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Leonardo Madriz

@le___oh

Do Not Be Afraid, March 12 - May 2 @parent.company.gallery I donโ€™t like social media. Better views of my work on my site๐Ÿ‘‡
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PRESS | ๐˜“๐˜ฆ๐˜ฐ๐˜ฏ๐˜ข๐˜ณ๐˜ฅ๐˜ฐ ๐˜”๐˜ข๐˜ฅ๐˜ณ๐˜ช๐˜ปโ€™๐˜ด ๐˜”๐˜ฐ๐˜ฏ๐˜ถ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜—๐˜ณ๐˜ฆ๐˜ค๐˜ข๐˜ณ๐˜ช๐˜ต๐˜บ ๐˜ฐ๐˜ง ๐˜•๐˜ฐ๐˜ธ in Hyperallergic โ€œ โ€˜Sentinel of Lacrimosa Guerreroโ€™ (2026), the largest and perhaps most ambitious sculpture in the exhibition, is a masterful assemblage of fragments from Madrizโ€™s life. Some elements, such as the switchblade that holds a camo neck gaiter, an article of clothing that invokes the violent masked agents carrying out the Trump Administrationโ€™s immigration crackdown, appear to reference his familyโ€™s experience migrating from Latin America to Louisiana and subsequent disillusionment with the American Dream. The poetic contrast between other objects (the material list includes โ€œcredit card fragment from the first major debt I paid off, credit card fragment from a debt that still burdensโ€) encapsulates the economic impossibility of living as an artist in New York. The totems of previous eras were often built to stand for millennia. Madrizโ€™s reflect the precarity of the present moment: a tangle of wires and plastic delicately suspended, waiting to unravel.โ€ โ€” Jonah Goldman Kay Full article in bio ๐Ÿ”— ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™ is on view through May 2 @goldmankay @hyperallergic @le___oh
104 9
27 days ago
Long overdue photos of my expanded cinema installation, ๐™๐™๐™š ๐˜ฝ๐™ค๐™ค๐™  ๐™ค๐™› ๐™๐™ช๐™—๐™—๐™ก๐™š. ๐˜›๐˜ฉ๐˜ฆ ๐˜‰๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ฐ๐˜ง ๐˜™๐˜ถ๐˜ฃ๐˜ฃ๐˜ญ๐˜ฆ is a lamentation on forms of exile and displacement underlying our current age of reckonings. A film of painterly vignettes and poetic text is projected onto an assembly of sculptures signaling boundaries & restriction, dis/repair & trespass, mourning & ascension. Material themes converge with dreamlike scenes exploring cosmogonies of expulsion and promised lands, terminal loss, modern reckonings, and the settling of accounts through intergenerational storytelling. โ€” ๐˜›๐˜ฉ๐˜ฆ ๐˜‰๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ฐ๐˜ง ๐˜™๐˜ถ๐˜ฃ๐˜ฃ๐˜ญ๐˜ฆ, 2025 Flagpole, barbed wire, broken window, burned plywood with gold leaf, wood, tarp, tyvek, insulation, thermal survival blanket, construction net, paint, chainlink fence, dried brush, rope tied in rescue harness, mangerโ€™s hitch knot, handcuff knot, electrical wire joined by a blood knot, house shaped lantern, dirt and resin cast water bottle, concrete fragment, wood, steel ceiling facade, roof shingles from my family home, roofing nails, picket fence posts, concrete cast of analog phone base, raw clay vessels filled with wine, aquaresin casts of monopoly houses, for sale by owner sign, books, โ€˜colonial redโ€™ paint can, budweiser can, loser lotto tickets, door threshold, electrical conduit, rebar, municipal street pole, street fragments, broken concrete slab with the words โ€˜promised landโ€™ carved into them; video projection, audio DImensions variable; 9:13 trt
0 7
10 months ago
PROOF OF LIFE. Really canโ€™t express how grateful I am to @swstudioprogram . This studio is a dream. My cohort is amazing. Truly, theyโ€™re all so cool and fun and inspired. Check out their work and APPLY on the SWSP site, due Dec 31. And come by for a visit! Iโ€™ve got exciting things cooking, would love to share it with you.
0 38
1 year ago
๐˜š๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜“๐˜ข๐˜ค๐˜ณ๐˜ช๐˜ฎ๐˜ฐ๐˜ด๐˜ข ๐˜Ž๐˜ถ๐˜ฆ๐˜ณ๐˜ณ๐˜ฆ๐˜ณ๐˜ฐ โ€ข Details ๐˜š๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜“๐˜ข๐˜ค๐˜ณ๐˜ช๐˜ฎ๐˜ฐ๐˜ด๐˜ข ๐˜Ž๐˜ถ๐˜ฆ๐˜ณ๐˜ณ๐˜ฆ๐˜ณ๐˜ฐ, 2026 Aquaresin, epoxy clay, epoxy resin, paint, metal patina, brass, electrical components, rebar, barbed wire, credit card fragment from the first major debt I paid off, credit card fragment from a debt that still burdens, wrecked hubcap, knives, camo neck gaiters, sunglasses, shock absorber, blue bell thistles, tarp, emergency blanket, decommissioned firehose, xlr cable, corn stalks, microphone, rope tied in true loverโ€™s knot, hunterโ€™s bend, constrictor knots, uli knot, tumble hitch, double dragon loop, surgeonโ€™s loop, prusik knot, and figure 8 loops 52 x 12 x 96 inches (height variable/tail variable) ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™ is on view through TODAY! Saturday, May 2 โ€ข 11am - 6pm @parent.company.gallery 154 E Broadway, Storefront New York, NY
0 2
16 days ago
Tomorrow is the last day to see ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™, a solo exhibition by Leonardo Madriz 154 E Broadway, Storefront Open Wednesday - Saturday, 11amโ€“6pm @le___oh
89 0
17 days ago
๐˜š๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฐ๐˜ช๐˜ฅ๐˜ข๐˜ญ ๐˜Ž๐˜ข๐˜ต๐˜ฆ๐˜ด โ€ข Details ๐˜š๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฐ๐˜ช๐˜ฅ๐˜ข๐˜ญ ๐˜Ž๐˜ข๐˜ต๐˜ฆ๐˜ด, 2026 Aquaresin, epoxy resin, glass, electrical components, hardware, metal patinas, discarded surgical masks, barbed wire, tow chain, snake chain, stolen chain-link fence, meat hook, used IV bags, water with genuine gold leaf, imitation gold leaf, and dirt 16 x 8 x 90 inches (height variable) ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™ is on view through this Saturday, May 2 โ€ข 11am - 6pm @parent.company.gallery 154 E Broadway, Storefront New York, NY
0 1
17 days ago
CLOSING SOON | Saturday is the last day to see ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™ by Leonardo Madriz Detail of ๐˜‹๐˜ฐ๐˜ธ๐˜ฏ ๐˜๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜•๐˜ฆ๐˜ธ ๐˜œ๐˜ฑ (๐˜”รถ๐˜ฃ๐˜ช๐˜ถ๐˜ด ๐˜™๐˜ฆ๐˜ค๐˜ข๐˜ญ๐˜ช๐˜ฃ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ด) 154 E Broadway, Storefront Open Wednesday - Saturday, 11amโ€“6pm @le___oh
38 0
19 days ago
Last week to see ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™, a solo exhibition by Leonardo Madriz ๐˜‹๐˜ฐ๐˜ธ๐˜ฏ ๐˜๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜•๐˜ฆ๐˜ธ ๐˜œ๐˜ฑ (๐˜”รถ๐˜ฃ๐˜ช๐˜ถ๐˜ด ๐˜™๐˜ฆ๐˜ค๐˜ข๐˜ญ๐˜ช๐˜ฃ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ด), 2025 Aquaresin, electrical components, hardware, rope tied in truckerโ€™s hitch, barbed wire, hem of a US flag made in Vietnam, fake Rolex purchased in Chinatown, aluminum door threshold, tow chain, glass water jug 43 x 18 x 69 inches (height variable) 154 E Broadway, Storefront Open Wednesday - Saturday, 11amโ€“6pm @le___oh
73 1
21 days ago
ON VIEW | ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™ by Leonardo Madriz Detail of ๐˜š๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฐ๐˜ช๐˜ฅ๐˜ข๐˜ญ ๐˜Ž๐˜ข๐˜ต๐˜ฆ๐˜ด 154 E Broadway, Storefront Open Wednesday - Saturday, 11amโ€“6pm @le___oh
43 0
23 days ago
ON VIEW | ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™ by Leonardo Madriz ๐˜š๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฐ๐˜ช๐˜ฅ๐˜ข๐˜ญ ๐˜Ž๐˜ข๐˜ต๐˜ฆ๐˜ด, 2026 Aquaresin, epoxy resin, glass, electrical components, hardware, metal patinas, discarded surgical masks, barbed wire, tow chain, snake chain, stolen chain-link fence, meat hook, used IV bags, water with genuine gold leaf, imitation gold leaf, and dirt 16 x 8 x 90 inches (height variable) 154 E Broadway, Storefront Open Wednesday - Saturday, 11amโ€“6pm @le___oh
74 0
26 days ago
ON VIEW | ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™ by Leonardo Madriz Detail of ๐˜š๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜“๐˜ข๐˜ค๐˜ณ๐˜ช๐˜ฎ๐˜ฐ๐˜ด๐˜ข ๐˜Ž๐˜ถ๐˜ฆ๐˜ณ๐˜ณ๐˜ฆ๐˜ณ๐˜ฐ 154 E Broadway, Storefront Open Wednesday - Saturday, 11amโ€“6pm @le___oh
68 1
1 month ago
ON VIEW | ๐˜ฟ๐™ค ๐™‰๐™ค๐™ฉ ๐˜ฝ๐™š ๐˜ผ๐™›๐™ง๐™–๐™ž๐™™ by Leonardo Madriz Detail of ๐˜š๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ฆ๐˜ญ ๐˜ฐ๐˜ง ๐˜“๐˜ข๐˜ค๐˜ณ๐˜ช๐˜ฎ๐˜ฐ๐˜ด๐˜ข ๐˜Ž๐˜ถ๐˜ฆ๐˜ณ๐˜ณ๐˜ฆ๐˜ณ๐˜ฐ 154 E Broadway, Storefront Open Wednesday - Saturday, 11amโ€“6pm @le___oh
62 1
1 month ago