

đŸ‡§đŸ‡· - đŸ‡«đŸ‡· 🔜 “Partition de rien” @espaceutrillo 🔚 “Le lent demain” @airdeparis
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J’ai le plaisir de vous inviter Ă  l’exposition « Partition de rien », un projet curatorial nĂ© d’une invitation du Centre Culturel Maurice Ultrillo Ă  Saint-Denis-Pierrefitte (@espaceutrillo ).Avec les Ɠuvres de @kri.ystelle @agatheple @charlesmornaud @nitzsche_cysne @companhiadescolonizadora @dartasidere @ujvarosi_sergiu et @letowillFragment du texte de l’exposition :« Cette exposition s’inscrit dans la continuitĂ© de mes recherches sur la dimension non communicative de la voix et du signe. Depuis 2015, je poursuis la quĂȘte d’une vibration qui prĂ©cĂšde le langage — la voix de la mer, des canopĂ©es dialoguant avec le vent, le crĂ©pitement des flammes.[
] La rĂ©pĂ©tition est une piste. Qu’il s’agisse d’un geste, d’un mot ou d’une intention, les artistes rĂ©unis ici s’associentĂ  la vie pour faire apparaĂźtre des objets d’art. PlutĂŽt que de dĂ©crire un « dehors », iels en Ă©pousent les rythmes vitaux. » Vernissage le 18 mai Ă  18h Ă  @espaceutrilloPlace Jean-JaurĂšs93380 - Pierrefitte.
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J’ai le plaisir de vous inviter Ă  l’exposition « Partition de rien », un projet curatorial nĂ© d’une invitation du Centre Culturel Maurice Ultrillo Ă  Saint-Denis-Pierrefitte (@espaceutrillo ). Avec les Ɠuvres de @kri.ystelle @agatheple @charlesmornaud @nitzsche_cysne @companhiadescolonizadora @dartasidere @ujvarosi_sergiu et @letowill Fragment du texte de l’exposition : « Cette exposition s’inscrit dans la continuitĂ© de mes recherches sur la dimension non communicative de la voix et du signe. Depuis 2015, je poursuis la quĂȘte d’une vibration qui prĂ©cĂšde le langage — la voix de la mer, des canopĂ©es dialoguant avec le vent, le crĂ©pitement des flammes. [
] La rĂ©pĂ©tition est une piste. Qu’il s’agisse d’un geste, d’un mot ou d’une intention, les artistes rĂ©unis ici s’associentĂ  la vie pour faire apparaĂźtre des objets d’art. PlutĂŽt que de dĂ©crire un « dehors », iels en Ă©pousent les rythmes vitaux. » 📍Vernissage le 18 mai Ă  18h Ă  @espaceutrillo Place Jean-JaurĂšs 93380 - Pierrefitte.
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14 days ago
Sismo IIAcrylic and fire on plywood44 x 53,72026photo : Paul Hennebelle@_flaneur_studio
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Sismo II Acrylic and fire on plywood 44 x 53,7 2026 photo : Paul Hennebelle @_flaneur_studio
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20 days ago
GuaranĂĄAcrylic and fire on plywood60 x 34,82026Photo : Paul Hennebelle@_flaneur_studio
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GuaranĂĄ Acrylic and fire on plywood 60 x 34,8 2026 Photo : Paul Hennebelle @_flaneur_studio
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25 days ago
Missing Brasil already pics by tierybourquin and myself
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Missing Brasil already ☀ pics by tierybourquin and myself
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29 days ago
« Small wood scraps »Mixed media20 x 17 cm2026« Continuing my investigations into the repetition of gesture and language, this work emerges as an anti-process of construction, revealing itself through an act of destruction, at the very brink of the moment I thought I had lost it.Some of my latest pieces have surfaced this way, on the sidelines of other works: remains, tests, assemblages. The victory of failure, of the raté. What I value in these small-scale works is how they deconstruct the formal coherence of an artistic practice, asserting the arbitrary and non-essential nature of the encounter between desire and form.Beyond this poetic-philosophical dimension, this small painting is built from elements I have been exploring in larger scales: woodcarving, fragments of visible paint, geometry. »Photo : Paul Hennebelle@_flaneur_studio
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« Small wood scraps » Mixed media 20 x 17 cm 2026 « Continuing my investigations into the repetition of gesture and language, this work emerges as an anti-process of construction, revealing itself through an act of destruction, at the very brink of the moment I thought I had lost it. Some of my latest pieces have surfaced this way, on the sidelines of other works: remains, tests, assemblages. The victory of failure, of the raté. What I value in these small-scale works is how they deconstruct the formal coherence of an artistic practice, asserting the arbitrary and non-essential nature of the encounter between desire and form. Beyond this poetic-philosophical dimension, this small painting is built from elements I have been exploring in larger scales: woodcarving, fragments of visible paint, geometry. » Photo : Paul Hennebelle @_flaneur_studio
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1 month ago
« Sismo I » Acrylic, varnish, fire and carving on plywood43,6 x 53,8 x 3 cm2026photo : Paul Hennebelle@_flaneur_studio
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« Sismo I » Acrylic, varnish, fire and carving on plywood 43,6 x 53,8 x 3 cm 2026 photo : Paul Hennebelle @_flaneur_studio
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1 month ago
“Un accent à couper au couteau”Acrylic and carving on plywood97 x 155,2 x 5 cm2026The steel rebar (or vergalhão) is a constant in most homes across the Brazilian suburbs. It stands there as a symbol of future possibilities: a new room, another floor. It is an element pointing toward an uncertain future, with no guarantee it will ever be finished.These iron rods once pierced my flesh during childhood games, played among houses under construction or left in limbo. I remember one puncturing my foot as I jumped off a wall to chase a ball. Today, years later, it resurfaces as a symbol of constant adaptation and fundamental change. Like a repeated letter filling the space, it doesn’t try to satisfy us with a specific message—good or bad. Instead, it exists as a presence, constantly sliding between abstraction and figuration, between memory and discoveryphotos : Paul Hennebelle@_flaneur_studio
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“Un accent à couper au couteau” Acrylic and carving on plywood 97 x 155,2 x 5 cm 2026 The steel rebar (or vergalhão) is a constant in most homes across the Brazilian suburbs. It stands there as a symbol of future possibilities: a new room, another floor. It is an element pointing toward an uncertain future, with no guarantee it will ever be finished. These iron rods once pierced my flesh during childhood games, played among houses under construction or left in limbo. I remember one puncturing my foot as I jumped off a wall to chase a ball. Today, years later, it resurfaces as a symbol of constant adaptation and fundamental change. Like a repeated letter filling the space, it doesn’t try to satisfy us with a specific message—good or bad. Instead, it exists as a presence, constantly sliding between abstraction and figuration, between memory and discovery photos : Paul Hennebelle @_flaneur_studio
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1 month ago
spent some time with @_flaneur_studio last week. documenting some work and a quick portrait update.more soon. Photo : Paul Hennebelle@_flaneur_studio
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spent some time with @_flaneur_studio last week. documenting some work and a quick portrait update. more soon. ✹ Photo : Paul Hennebelle @_flaneur_studio
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1 month ago
« Saci »Stainless steel, two-component paint, hand-painted ceramic150 × 130 × 10 cm2024
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« Saci » Stainless steel, two-component paint, hand-painted ceramic 150 × 130 × 10 cm 2024
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2 months ago
Currently on view at @airdeparis « Le lent demain », curated by SebastiĂĄn Quevedo RamĂ­rez @_queramis continues until March 21. For this occasion i’m exhibiting the piece « Cradle».Featuring works by Nicolas Aguirre, Francisca Aninat, Devendra Banhart, Juliana Borinski, Facundo Cerain Vazquez, Alejandro Cesarco, Diego GarcĂ­a Lara, Teo HernĂĄndez, Hudinilson Jr., Adriana Lara, Alexandre Nitzsche Cysne, EstefanĂ­a Peñafiel Loaiza, SebastiĂĄn Quevedo RamĂ­rez, Isadora Soares Belletti, Sergio VerĂĄstegui, Bruna Vettori & Leto William.Fragment of the text written by @_queramis« The artists of the exhibition revisit intimate territories and shift perceptions in order to recompose memory in fragments. Emotions from the past reappear as transfigured murmurs, awakening sensations that arise despite oneself, letting the past vibrate in the present. They develop a singular artistic gesture, on the edge of poetry, which seeks less to narrate than to awaken sensitivity, outside all orthodoxy. »« Ressaca »Glass, plaster, India uni.Variable dimensions2023
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Currently on view at @airdeparis « Le lent demain », curated by SebastiĂĄn Quevedo RamĂ­rez @_queramis continues until March 21. For this occasion i’m exhibiting the piece « Cradle». Featuring works by Nicolas Aguirre, Francisca Aninat, Devendra Banhart, Juliana Borinski, Facundo Cerain Vazquez, Alejandro Cesarco, Diego GarcĂ­a Lara, Teo HernĂĄndez, Hudinilson Jr., Adriana Lara, Alexandre Nitzsche Cysne, EstefanĂ­a Peñafiel Loaiza, SebastiĂĄn Quevedo RamĂ­rez, Isadora Soares Belletti, Sergio VerĂĄstegui, Bruna Vettori & Leto William. Fragment of the text written by @_queramis « The artists of the exhibition revisit intimate territories and shift perceptions in order to recompose memory in fragments. Emotions from the past reappear as transfigured murmurs, awakening sensations that arise despite oneself, letting the past vibrate in the present. They develop a singular artistic gesture, on the edge of poetry, which seeks less to narrate than to awaken sensitivity, outside all orthodoxy. » « Ressaca » Glass, plaster, India uni. Variable dimensions 2023
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2 months ago
Ressacverre Ă  vin, plĂątre et encre de Chine2024photos : @adrienthibault
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Ressac verre Ă  vin, plĂątre et encre de Chine 2024 photos : @adrienthibault
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10 months ago
PĂ© Quebrado – Une fontaine sculpturale en trois niveaux, revĂȘtue de carreaux peints Ă  la main dans les ateliers de @arceaceramics Ă  Vietri-sul-Mare (un immense merci pour votre accueil !).L’ossature en inox a Ă©tĂ© rĂ©alisĂ©e avec la prĂ©cision de @charlesmornaud , et ces sublimes photos sont signĂ©es @prilatreille, qui a aussi bravĂ© 11 heures de route avec moi pour l’installer !Voir ce projet prendre vie est une vraie satisfaction. HĂąte de partager la suite avec vous ! 
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✹ PĂ© Quebrado – Une fontaine sculpturale en trois niveaux, revĂȘtue de carreaux peints Ă  la main dans les ateliers de @arceaceramics Ă  Vietri-sul-Mare (un immense merci pour votre accueil !). L’ossature en inox a Ă©tĂ© rĂ©alisĂ©e avec la prĂ©cision de @charlesmornaud , et ces sublimes photos sont signĂ©es @prilatreille , qui a aussi bravĂ© 11 heures de route avec moi pour l’installer ! Voir ce projet prendre vie est une vraie satisfaction. HĂąte de partager la suite avec vous ! â›Č
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1 year ago
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