1st of April, 2025, around midnight, after checking in, unpack a little, do a little grocery shopping, Beumkyu and I went into a bar right next to our airbnb. Bodega Konkylie.
I’m going to remember this exact time and date for future reference, when I get old and tell stories (old people always seem to remember the year of the event that they’re talking about).
This is when I first heard ‘Busses’. I instantly knew that this album was going to be painfully good. And it was. Discovering what is now my favourite album in a place where I’d never been before, where I’d never imagined being, a random bar in Copenhagen, is something that I don’t want to forget.
At a time when we are all drowning in algorithms and discovering music has become somewhat weightless and ephemeral, this almost felt like fate.
‘Go Get Some’(2004) - Tys Tys
The House That I Live In (2020) – Vinyl Edition OUT NOW
2020년에 발매되었던 EP가 바이닐로 돌아왔어요!
구매 링크는 프로필에서 확인하실 수 있습니다 🤍
The 2020 album returns as a special vinyl release.
You can find the purchase link in the bio!
Holding this memory close forever 💗 Beyond grateful to have shared this journey with the kindest, most talented, and warm-hearted souls. So much love for each and every one of you 💗
Hello. Meet us in Denmark @art_hub_copenhagen
Had Time Yet Part 2 is a continuation of Had Time Yet, once again opening a realm defined by waiting. Five performers stand before five texts on loss, hesitantly yet through practice throwing their bodies into the unfolding circumstances, continuously undergoing transformation. In this process, the overcoming of hesitation and the act of ‘Becoming’ come into focus. As their bodies and the sense of loss intertwine, spreading and sliding into one another, the embodied gestures wander across mutable spaces on stage. And yet, leaning on the serendipity of chance, something is transcended while something is relinquished. This interplay of gap and waiting not only obliterates every fixed identity and subjectivity but also draws future time into the present. The texts on loss are excerpts from Samuel Beckett’s Waiting for Godot, Marguerite Duras’s Emilie L, Alan Alexander Milne’s Winnie-the-Pooh, Jeong Young-moon’s Vaseline Buddha, and Viktor Frankl’s Man’s Search for Meaning. In the space where these distinct literary articulations of loss—as an absence—unfold, the five performers hurl their embodied gestures into it, incinerating their former selves and transforming into something other. In doing so, absence—carried by waiting—briefly lingers before us.
Concept, Choreography: Beumkyu Choi Project Producer: Yejin Lee Sound Composer, Operator: Yejin Lee Performance: Frida Grant, Lea Gregersen, Abraham Rademacher, Alberte Ahrenkiel Koch, Malte Rahm Graphic Design: riwonho Fashion Supporter: @studiostars
