Leccas

🎧 𝗪𝗔𝗥𝗠 𝗨𝗣𝘀 𝗗𝗔𝗠𝗡 𝗙𝗘𝗦𝗧𝗜𝗩𝗔𝗟 : 𝗙𝗢𝗖𝗨𝗦 𝗔𝗥𝗧𝗜𝗦𝗧𝗘𝗦 & 𝗟𝗜𝗘𝗨𝗫 🎧 Ok les warm ups ca va être sympa, mais c’est où ? On écoute quoi ? Dans ce post on vous dit tout sur le samedi 15 novembre 📣 ⭐️𝙒𝘼𝙍𝙈 𝙐𝙋 #𝟮 - 𝙇𝘼 𝘾Ô𝙈𝙀𝙍𝙄𝙀 Lieu de création et de convivialité, espace culturel pluridisciplinaire, @la_comerie à Vauban nous accueille le temps d’une après-midi et soirée le 15 Novembre prochain, de 14h à 00h. Niveau musique, on vous propose : ✨ @__sarahneptune__ ✨ @mosaique_live  (live) ✨ @nathanael_papy ✨ @luciectlt ✨ @lecc_as Stand food et bar par La Cômerie, système son @orma.collective et quelques autres surprises vous y attendent.. 📍INFOS PRATIQUES 📍 Samedi 15 Novembre 14h00 - 00h00 La Cômerie - 174 rue Breteuil, 13006 Marseille Billetterie 10€ - Lien en bio 🔗   Restez connectés pour la suite 🔗 & sur place L’équipe DAMN ❣

Emotinium - Roy of the ravers June 2020. Roy of the Ravers is a British electronic music producer known for his acid house and rave-inspired sound. Drawing influence from the golden era of 1980s and 1990s dance music, his tracks often feature 303-driven acid lines, nostalgic breakbeats, and lo-fi aesthetics. His music has gained a cult following among underground electronic music enthusiasts, thanks to its raw, euphoric energy and playful approach. One of his most well-known releases is 2 Late 4 Love, particularly the track Emotinium, which became a viral hit due to its emotional, soaring synth melody. His work is often associated with labels like Acid Waxa, which specializes in acid and leftfield electronic music. Despite his growing recognition, Roy of the Ravers maintains a mysterious persona, embracing a DIY ethos and a deep love for classic rave culture.

Midnight star - Midas touch . Funk and soul forever.

Richard Earnshaw - rise. Richard Earnshaw has dedicated his life to producing Music. His collaborative and individual works and releases have found themselves in many Charts globally and have been included in some of the worlds most influential compilations and album releases from the worlds most influential Curators, Record Labels and Artists. His sound is a benchmark in professional production and his music is respected by music creators and music lovers alike.

Crazy P - 3 Play it Cool. Crazy P are an English electronic group heavily influenced by vintage disco, soul, and house music. While early releases such as their 1999 debut album A Nice Hot Bath With... were instrumental and sample-driven, they established a full band lineup with the addition of ebullient frontwoman Danielle Moore, who joined in time for 2002’s The Wicked Is Music. The group continually refined their sound through their energetic live shows, as well as exceptionally focused full-lengths such as 2011’s When We On and 2019’s Age of the Ego, which displayed their skills at crafting both pop hooks and exploratory grooves. Crazy P came from humble beginnings, when two musicians — Chris Todd (aka Hot Toddy) and Jim Baron (aka Ron Basejam) — met at Nottingham University in 1995. They spent much of their free time sampling records they had bought, utilizing an Atari and Akai S-Series sampler and generally playing around with the house and disco sounds they both loved. They named themselves Crazy Penis after an obscure late-‘80s house record called « Loco Pinga, » preferring the English translation for the shock value factor. After attracting the attention of local label Paper Recordings, they released their debut single, « The Way We Swing, » in 1997, with « Get It On » following in 1998. These preceded the band’s 1999 full-length debut, A Nice Hot Bath With… After meeting Danielle Moore over the course of their many excursions into Manchester’s booming nightlife scene, they brought her into the fold, permanently altering their sound with the inclusion of female lead vocals and a greater pop sensibility. In the lead-up to their 2002 sophomore album, The Wicked Is Music, again on Paper Recordings, the band recruited two further members, bassist Tim Davis and percussionist Mav Kendricks, forming a full live band that went on to release two more albums, 24 Hour Psychedelic Freakout and A Night on Earth, through Shiva Recordings.

Dopplereffekt - Pornoviewer . Dopplereffekt is one of many electro projects involving Detroit’s Gerald Donald (of the legendary duo Drexciya), although he refuses to confirm or deny his participation, typically using pseudonyms such as Rudolf Klorzeiger and Heinrich Mueller. As the German names and scientific themes suggest, Kraftwerk is a major influence on Dopplereffekt. The group made its debut in 1995 with the Fascist State EP, released by its own Dataphysix Engineering. This was followed by Infophysix in 1996 and Sterilization in 1997. Featuring co-conspirators Kim Karli and William Scott (also involved with Donald’s Der Zyklus project), the records expanded on Drexciya’s biting, perverse sense of humor, with songs about sexual intercourse with mannequins and robots wiping out the human population. Dopplereffekt’s early output received wider exposure when it was compiled as Gesamtkunstwerk on DJ Hell’s International Deejay Gigolo Records in 1999. Dopplereffekt disappeared for a few years, as Donald concentrated on other ventures such as Japanese Telecom and Arpanet. When the project returned with 2003’s Linear Accelerator, Dopplereffekt had abandoned its sense of humor, instead concentrating on scientifically themed deep space excursions. Calabi Yau Space followed on Aphex Twin’s Rephlex label in 2007, further exploring themes such as physics and cosmology. Dopplereffekt members Donald and To Nhan Le Thi performed more frequently, but no new releases appeared until 2013’s Tetrahymena EP, released by Berlin label Leisure System. The group collaborated with Visonia (Chilean producer Nicolas Estany) on the single « Die Reisen, » released in early 2014 by Last Known Trajectory. Also that year, Leisure System released Hypnagogia, Dopplereffekt’s split 12 » with Objekt, which received much acclaim from the dance music press. Cellular Automata, Dopplereffekt’s long-awaited third proper full-length, arrived on Leisure System in 2017.

Eris Drew - Hold me - Synth-a-pella The self-proclaimed High Priestess of the Motherbeat, Eris Drew is a spiritually minded DJ, producer, and transgender advocate from Chicago. Understanding the communal and ritualistic powers of the rave experience, her club sets are ecstatic events, and her uplifting selections connect the dots between techno, garage, trance, and electro, embellished with nature recordings and additional sounds. She co-founded the T4T LUV NRG label with her partner Octo Octa, and the duo released a Fabric Presents mix in 2020. Drew’s own productions, as heard on EPs like 2020’s Fluids of Emotion and the 2021 full-length Quivering in Time, are breakbeat-heavy house tracks filled with turntable scratches and euphoric synth melodies. Born in Perth, Australia, Drew moved to the United States as a child, eventually settling outside of Chicago. She started playing synthesizers as a preteen, and began going to raves during the early 1990s. She had a spiritual awakening following a rave in 1994, and began to DJ and produce dance music as a form of healing and self-expression. She became a regular DJ at Chicago’s Smartbar, where she eventually established a party called Hugo Ball with fellow residents Justin Long and Sevron in 2012. In 2015, she began co-hosting Daphne (named after British musique concrète pioneer Daphne Oram), an annual festival and workshop series dedicated to women, female-identifying, and nonbinary electronic musicians and DJs. Drew met fellow house DJ and producer Octo Octa (Maya Bouldry-Morrison) in 2017, and the two instantly felt a deep connection. They soon became romantic and musical partners, and their split EP Devotion was released by the Lisbon-based Naïve label in 2018. The duo formed the T4T LUV NRG label, and Drew released the mixtape Raving Disco Breaks, Vol. 1 in 2019. Drew’s solo EP Fluids of Emotion was issued by Detroit-based label Interdimensional Transmissions in 2020. Drew and Bouldry-Morrison became BBC Radio 1 resident DJs later in the year. Recorded in their remote cabin in New Hampshire, the duo’s first commercially released mix, Fabric Presents Octo Octa & Eris Drew, appeared in November.

Honest - Jazzanova Remix . Nuspirit Helsinki. The loose collective of musicians, DJs, and producers comprising Nuspirit Helsinki creates a broad style of electronic jazz that transcends traditional stylistic boundaries. Founding members Tuomas Kallio and Hannu Nieminen (aka DJ Ender) enlisted the help of keyboardist Kim Rantala (aka Kasio), Toni Rantanen (aka DJ Lil Tony), and Eppu Helle to complete the core of Nuspirit Helsinki in 1998. Since then, they have invited numerous vocalists and musicians — most often percussionist Abdissa « Mamba » Assefa and vocalist Ona Kamu — to contribute to the group’s recordings, which were released by such premier electronic jazz labels as Jazzanova-Compost and Guidance. The group’s music is as much jazz as it is dance, crafted from primarily live instruments yet informed heavily by modern production technology (given that all five of the collective’s founding members — Kallio, Nieminen, Rantala, Rantanen, and Helle — are producers). Following several 12 » recordings for the labels Jazzanova-Compost and Guidance, along with a compilation offering for Ubiquity (« Diana Park Nights, » New Latinaires, Vol. 2), Nuspirit Helsinki recorded its self-titled debut album for Guidance in 2002, which introduced the group to American listeners not yet familiar with the Finnish supergroup. 2008 saw the group handpicking a mix of contemporary Scandinavian and northern European bands for Our Favorite Things, an eclectic mix CD that did not feature any material by Nuspirit Helsinki itself.

Day we met - DMX Krew remix by Fatima Yamaha. Fatima Yamaha is the story of a release on D1 Recordings, of a small number of records pressed, and of a side-product quickly put on the backburner. Yet the story picks up fully eight years later via Magnetron Music, with the electronic scene going mad for that long-forgotten song. For many years, Fatima Yamaha was shrouded in mystery, known only to be a project led by “a young lady born to a Japanese father and a Turkish mother”. Now, after two fully sold out tours in the past two years, the mystery remains. In 2015, he collaborated with Dekmantel on a reworking of his hit “What’s A Girl To Do?” and in 2017 the next hit “Araya” arrived. Meanwhile, his live shows unfailingly live up to expectations, offering refined house complemented by virtuoso synths. Fatima Yamaha is now in the spotlights of the electronic music scene.

The Sheriff - Fila Brazillia. Hull-based duo Fila Brazillia were the most popular and acclaimed of the noted Pork Recordings stable. Formed in 1990 by producers Steve Cobby and Dave McSherry, Fila followed Cobby’s association with Ashley and Jackson, a moderately successful pop/dance group signed to Big Life! Cobby met DJ/dabbler Dave Pork, and the two forged a creative alliance. Hooking up with McSherry to form Fila, the group’s first 12 », « Mermaids, » was released that same year on Pork’s fledgling imprint gaining instant acclaim among DJs and headphonauts alike for its innovative fusion of funk, dub, house, hip-hop, and acid jazz. The group followed their debut single with a string of full-length releases which were instrumental in building Pork’s reputation as one of the most consistent and respected of England’s vast ocean of underground breakbeat/trip-hop labels. Fila’s rep also translated into a number of acclaimed remixes, including Lamb’s « Cotton Wool,” Radiohead’s “Climbing Up The Walls » and DJ Food’s « Freedom » (over a dozen of which were featured on the 2000 collection Brazilification). During the new millennium, the duo released the debut mix for Another Late Night in 2001 and the studio effort Jump Leads early the following year. In addition to Fila, Cobby is also an active member of other Pork stable acts such as Solid Doctor and Heights of Abraham, both of which have released a number of full-length recordings.

Dream 2 Science - Dream 2 Science . Recorded and originally released in 1990, Dream 2 Science’s self-titled six-tracker is a revelation – deep, soulful and hard-grooving, it calls to mind the masterful work of Larry Heard, and deserves to be considered a classic not just of house, but of electronic soul at large. So who on Earth produced it? Cozmo D, that’s who. Real name Ben Cenac, Cozmo is highly regarded for his role in pioneering electro group Newcleus, and he later enjoyed international success with his jazzy, garage-inclined Sha-lor project. His work as Dream 2 Science, however, remains little known outside of a hardcore of deep house enthusiasts. Rush Hour’s loving new 12″ edition, out April 9, looks likely to correct this. In this new and exclusive interview with Cenac, the New Yorker tells us about his life in music, from his roots in hip-hop, electro and the block parties of Brooklyn to his briefly held position at the vanguard of house.

Skidoos - Akufen. Quebecois electronic music producer Akufen is known most for his advancement of microsampling, a method of using fragments of sound sourced from his radio dial travels. Most prolific during the first half of the 2000s, Akufen built a “buy on sight” reputation with 12” releases for German labels such as Trapez, Perlon, and Force Inc., the last of which issued his lone proper album, My Way (2002), featuring the singularly jaunty “Deck the House.” He took a long break from releasing his own music, and since the early 2010s has issued material on a comparatively sporadic basis. My Blue House (2019) and We Shall Not Surrender (2021), among other EPs, have alternated from slightly skewed deep house tracks to odder material with a springy quality recalling his earlier output. Born Marc Leclair in Montreal, Akufen — the alias is a quasi-phonetic translation of acouphène, the French word for tinnitus — made his recorded debut on the local Oral label in 1999. During the next two years, additional 12” singles and double packs were issued through Trapez, Perlon, and Background, among other imprints. Among the highlights were the first two volumes of the producer’s Psychometry series and Quebec Nightclub. In 2002, Akufen completed Psychometry as a Trapez trilogy, and released My Way on Force Inc. Anticipation for My Way was increased by a limited release of “Deck the House,” the album’s central cut. Akufen would spend hours each morning recording bits off his radio — seemingly the entirety of the dial, considering the range of sounds — splicing seconds into minute fragments and converting them into house tracks. “Deck the House” displayed mastery of the technique with immediate dancefloor appeal. My Way received widespread acclaim, and was followed in 2003 by a remix 12” and the Hawaiian Wodka Party EP. The latter launched Musique Risquée, a long-running label co-founded by Akufen, Deadbeat, and fellow Montreal associates Stephen Beaupré and Vincent Lemieux.