Certain forms carry the memory of movement.
The Cheval Necklace carries the form of the stirrup, a shape that first appeared in East Asia in the 4th century, translated into 585 yellow gold and natural leather. The composition reflects the strength and forward momentum at the heart of the Cheval collection.
The Cosmopolitaine Ligne earrings unfold in 750 yellow gold, set with natural diamonds. Their elongated line follows the rhythm of the body, echoing the vertical energy and constant motion of the modern city.
Within each of our collections, inspiration translates into precise contemporary form that ultimately becomes a signature in time.
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The Toi et Moi motif gained recognition in late eighteenth-century France, when Napoleon Bonaparte gifted such a ring to his wife, Joséphine. Two stones placed side by side came to represent two souls becoming one.
Our Louvre Toi et Moi ring unfolds in 750 yellow gold. A pavé setting of natural green diamonds creates a continuous field of light, while two pear-cut natural fancy brown diamonds define the centre of the composition.
Within the Louvre collection, historical references are brought into precise contemporary form. The past remains present through detail.
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Detail carries its own character, shaped through craftsmanship.
Jewellery exists in relation to light and to the body it follows. A shift in position reveals the structure of the piece. Form comes into focus as it settles. Each moment offers a different reading of the composition.
At La Marqueuse, form evolves with the moment.
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In the Équilibre earrings, black diamonds are set in 585 yellow gold, held within a precise geometric form. A single central stone anchors the composition, while a vertical line of diamonds extends the structure, guiding the eye through a measured sequence.
Black diamonds form as polycrystalline structures, composed of multiple intergrown crystals. Their internal composition, shaped by graphite and inclusions, absorbs light, giving the surface its unbroken tone.
Depth holds the gaze.
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Light moves across a surface before it is understood. It gathers along edges, settles within contours, and defines their presence through motion.
In the Louvre Cascade No.1 earrings, natural diamonds are set in 585 white gold, arranged in a descending composition. Each element follows the line of a drop, forming a sequence that guides the eye through a measured rhythm.
Within the Louvre collection, form is considered in relation to classical composition and architectural order, echoing the discipline found in the works of Michelangelo and Rembrandt.
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Black diamonds occupy a category of their own. Formed as polycrystalline structures, they carry graphite, mineral inclusions, and internal fractures that give them their opaque depth.
Their colour emerges through absorption. Networks of graphite hold the light within, creating a surface defined by density. In the Clarté earrings, black diamonds are set in 750 yellow gold, arranged along a circular form. Stones placed on both sides draw the eye from every angle.
Clarté earrings. Depth becomes character.
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Two forms, defined by their own structure.
The Guerrière Nacrée No.1 earrings in 585 white gold, set with mother-of-pearl and natural diamonds, draw their geometry from the vaulted ceilings of the Medici Chapel in Florence. Quiet, precise, made to be worn daily, retaining their character over time.
The Épine Guerrière No.1 is a single geometric stud, modular in structure. Crafted in 585 white gold, set with natural diamonds. Worn alone or layered with other pieces. Complete in its own proportion.
Both belong to La Belle Guerrière, a collection shaped around the idea that strength holds its own aesthetic. Jewellery worn with conviction carries a distinct presence. Discover earrings from La Belle Guerrière and beyond.
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A single point of light. Where transcendence is sculpted into form.
Lumière No.1 earring is set in 585 yellow gold, carrying a 0.15 ct. marquise-cut natural diamond. The elongated geometry of the cut draws the eye along a line that moves with quiet precision.
The marquise cut carries its own history. Born in the court of Louis XV, shaped by infatuation and translated across centuries, it arrives here refined, unhurried, unchanged in its intent.
Lumière No.1. Light, given form.
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Craft lives in what is not immediately seen.
In proportion that holds without explanation. In the weight of a band that settles without adjustment. In a setting that serves the stone. At La Marqueuse, each piece is shaped through decisions held over time.
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A continuous arc. Three stones. One intention.
Voûte No.2 is crafted in 750 white gold, its surface unbroken, carrying three natural diamonds: a 0.70 ct. oval-cut centre stone accompanied by two pear-cut diamonds totalling 0.30 ct. Each stone set where the form demands it. Placed with purpose, together they create a seamless rhythm. The ring is certified by GIA.
Voûte No.2 — Where light transcends.
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Meet the founder and designer of La Marqueuse — Urszula Dmowska-Gęsiorek.
Behind every stone that enters the Atelier lies Urszula's selection process, one that unfolds over months. Each gemstone is read not only by what a certificate records, but by what light alone can reveal.
Our latest piece in the Journal traces this process in full: how a stone is assessed before it is set, and why the right choice is always a matter of deliberate narrowing, until only one reveals itself.
Read the full story via the link in our bio.
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A composition defined by structure.
At the centre, a 2.03 ct. emerald-cut natural diamond, framed by trapezoid and baguette-cut natural diamonds, establishes a sequence of lines rooted in the discipline of Art Deco. The transition in scale is deliberate, guiding the eye while maintaining balance within the form. Crafted in 750 white gold, the ring is resolved as a coherent whole, where each element holds its place with precision.
Louvre Héritage. An expression of structure, carried through time.
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