Where to burn a conceited prayer?
Scrubbing the stains off violently
Agreements made on cynicism
How to pull the apples out of their eyes?
The correct use of reason to acquire the most pleasure
Vampire children with wasted ambrosia
Splattered on their faces
There is a ghoul in a swamp
Bobbing for apples
Melding its face to the floating corpse heads
Sinking teeth in
Feasting on sin
Raising darkly the damned
(Decomposition by Patrick Frazier)
someone lives here
performs my habits
moves like i would
if i was still inside
at night i stand on the staircase
watching the light under the door
i almost knock
but i know
whatever answers
will sound like me
and won’t let me in
a stunning luminescent orange rust has been forming on the altar overnight and still is spreading as the cement continues to cure,
i could have guessed that the already rusty metal elements would rust more while exposed to moisture for an extended period of time, but i never could have dreamed that it would crawl all over the piece.
now to figure out if there was anything in particular in my mixture that has promoted this acceleration so i can reproduce it and collect some scrapings for a hopefully bright orange pigment for my chalk sticks, inks or paints.
(attempts with hydrogen peroxide, salt and vinegar on unrusted tin have been unsuccessful so far.)
meditations on organism/environment at ENCI:altar poured from cement that was produced at the factory when it was still operative (thank you @froukje.de.boer )
set with various objects procured from the factory site __ incense cones and sticks made from site material __ chalk sticks made from chalk and pigments sourced on site __ piles stacked from rounded pebbles, dented metal balls, screws and bolts found on site, topped with a handmade chalk ball that mimics the found balls __ small labour intensive pencil drawing to encourage prolonged attention to site shapes
artistic research in situ minor @ ENCI halfway through ,
research paper soon ,
about whether an abandoned industrial site can be approached as a teacher of liminality, and whether the tension of its multitude of living, contradicting ghosts is something that can be attempted to be held in ritual and playful experimentation, rather than attempted to be resolved in neurotic drive for whatever is perceived as progress , or neurotic guilt for whatever is perceived as unnatural destructive impact ,
whether it could already be at all times exactly what it needs to be, and if what it needs to be now is a playground in which we can experiment with new perspectives on the organism/environment jazz .
some flicks of experiments and the laboratory :P the paints are processed from materials scavenged from the site, the oracles are varying attempts to relinquish need for authority and suspend projection to find new ways of intuitive communication with the environment etc i think i’ll make some videos :]
![artistic research in situ minor @ ENCI halfway through ,research paper soon ,about whether an abandoned industrial site can be approached as a teacher of liminality, and whether the tension of its multitude of living, contradicting ghosts is something that can be attempted to be held in ritual and playful experimentation, rather than attempted to be resolved in neurotic drive for whatever is perceived as progress , or neurotic guilt for whatever is perceived as unnatural destructive impact ,whether it could already be at all times exactly what it needs to be, and if what it needs to be now is a playground in which we can experiment with new perspectives on the organism/environment jazz .some flicks of experiments and the laboratory :P the paints are processed from materials scavenged from the site, the oracles are varying attempts to relinquish need for authority and suspend projection to find new ways of intuitive communication with the environment etc i think i’ll make some videos :]](https://sp1.picnob.com/p/pt_6747414339597138526942_0_9fe7332cfe68d4c72aaa67fe2f4ce642.jpg?o=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&h=9dfe300af40a7fec96230457145790e0)
