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Eva Leitolf

@leitolf

Artist. Head of @unibz_studioimage , for more info about my works see
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Weeks posts
Nero is honoured to be part of Berlin Transmediale 2026 (@transmediale ) through a very special book launch of Violent Images, edited by Eva Leitolf (@leitolf ) and Giulia Cordin (@giuliacordin ). We will see you in Berlin, Friday 30th of January, from 13:00 to 14:00 at the Kuppelhalle in silent green, Gerichtstraße 35. Images both reflect and exert violence, and shape how we perceive the world. They may represent violence directly, or their violent potential may be associated with their production, dissemination, or use. Many questions arise: Where does the violence in and of the image begin? What makes an image violent? Who decides this, and in what context? How do production technologies and distribution channels influence the relationship between image and (the exercise of) violence? And how do artists deal with the issue of violence and the violent potential of image technologies? Through the lens of various disciplines, Violent Images (NERO, 2025) investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss “The Whiteness of Silicon Valley’s Digital Ecologies” (Stephanie Polsky); “Gender and Violence in News Media and Photography” (Roland Bleiker and Emma Hutchison); transgressive image-making practices (Monica M. Haller), and more. All the contributors critically examine established and emerging visual concepts of violence, suggesting that our engagement with them is inherently political and more pressing than ever. Violent Images is the third volume in the Negotiating Images series, edited by Eva Leitolf and Giulia Cordin. The previous volumes are Shoot & Think (unibz, @unibz_studioimage ) and Landscape with(out) Locus (NERO Editions). The conversation will see the editors, Eva Leitolf and Giulia Cordin, introduce the research behind this volume, as well as the long-term research project Negotiating Images. Focusing on editorial practice as integral to the research process, the editors will read selected excerpts and screen a video presentation.
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3 months ago
Violent Images goes to Transmediale Berlin! 📍 Save the date: Friday, 30 January, 12 am 📌 Kuppelhalle, silent green @nero_editions @foto_forum
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4 months ago
Where does the violence in and of the image begin? What makes an image violent? Who decides this, and in what context? How do production technologies and distribution channels influence the relationship between image and (the exercise of) violence? And how do artists deal with the issue of violence and the violent potential of image technologies? Violent Images explores the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it. Through the lens of various disciplines, the book investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. It illustrates the need for a more critical and engaged approach to visual representation and communication in the context of local and global conflicts and crises. Texts by 
Roland Bleiker and Emma Hutchison (@rolandbleiker ), Lisa Bogerts and Maik Fielitz, Lorenzo Gabrielli and Amarela Varela-Huerta, Mark T. Reinhardt, Stephanie Polsky (@stephanie.polsky ), Elisa Mailänder. Visual works by Mushon Zer-Aviv (@mushon ), Minne Atairu (@minneatairu ), Lorna Simpson (@lornasimpson ), Broomberg & Chanarin (@adambroomberg @oliverchanarin ), Sammy Baloji, Kiluanji Kia Henda (@kiluanjikiahenda ), Marvin Gaye Chatwynd, Max Pinckers (@maxpinckers ), Eva Leitolf (@leitolf ), Bouchra Khalili, Monica M. Haller (@monicamoseshaller ), Laia Abril (@laia_abril ), David Shields (@_david_shields ), Susan Harbage Page (@susanharbagepage ), Jenny Holzer (@jennyholzerstudio ), Chiara Cortellini, Mitra Tabrizian, Valie Export and many others. Violent Images is the third volume in the Negotiating Images series, edited by Eva Leitolf and Giulia Cordin. Published by @nero_editions . The previous volumes are Shoot & Think (unibz) and Landscape with(out) Locus (NERO Editions).
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6 months ago
➡ INSTALLATION VIEW Violent Images – Broomberg & Chanarin, Eva Leitolf, Letizia Nicolini, Sophia Rabbiosi, Viola Silvi Book launch: 28.10.25, 6 p.m. Curated by Eva Leitolf and Giulia Cordin In collaboration with unibz, Studio Image, A/POLITICAL, BAW, Nero Editions 🗓 Exhibition: 7.10.–8.11.2025 📍 Foto Forum - Weggensteinstr. 3F, BZ The exhibition "Violent Images" examines pressing aspects and implications of the visual representation of violence. Violent images are part of our lives and shape how we perceive the world. They may directly represent violence, or their violent potential may be revealed in connection with their production, dissemination or use. Many questions arise: Where does the violence in and of the image begin? What makes an image violent? Who decides this, and in what context? How do production technologies and distribution channels influence the relationship between image and (the exercise of) violence? And how do artists deal with the issue of violence and the violent potential of image technologies? The works in the exhibition "Violent Images" explore subtle rather than explicit forms of visual violence and their contexts, aiming to examine their cultural, social, and political impact. They resist immediate readability and full visibility, avoiding the risk of spectacularizing suffering or marginality. In different ways, they act as a counter-image—intentionally leaving productive gaps in visual narratives. They interrupt the often assumed neutrality of seeing, activating a space for doubt, thought, and the responsibility of looking. All the contributors critically examine both established and emerging visual concepts of violence, suggesting that our engagement with them is inherently political and more pressing than ever. In collaboration with @nero_editions @unibz @unibz_studioimage @apoliticalorg @baw_bolzanoartweeks Photo: @fanni.fazekas.photography Made possible by @provincia.bolzano @comunegemeindebz Special thanks to our winery partner @kellereibozen 🥂 for supporting the exhibition with their exquisite wines #contemporaryart #exhibition #bozen #bolzano #bolzanoevents #bolzanoart #artlover_bolzano #bolzanoartweeks #baw25
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6 months ago
Another piece I wrote for Il Giornale dell’Arte @ilgiornaledellarte , this time delving into the mechanisms of transmission and reproduction of violent images, as well as on the more or less subtle influence they have on our perception of the world. It was commissioned on the occasion of the new group show “Violent Images — Broomberg & Chanarin, Eva Leitolf, Letizia Nicolini, Sophia Rabbiosi, Viola Silvi”, which opened at @foto_forum on October 4 (through November 8), and you can read it in its (automated) English translation here 📍 Thanks to @giuliacordin and @leitolf , who curated the exhibition, for all the insights. Here’s how it begins (in Italian): Che cosa è peggiore? Una scena di guerra che documenta fedelmente le conseguenze distruttive di un conflitto sulla popolazione che le soffre, o un’immagine che, pur apparendo verosimile, sebbene bizzarra (un capo di stato che improvvisa un balletto in una seduta parlamentare plenaria; il Presidente degli Stati Uniti nei panni di papa Francesco ritratto su un trono di velluto rosso e foglia d’oro a pochi giorni dalla sua scomparsa; una giovane attrice che rispecchia pienamente i canoni della bellezza caucasica odierna, le cui performance competono con quelle di attori in carne e ossa, pur esistendo unicamente nel suo stato immateriale), è invece un prodotto dell’IA? Quale di queste scene è più violenta, se per violenta intendiamo la loro capacità non solo di scioccarci, o sorprenderci, nell’immediato, ma soprattutto di restare presenti nel nostro inconscio, contribuendo così a influenzare la nostra visione del mondo? With @adambroomberg @oliverchanarin #violasilvi #sophiarabbiosi #letizianicoliniphotography @leitolf
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7 months ago
In the past few weeks, we printed our new book “Violent Images", published by @nero_editions . It’s been, as always, an exciting and beautiful ride, and we can’t wait to present it very soon! Soooo — SAVE THE DATE: 28 October, 6 PM! Book Launch at @foto_forum ! We’ll also be doing a guided tour of the exhibition at 5 PM . We hope to see many of you there!
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7 months ago
Studio Image meets Foto Forum Violent Images 6.10. - 8.11.2025 @foto_forum Curated by Giulia Cordin and Eva Leitolf   The exhibition Violent Images examines pressing aspects and implications of the visual representation of violence and coincides with the publication of the book Violent Images: Negotiating Images 03 (Nero Editions, 2025). Images both reflect and exert violence: AI pictures are generated in the journalistic style of a war photographer in Gaza; snapshots from the Abu Ghraib prisoner camp become a meme shared round the world; surveillance expands with automated image production, analysis and evaluation; sexist images still permeate advertising and the entertainment sector. Violent images are part of our lives and shape how we perceive the world. They may directly represent violence, or their violent potential may be revealed in connection with their production, dissemination or use. Many questions arise: Where does the violence in and of the image begin? What makes an image violent? Who decides this, and in what context? How do production technologies and distribution channels influence the relationship between image and (the exercise of) violence? And how do artists deal with the issue of violence and the violent potential of image technologies? The works in the exhibition Violent Images explore subtle rather than explicit forms of visual violence and their contexts, aiming to examine their cultural, social, and political impact. They resist immediate readability and full visibility, avoiding the risk of spectacularizing suffering or marginality. In different ways, they act as counter-images—intentionally leaving productive gaps in visual narratives. They interrupt the supposed neutrality of seeing, activating a space for doubt, thought, and the responsibility of looking. With works by Letizia Nicolini, Sophia Rabbiosi and Viola Silvi. Featuring Broomberg & Chanarin and Eva Leitolf. @liiquiirizia @discotopo @violante.exe @adambroomberg @leitolf @giuliacordin @unibz_designxart Photo credits @fanni.fazekas.photography @baw_bolzanoartweeks
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7 months ago
Are you thinking of studying art? Then apply for the Art Major program at unibz / Free University of Bozen-Bolzano! All the info is here https://www.unibz.it/en/faculties/design-art/bachelor-art/ @unibz_designxart @unibz
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1 year ago
DIMINISHING RETURNS Studio Image meets Foto Forum MATTEO ANTONIAZZI MELANIE KASAL Feat SARA BEZOVŠEK 6 October - 9 November 2024 Foto Forum, Bolzano-Bozen CURATED BY EVA LEITOLF AND GIULIA CORDIN We and our bodies, ideas, imaginations, and desires are consumed, processed, and monetized every day, just as we consume ourselves. Questioning the concept of visual excess in times of global crises requires an expanded understanding of research fields that bridge multiple contexts: How do we visually confront – and find ourselves confronted by – the contemporary phenomena of (over-) production and (hyper-)consumption? How can we filter out information “signals” from an excess of data “noise”? How do narratives of excess interact with imaginaries of renouncement, sacrifice, and resistance? How do they shape the way we perceive ourselves and how we live together as societies? The exhibition Diminishing Returns explores these questions, proposing counter-narratives and performative activities that challenge stereotypical notions of excess and its impacts. The works critically examine the personal, cultural, and social implications of excess from diverse perspectives. They contribute to dialogue by creating spaces for reflection, analyzing the role and use of images in our visual landscape, and engaging visitors through formats that directly challenge them. @matteo.antoniazzi_ @wassupmelli @sara_bezovsek @foto_forum @baw_bolzanoartweeks @unibz_designxart @unibz @leitolf @giuliacordin
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1 year ago
Last night of our North American tour! Landscape with(out) Locus at Head Hi, Brooklyn! Thank you @headhi_ny for hosting us and @tiagotorrescampos for joining to discuss your contribution to the book! Thanks for coming! @nero_editions 💥@unibz_designxart @leitolf @giuliacordin
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1 year ago
presented Landscape with(out) Locus at CCA, Montréal! Thank you @canadiancentreforarchitecture for hosting us and @iicmontreal for friendly support! @nero_editions 🔥
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1 year ago
Reposted from @nero_editions Landscape with(out) Locus goes abroad ✈️🍁🗽 We’re thrilled to announce two special events across the Atlantic to promote “Landscape with(out) Locus” by Eva Leitolf (@leitolf ) and Giulia Cordin (@giuliacordin ), from @unibz_studioimage . Join us in Montreal and New York for discussions on the relationship between landscape, power, identity, and the impact of visual representation in the age of ecological crisis. 🍁 Montreal 📍 Canadian Centre for Architecture (@canadiancentreforarchitecture ) 🗓 Sept 12, 6:00 pm This conversation with the curators is organized with the collaboration of the Istituto Italiano di Cultura di Montreal (@iicmontreal ). No reservation needed! 🗽 New York 📍 Head Hi (@headhi_ny ) 🗓 Sept 17, 6:30 pm 🔗 RSVP through link in bio/headhi.net We’ll be joined by special guest Tiago Torres Campos (@tiagotorrescampos ) alongside the curators Eva Leitolf and Giulia Cordin. Make sure to secure your spot! Landscape with(out) Locus interprets landscape as an ever-changing social, economic, and ecological construct. Addressing questions of power, identity, and natural resources, the publication follows histories of surveillance and colonialism, considering photographic (and post-photographic) images as central to the process of interacting with the world. Come and dive into a dialogue on landscape and its evolving meanings. See you there! 💜
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1 year ago