Commission for Oberlin University by @laurindof
‘Excited to share this illustration I created for a scientific article—a deep dive into cells, the tree of life, and simulations. The text was highly abstract, so I focused on key themes: cellularity, observation, and lab experimentation.
My process? A mix of digital painting and collage, playing with ways to visualize cells under a microscope.’
Big thanks to @mendolaartists for the collaboration. Swipe to see details! 🎨🔬
#SciArt #Illustration #digitalart #digitalpainting #collageillustration #illustrationagency #illustration #conceptualillustration
Illustrations and pictures from the second volume of Les Voyages Ordinaires, illustrated by @laurindof written by François Lozet, and designed by Uli Meisenheimer.
‘Les Voyages Ordinaires, in its second season, remains a hidden novel — scattered across a series of fictions — and still serves as a herbarium of existences. There’s no need to have read the first volume to dive into these fragments. It tells stories of lives, dreamed or real — lives lived as journeys. They say an average cumulus cloud can weigh up to 400 tons — about the weight of three or four blue whales. Perhaps that’s what Les Voyages Ordinaires is too: an exercise in imaginary measurements, a discreet catalog of the tragic, light, and ironic weight of our daydreams.Between memory and fiction, historical figures and ordinary characters, the stories that emerge invite reflection — much like the striking illustrations by Laurindo Feliciano and the bold layouts by Uli Meisenheimer.’
#collageillustration #digitalpainting #illustration #illustrationagency #illustrationagencylondon #surrealillustration #conceptualillustration
2025 is over, and I have to admit I didn’t see this year go by. Here are 20 images that sum it up. So much happened—between meetings and reunions, important trips, new work opportunities, the pleasure of teaching, and above all the chance to dive deeper into new artistic perspectives. I wish an amazing 2026 to all of you, family, agents, clients and friends. Thank you for being here with me, admiring and genuinely believing in my work.
🟡 Nos artistes adhérent·es – épisode 8
Aujourd’hui, on te présente Laurindo Feliciano 🌍
Artiste visuel, illustrateur et directeur artistique originaire de Belo Horizonte (Brésil), Laurindo vit et travaille en France depuis 2003.
Ses créations, réalisées à partir de collages, mêlent onirisme, nostalgie et surréalisme. Inspiré par ses collections de livres anciens, cartes postales et magazines vintage, il compose des images poétiques qui semblent tout droit sorties d’un rêve.
Son travail, reconnu à l’international, a été publié et exposé dans plusieurs pays et récompensé par les AOI Illustrators Awards (catégorie Professional Editorial).
🎨 Parmi ses dernières réalisations :
– sa participation à la BD collective “Dans Ma bulle”, en collaboration avec Tache Papier,
– et la réalisation de deux illustrations pour le Nouvel Obs (@nouvelobs ), sur le thème de l’Eugénisme, à folie de reproduction des puissants dans le Big Tech
Un univers raffiné, sensible et résolument intemporel 💫
Découvrez son travail : @laurindof
#TachePapier #AdhérentArtiste #LaurindoFeliciano #Illustration #Collage #Suréalisme #DansMaBulle #Eugenisme #NouvelObs
“The taste and the sight III - L’énigme du voyageur»
The poster wrapping this chocolate bar is printed in only 30 copies, numbered and signed.
Designed as a hybrid object, it transcends the boundaries between art and everyday life.
“Le goût et la vue III - L’énigme du voyageur»
L’affiche qui enveloppe cette tablette de chocolat est tirée à seulement 30 exemplaires numérotées et signées. Conçue comme un objet hybride, elle
transcende les frontières entre art et quotidien.
#objetsgraphiques #contemporaryillustration
Book cover for @erika_fatland Navegadores (The navigators: A travel through Portugals lost empire). Commissioned by the publisher @todavialivros in Brazil.
I was inspired by the long echoes of the Portuguese maritime expansion and by the timeless beauty of traditional Portuguese tiles. I wanted the image to feel like a fragment of memory carried across oceans - a surface where history, travel, conquest, and cultural exchange could coexist.
A cover imagined as a journey diary in itself. The final artwork became a kind of visual mosaic: layered, symbolic, and shaped by the idea of movement through time as much as through geography.
#bookcover #contemporaryillustration #history
llustration commissioned by @bbcwildlifemagazine for an article about the necrobiome - the vast community of insects, microbes and scavengers that transforms death into new life. Rather than approaching the subject in a literal way, I wanted to create an image that felt poetic and slightly unsettling: a suspended moment where decay, beauty and renewal coexist. #illustration #editorialillustration #bbcwildlife
Jürgen Habermas was a German philosopher and social theorist working in the traditions of critical theory and pragmatism. His work explores communicative rationality and the public sphere.
Portrait commissioned by @nouvelobs in February 2018.
“The only knowledge that can truly orient action is knowledge that frees itself from mere human interests and is based in Ideas - in other words, knowledge that has taken a theoretical attitude.”
#Habermas #portrait #contemporaryillustration
For Le Nouvel Obs (Idées): illustration for the feature “Inside Epstein’s mind” - adeep dive into the “Epstein Files” and what they reveal, beyond the scandal: a political and social imagination where sexism, racism, eugenics… and a very real reactionary turn rise to the surface.
Collage is always a great choice for this kind os subject. I wanted to build a labyrinth-image, a kind of mental landscape: fragments, clues, power, staging, shadow zones. A head as architecture, and obsession as the set.
Text by Xavier de La Porte & Rémi Noyon.
Thanks @mullot and to @nouvelobs for the trust.
#lenouvelobs #editorialillustration #illustration #collage #pressillustration magazineillustration artdirection
Commissioned illustration via @theartworks_inc for The New Statesman @newstatesman book review, I illustrated a long literary essay revisiting D.H. Lawrence’s Why the Novel Matters and asking what the novel means now.
Rather than a portrait, I wanted to translate Lawrence’s idea of “tremulations on the ether” into an image: a mind as a resonant field, where layers of thought overlap, vibrate, and reshape each other. A landscape becomes consciousness; echoes stack into forms; books disappear, return, and shift meaning with time—alive, unstable, endlessly re-read.
Words by Geoff Dyer for The New Statesman #editorialillustration #collageart #surrealcollage #literature #contemporaryillustration
Commissioned illustration for the French magazine Le Nouvel Obs @nouvelobs - a feature about writers who decided to change their pen name when the first one became too cumbersome to carry.
I wanted the image to feel like an identity in motion: a face slightly out of register, two selves overlapping, and a book title re-labeled like a collage correction. Because a name can be a mask, a shield, a promise - and sometimes, something you need to shed to keep writing.
Words by Anne Crignon & Amandine Schmitt for Le Nouvel Obs. Thank you once again @mullot #lenouvelobs #editorialillustration #literature #books #pseudonym
In the archives: Nobody Is Looking for @netflix
I led the art direction and created illustrations + campaign treatment for the show.
Big thanks to my lovely agents @labaraque_creative — we were selected as one of Netflix’s global creative partners through the Agencies Route.
#artdirection #illustration #netflix
