I had the immense pleasure of writing the music for this fantastic film by
@haraldaltmaierphotography . It grants the viewer an insight into Haraldâs inspiring artistic efforts as a florist and photographer and I especially enjoyed taking inspiration from the rolling English countryside as well as the lavish display of âComposition 24.â
The score features
@williamjackmusic on cello and myself on marimba and other percussion. â¨
âHere marine and floral still-life traditions meet in an explosion for the senses.
Two urns, by the great Regency silversmith Paul Storr, drip with mermaids and mermen, sea creatures and shells. They stand on an equally effusive Bavarian rococo table, whose surface, amid the scrolls, is carved in the form of scales.
Around them, beside them, in them sit lobsters, cooked and uncooked, crayfish, snapper, King cod and a noble John Dory, and surrounding this bounty, other signs of the sea: a couple of turtles and some sandpipers, coral resting in delicate urns, freshly harvested samphire.
The play of light is everything, glittering off scales, the silver and the ice, thatâs there to keep this catch cool.
In contrast to the wealth of the sea, the floral composition celebrates the wealth of the land in an abundance of blooms: larkspur, Solomonâs seal, cow parsley, fritillaria, foxgloves, roses, delphiniums, spirea, poppies, ranunculus, sweet peas and vibernum. â