Kino Rebelde

@kinorebelde

A Sales, Festival & Alternative Distribution Agency crafting creative strategies for disobedient films. ๐Ÿ“Lisbon & everywhere.
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๐—ง๐—ฅ๐—œ๐—ก๐—› ๐—ง. ๐— ๐—œ๐—ก๐—›-๐—›๐—” ๐ŸŸก ๐—–๐—ข๐— ๐—ฃ๐—Ÿ๐—˜๐—ง๐—˜ ๐—™๐—œ๐—Ÿ๐— ๐—ข๐—š๐—ฅ๐—”๐—ฃ๐—›๐—ฌ ๐ŸŸก ๐—ช๐—ฒ ๐—ผ๐—ณ๐—ณ๐—ถ๐—ฐ๐—ถ๐—ฎ๐—น๐—น๐˜† ๐˜„๐—ฒ๐—น๐—ฐ๐—ผ๐—บ๐—ฒ ๐˜๐—ผ ๐—ผ๐˜‚๐˜ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ ๐˜๐—ต๐—ฒ ๐—ณ๐—ฒ๐—บ๐—ถ๐—ป๐—ถ๐˜€๐˜ ๐—ณ๐—ถ๐—น๐—บ๐—บ๐—ฎ๐—ธ๐—ฒ๐—ฟ, ๐˜„๐—ฟ๐—ถ๐˜๐—ฒ๐—ฟ ๐—ฎ๐—ป๐—ฑ ๐—ถ๐—ฟ๐—ฟ๐—ฒ๐—ณ๐˜‚๐˜๐—ฎ๐—ฏ๐—น๐—ฒ ๐˜๐—ฟ๐—ฎ๐—ป๐˜€๐—ด๐—ฟ๐—ฒ๐˜€๐—ผ๐—ฟ ๐—ผ๐—ณ ๐—ฑ๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐˜† ๐—ฎ๐—ป๐—ฑ ๐—ฒ๐˜๐—ต๐—ป๐—ผ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐—ถ๐—ฐ ๐—ฐ๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ: ๐—ง๐—ฅ๐—œ๐—ก๐—› ๐—ง. ๐— ๐—œ๐—ก๐—›-๐—›๐—”. From ๐—ž๐—ถ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฏ๐—ฒ๐—น๐—ฑ๐—ฒ we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in. Often overwhelmed by a cinema cut with the same hegemonic scissorsโ€”the boxes, the hollowing out of content, the lack of filmmakersโ€™ stance, and the endless samples of a simplistic and extractivist filmsโ€”we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-haโ€™s workโ€”her films and her booksโ€”stirs in us, nor the happiness of having her become part of our catalogue. ๐—ช๐—ฒ ๐˜€๐—ถ๐—บ๐—ฝ๐—น๐˜† ๐—ต๐—ผ๐—ฝ๐—ฒ ๐˜๐—ผ ๐—ต๐—ฒ๐—น๐—ฝ ๐˜€๐—ฝ๐—ฟ๐—ฒ๐—ฎ๐—ฑ ๐—ฎ ๐—ฐ๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ ๐˜„๐—ฒ ๐—ฑ๐—ฒ๐—ฒ๐—ฝ๐—น๐˜† ๐—ฏ๐—ฒ๐—น๐—ถ๐—ฒ๐˜ƒ๐—ฒ ๐—ถ๐—ป, ๐—บ๐—ผ๐˜ƒ๐—ฒ ๐˜‚๐˜€, ๐—ฎ๐—ป๐—ฑ ๐—ฎ๐—ฏ๐—ผ๐˜ƒ๐—ฒ ๐—ฎ๐—น๐—น, ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ป๐—ฑ๐˜€ ๐˜‚๐˜€ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐˜€๐˜‚๐˜ƒ๐—ฏ๐—ฒ๐—ฟ๐˜€๐—ถ๐˜ƒ๐—ฒ ๐—ฝ๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—ฐ๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ. ๐ŸŸก ๐—ง๐—ฅ๐—œ๐—ก๐—› ๐—ง. ๐— ๐—œ๐—ก๐—›-๐—›๐—” filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: ๐—ฅ๐—ฒ๐—ฎ๐˜€๐˜€๐—ฒ๐—บ๐—ฏ๐—น๐—ฎ๐—ด๐—ฒ (1982), ๐—ก๐—ฎ๐—ธ๐—ฒ๐—ฑ ๐—ฆ๐—ฝ๐—ฎ๐—ฐ๐—ฒ๐˜€ (1985) ๐—ฆ๐˜‚๐—ฟ๐—ป๐—ฎ๐—บ๐—ฒ ๐—ฉ๐—ถ๐—ฒ๐˜ ๐—š๐—ถ๐˜ƒ๐—ฒ๐—ป ๐—ก๐—ฎ๐—บ๐—ฒ ๐—ก๐—ฎ๐—บ (1989), ๐—ฆ๐—ต๐—ผ๐—ผ๐˜ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—ป๐˜๐˜€ (1991), ๐—” ๐—ง๐—ฎ๐—น๐—ฒ ๐—ผ๐—ณ ๐—Ÿ๐—ผ๐˜ƒ๐—ฒ (1995), ๐—ง๐—ต๐—ฒ ๐—™๐—ผ๐˜‚๐—ฟ๐˜๐—ต ๐——๐—ถ๐—บ๐—ฒ๐—ป๐˜€๐—ถ๐—ผ๐—ป (2001), ๐—ก๐—ถ๐—ด๐—ต๐˜ ๐—ฃ๐—ฎ๐˜€๐˜€๐—ฎ๐—ด๐—ฒ (2004) -NOT 1998!- ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐˜๐—ถ๐—ป๐—ด ๐—ฉ๐—ถ๐—ฒ๐˜๐—ป๐—ฎ๐—บ (2015), ๐—ฎ๐—ป๐—ฑ ๐—ช๐—ต๐—ฎ๐˜ ๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ต๐—ถ๐—ป๐—ฎ? (2022). She has been honored in some sixty-nine retrospectives around the world. Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere,ย Within Hereย (2011), andย Woman, Native, Other: Writing Postcoloniality and Feminismย (1989). #trinhtminhha #kinorebelde
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8 days ago
๐—ฆ๐—ช๐—œ๐—ฆ๐—ฆ ๐—ฃ๐—ฅ๐—˜๐— ๐—œ๐—˜๐—ฅ๐—˜ ๐ŸŒŸ ๐—Ÿ๐—˜๐—™๐—ง ๐—•๐—˜๐—›๐—œ๐—ก๐—— will be presented by ๐—ฌ๐—ฎ๐—ป๐—ป๐—ถ๐˜€ ๐—ž๐—ฎ๐—ฟ๐—ฝ๐—ผ๐˜‚๐˜‡๐—ถ๐˜€ โ€ข @yannis_karpouzis at the ๐Ÿฎ๐Ÿด๐˜๐—ต ๐—˜๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป ๐—ฉ๐—œ๐——๐—˜๐—ข๐—˜๐—ซ โ€ข @videoex_festival the largest Swiss festival dedicated to experimental films ๐ŸŒŸ The short is part of the ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—–๐—ผ๐—บ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป / "๐—ง๐—ผ ๐—ฏ๐—ฒ ๐—ผ๐—ฟ ๐—ป๐—ผ๐˜ ๐˜๐—ผ ๐—ฏ๐—ฒ" ๐—ฃ๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—บ ๐ŸŒŸ ๐ŸŽŸ๏ธ ๐Ÿฎ๐Ÿฑ.๐Ÿฌ๐Ÿฑ โ€ข ๐Ÿญ๐Ÿณ:๐Ÿฐ๐Ÿฑ ๐Ÿ“ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ธ๐—ถ๐—ป๐—ผ ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ ๐—ญ๐Ÿฏ, Zรผrich + Q&A ๐ŸŽŸ๏ธ ๐Ÿฎ๐Ÿด.๐Ÿฌ๐Ÿฑ โ€ข ๐Ÿญ๐Ÿฑ:๐Ÿฏ๐Ÿฌ ๐Ÿ“๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ธ๐—ถ๐—ป๐—ผ ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ ๐—ญ๐Ÿฏ, Zรผrich + Q&A โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข #leftbehindshortfilm #yanniskarpouzis #videoexfestival #experimentalshortfilm #kinorebelde
26 1
2 days ago
๐—ฆ๐—ข๐—จ๐—ง๐—› ๐—ž๐—ข๐—ฅ๐—˜๐—” ๐ŸŒธ ๐—›๐—˜๐—ฅ๐—•๐—”๐—ฅ๐—œ๐—” will be part of "๐—ฅ๐—ฒ๐—ฐ๐—น๐—ฎ๐—ถ๐—บ๐—ถ๐—ป๐—ด ๐˜๐—ต๐—ฒ ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ๐˜€" ๐˜๐—ต๐—ฒ ๐—ณ๐—ถ๐—ฟ๐˜€๐˜ ๐—ฟ๐—ฒ๐˜๐—ฟ๐—ผ๐˜€๐—ฝ๐—ฒ๐—ฐ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐—ณ ๐—Ÿ๐—ฒ๐—ฎ๐—ป๐—ฑ๐—ฟ๐—ผ ๐—Ÿ๐—ถ๐˜€๐˜๐—ผ๐—ฟ๐˜๐—ถ โ€ข @leandro.listorti in ๐—”๐˜€๐—ถ๐—ฎ, presented by ๐—–๐—ผ๐—ฟ๐—ฟ๐—ฒ๐˜€๐—ฝ๐—ผ๐—ป๐—ฑ๐—ฒ๐—ป๐—ฐ๐—ถ๐—ฎ(๐˜€) โ€ข @correspondencias.co ๐—ฎ ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐—ฟ๐—ถ๐˜๐—ถ๐—ฐ๐—ถ๐˜€๐—บ ๐—ฐ๐—ผ๐—บ๐—บ๐˜‚๐—ป๐—ถ๐˜๐˜† ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐—ถ๐—ป๐—ฒ-๐—ฐ๐—น๐˜‚๐—ฏ ๐—ถ๐—ป ๐—ฆ๐—ฒ๐—ผ๐˜‚๐—น ๐ŸŒธ The films directed by the Argentinian filmmaker, archivist, film programmer and producer will be shown at ๐—œ๐—ป๐—ฑ๐—ถ๐—ฒ๐˜€๐—ฝ๐—ฎ๐—ฐ๐—ฒ โ€ข @indiespace_kr ๐ŸŒธ ๐˜™๐˜ฆ๐˜ค๐˜ญ๐˜ข๐˜ช๐˜ฎ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ท๐˜ฆ, ๐˜ช๐˜ฏ๐˜ต๐˜ณ๐˜ฐ๐˜ฅ๐˜ถ๐˜ค๐˜ฆ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ธ๐˜ฐ๐˜ณ๐˜ฌ๐˜ด ๐˜ฐ๐˜ง ๐˜ฅ๐˜ช๐˜ณ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ ๐˜“๐˜ฆ๐˜ข๐˜ฏ๐˜ฅ๐˜ณ๐˜ฐ ๐˜“๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ต๐˜ช, ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ฐ๐˜ฑ๐˜ฆ๐˜ณ๐˜ข๐˜ต๐˜ฆ๐˜ด ๐˜ข๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ด๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ข๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ท๐˜ข๐˜ญ ๐˜ง๐˜ฐ๐˜ฐ๐˜ต๐˜ข๐˜จ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ญ ๐˜ง๐˜ช๐˜ญ๐˜ฎ. ๐˜ˆ๐˜ด ๐˜ข ๐˜ค๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ฐ๐˜ณ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฉ๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ข๐˜ฏ, ๐˜“๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ต๐˜ชโ€™๐˜ด ๐˜ฑ๐˜ณ๐˜ข๐˜ค๐˜ต๐˜ช๐˜ค๐˜ฆ ๐˜ช๐˜ฏ๐˜ท๐˜ฐ๐˜ญ๐˜ท๐˜ฆ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ญ๐˜ช๐˜ค๐˜ข๐˜ต๐˜ฆ ๐˜ฑ๐˜ณ๐˜ฆ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ฎ๐˜ข๐˜ต๐˜ฆ๐˜ณ๐˜ช๐˜ข๐˜ญ๐˜ด, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ฏ๐˜ฆ๐˜ธ๐˜ข๐˜ญ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ข๐˜ด๐˜ต, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ณ๐˜ฆ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฐ๐˜ง ๐˜ง๐˜ฐ๐˜ณ๐˜จ๐˜ฐ๐˜ต๐˜ต๐˜ฆ๐˜ฏ ๐˜ฉ๐˜ช๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด. ๐˜๐˜ช๐˜ด ๐˜ง๐˜ช๐˜ญ๐˜ฎ๐˜ด ๐˜ด๐˜ฆ๐˜ณ๐˜ท๐˜ฆ ๐˜ข๐˜ด ๐˜ฆ๐˜ท๐˜ช๐˜ฅ๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ช๐˜ฏ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ง๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ง๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ข๐˜ด๐˜ต ๐˜ข๐˜ณ๐˜ฆ ๐˜ฃ๐˜ฐ๐˜ต๐˜ฉ ๐˜ฑ๐˜ข๐˜ณ๐˜ต ๐˜ฐ๐˜ง ๐˜ข ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ช๐˜ฏ๐˜ถ๐˜ฐ๐˜ถ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ฅ๐˜บ๐˜ฏ๐˜ข๐˜ฎ๐˜ช๐˜ค ๐˜ฑ๐˜ณ๐˜ฐ๐˜ค๐˜ฆ๐˜ด๐˜ด ๐˜ฐ๐˜ง ๐˜ฆ๐˜ท๐˜ฐ๐˜ญ๐˜ถ๐˜ต๐˜ช๐˜ฐ๐˜ฏ. ๐Ÿฒ๐˜๐—ต ๐—๐˜‚๐—ป๐—ฒ ๐ŸŽŸ๏ธ 17:30 - 18:25 La pelรญcula infinita (2018) ๐ŸŽŸ๏ธ 18:40 - 20:10 Petit Daguerre (2018) / Fresno (2014) / Herbaria (2022) + ๐—ค&๐—” ๐˜„๐—ถ๐˜๐—ต ๐—Ÿ๐—ฒ๐—ฎ๐—ป๐—ฑ๐—ฟ๐—ผ ๐—Ÿ๐—ถ๐˜€๐˜๐—ผ๐—ฟ๐˜๐—ถ ๐—ฎ๐—ป๐—ฑ ๐—ฃ๐—ถ๐—ฝ ๐—–๐—ต๐—ผ๐—ฑ๐—ผ๐—ฟ๐—ผ๐˜ƒ โ€ข @pipchodorov ๐Ÿ“indiespace โ€ข @indiespace_kr โ€ข โ€ข โ€ข โ€ข โœจโœจ ๐—š๐—ฟ๐—ฎ๐—ฝ๐—ต๐—ถ๐—ฐ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป: ๐—Ÿ๐—ฒ๐—ฒ ๐—š๐—ฒ๐—ผ๐—ป-๐—ท๐˜‚๐—ป๐—ด โ€ข @handgloves โœจโœจ ๐—ง๐—ต๐—ฎ๐—ป๐—ธ๐˜€ ๐—›๐˜†๐—ฒ๐—บ๐—ถ๐—ป & ๐—›๐˜†๐—ผ๐˜‚๐—ป๐˜†๐—ผ๐˜‚๐—ป๐—ด, ๐˜†๐—ผ๐˜‚ ๐—ฎ๐—ฟ๐—ฒ ๐˜„๐—ผ๐—ป๐—ฑ๐—ฒ๐—ฟ๐—ณ๐˜‚๐—น๐—น! โ€ข โ€ข โ€ข โ€ข #leandrolistorti #herbariafilm #filmpreservation #archivefilms #kinorebelde
56 3
3 days ago
๐—ช๐—ฎ๐˜€๐—ต๐—ถ๐—ป๐—ด๐˜๐—ผ๐—ป ๐——๐—– โœจ We are back at the gorgeous ๐—˜๐—ฎ๐˜€๐˜ ๐—•๐˜‚๐—ถ๐—น๐—ฑ๐—ถ๐—ป๐—ด ๐—”๐˜‚๐—ฑ๐—ถ๐˜๐—ผ๐—ฟ๐—ถ๐˜‚๐—บ of the ๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—”๐—ฟ๐˜ โ€ข @ngadc to present ๐—˜๐—ฉ๐—˜๐—ฅ๐—ฌ ๐—–๐—ข๐—ก๐—ง๐—”๐—–๐—ง ๐—Ÿ๐—˜๐—”๐—ฉ๐—˜๐—ฆ ๐—” ๐—ง๐—ฅ๐—”๐—–๐—˜ by ๐—Ÿ๐˜†๐—ป๐—ป๐—ฒ ๐—ฆ๐—ฎ๐—ฐ๐—ต๐˜€ โ€ข @lynnesachs1 as part of ๐——๐—–/๐——๐—ข๐—ซ โ€ข @dcdoxfest โœจ ๐—ง๐—ต๐—ถ๐˜€ ๐—ถ๐˜€ ๐—ฎ ๐˜€๐—ฝ๐—ฒ๐—ฐ๐—ถ๐—ฎ๐—น ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด ๐—ฏ๐—ฒ๐—ฐ๐—ฎ๐˜‚๐˜€๐—ฒ ๐˜๐—ต๐—ฒ ๐—ณ๐—ถ๐—น๐—บ ๐˜„๐—ถ๐—น๐—น ๐—ฏ๐—ฒ ๐—ฝ๐—ฟ๐—ฒ๐˜€๐—ฒ๐—ป๐˜๐—ฒ๐—ฑ ๐—ฎ๐—น๐—ผ๐—ป๐—ด๐˜€๐—ถ๐—ฑ๐—ฒ ๐—š๐—ฅ๐—”๐—ญ๐—œ๐—ก๐—š ๐—ข๐—ก ๐—œ๐— ๐—”๐—š๐—˜๐—ฆ, ๐—ฎ ๐—ฏ๐—ฒ๐—ฎ๐˜‚๐˜๐—ถ๐—ณ๐˜‚๐—น ๐˜€๐—ต๐—ผ๐—ฟ๐˜ ๐—ณ๐—ถ๐—น๐—บ ๐—ฏ๐˜† ๐— ๐—ฎ๐—ฟ๐—ธ ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฒ๐˜ โ€ข @marklacalle โœจ ๐ŸŽŸ๏ธ ๐—ฆ๐—จ๐—ก๐——๐—”๐—ฌ, ๐—๐—จ๐—ก๐—˜ ๐Ÿญ๐Ÿฐ โ€ข ๐Ÿญ๐Ÿญ:๐Ÿฌ๐Ÿฌ ๐—ฎ๐—บ ๐Ÿ“๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—”๐—ฟ๐˜ + Q&A by Lynne Sachs & Mark Street ๐Ÿ’ฎ โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข #lynnesachs #markstreet #nationalgalleryofart #dcdox #kinorebelde
45 0
6 days ago
๐—ง๐—ฅ๐—œ๐—ก๐—› ๐—ง. ๐— ๐—œ๐—ก๐—›-๐—›๐—” ๐ŸŸก ๐—™๐—ถ๐—น๐—บ๐˜€ ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿญ๐Ÿต๐Ÿด๐Ÿฎ ๐˜๐—ผ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฎ: ๐—ฅ๐—ฒ๐—ฎ๐˜€๐˜€๐—ฒ๐—บ๐—ฏ๐—น๐—ฎ๐—ด๐—ฒ (๐Ÿญ๐Ÿต๐Ÿด๐Ÿฎ) ๐—ก๐—ฎ๐—ธ๐—ฒ๐—ฑ ๐—ฆ๐—ฝ๐—ฎ๐—ฐ๐—ฒ๐˜€ (๐Ÿญ๐Ÿต๐Ÿด๐Ÿฑ) ๐—ฆ๐˜‚๐—ฟ๐—ป๐—ฎ๐—บ๐—ฒ ๐—ฉ๐—ถ๐—ฒ๐˜ ๐—š๐—ถ๐˜ƒ๐—ฒ๐—ป ๐—ก๐—ฎ๐—บ๐—ฒ ๐—ก๐—ฎ๐—บ (๐Ÿญ๐Ÿต๐Ÿด๐Ÿต) ๐—ฆ๐—ต๐—ผ๐—ผ๐˜ ๐—ณ๐—ผ๐—ฟ ๐˜๐—ต๐—ฒ ๐—–๐—ผ๐—ป๐˜๐—ฒ๐—ป๐˜๐˜€ (๐Ÿญ๐Ÿต๐Ÿต๐Ÿญ) ๐—” ๐—ง๐—ฎ๐—น๐—ฒ ๐—ผ๐—ณ ๐—Ÿ๐—ผ๐˜ƒ๐—ฒ co-directed with Jean-Paul Bourdier (๐Ÿญ๐Ÿต๐Ÿต๐Ÿฑ) ๐—ง๐—ต๐—ฒ ๐—™๐—ผ๐˜‚๐—ฟ๐˜๐—ต ๐——๐—ถ๐—บ๐—ฒ๐—ป๐˜€๐—ถ๐—ผ๐—ป (๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿญ) ๐—ก๐—ถ๐—ด๐—ต๐˜ ๐—ฃ๐—ฎ๐˜€๐˜€๐—ฎ๐—ด๐—ฒ co-directed with Jean-Paul Bourdier (๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฐ) ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐˜๐—ถ๐—ป๐—ด ๐—ฉ๐—ถ๐—ฒ๐˜๐—ป๐—ฎ๐—บ (๐Ÿฎ๐Ÿฌ๐Ÿญ๐Ÿฑ) ๐—ช๐—ต๐—ฎ๐˜ ๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐—–๐—ต๐—ถ๐—ป๐—ฎ? (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฎ) ๐ŸŸก ๐—ฉ๐—œ๐——๐—˜๐—ข ๐—œ๐—ก๐—ฆ๐—ง๐—”๐—Ÿ๐—Ÿ๐—”๐—ง๐—œ๐—ข๐—ก๐—ฆ ๐—•๐—ผ๐—ฑ๐—ถ๐—ฒ๐˜€ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ ๐——๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ (๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฑ) โ€“ ๐Ÿฎ๐Ÿฌ ๐—บ๐—ถ๐—ป, ๐——๐—ถ๐—ด๐—ถ๐˜๐—ฎ๐—น ๐—ฉ๐—ถ๐—ฑ๐—ฒ๐—ผ ๐—ง๐—ต๐—ฒ ๐——๐—ฒ๐˜€๐—ฒ๐—ฟ๐˜ ๐—ถ๐˜€ ๐—ช๐—ฎ๐˜๐—ฐ๐—ต๐—ถ๐—ป๐—ด (๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿฏ) โ€“ ๐Ÿญ๐Ÿญ ๐—บ๐—ถ๐—ป, ๐——๐—ถ๐—ด๐—ถ๐˜๐—ฎ๐—น ๐—ฉ๐—ถ๐—ฑ๐—ฒ๐—ผ ๐—ข๐—น๐—ฑ ๐—Ÿ๐—ฎ๐—ป๐—ฑ ๐—ก๐—ฒ๐˜„ ๐—ช๐—ฎ๐˜๐—ฒ๐—ฟ๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฌ๐Ÿณ) โ€“ ๐Ÿฎ-๐—ฐ๐—ต๐—ฎ๐—ป๐—ป๐—ฒ๐—น ๐˜ƒ๐—ถ๐—ฑ๐—ฒ๐—ผ ๐—ถ๐—ป๐˜€๐˜๐—ฎ๐—น๐—น๐—ฎ๐˜๐—ถ๐—ผ๐—ป โ€ข โ€ข โ€ข #trinhtminhha #kinorebelde
79 1
8 days ago
๐—•๐—ฅ๐—”๐—ญ๐—œ๐—Ÿ๐—œ๐—”๐—ก ๐—ฃ๐—ฅ๐—˜๐— ๐—œ๐—˜๐—ฅ๐—˜ โœจ ๐—”๐—ก ๐—œ๐—ก๐—–๐—ข๐— ๐—ฃ๐—Ÿ๐—˜๐—ง๐—˜ ๐—–๐—”๐—Ÿ๐—˜๐—ก๐——๐—”๐—ฅ by ๐—ฆ๐—ฎ๐—ป๐—ฎ๐˜‡ ๐—ฆ๐—ผ๐—ต๐—ฟ๐—ฎ๐—ฏ๐—ถ will be part of the ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—–๐—ผ๐—บ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป of ๐—ข๐—น๐—ต๐—ฎ๐—ฟ ๐—ฑ๐—ฒ ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ โ€ข @olhardecinema ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐—ถ๐—ป ๐—–๐˜‚๐—ฟ๐—ถ๐˜๐—ถ๐—ฏ๐—ฎ ๐—ฟ๐˜‚๐—ป๐—ป๐—ถ๐—ป๐—ด ๐—ณ๐—ฟ๐—ผ๐—บ ๐Ÿฐ ๐˜๐—ผ ๐Ÿญ๐Ÿฏ ๐—๐˜‚๐—ป๐—ฒ โœจ and we couldn't be happier! + ๐—œ๐—ก๐—™๐—ข ๐—–๐—ข๐— ๐—œ๐—ก๐—š ๐—ฆ๐—ข๐—ข๐—ก โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข #anincompletecalendarfilm #sanazsohrabi #folfilms #olhardocinema2026 #kinorebelde
41 1
11 days ago
๐—ข๐—ก๐—Ÿ๐—œ๐—ก๐—˜ ๐—ข๐—ก ๐——๐—”๐—™๐—œ๐—Ÿ๐— ๐—ฆ ๐Ÿ’ฅ ๐—™๐—ถ๐—ป๐—ฎ๐—น๐—น๐˜† ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ๐˜„๐—ถ๐—ฑ๐—ฒ ๐Ÿ’ฅ We are very happy to share ๐˜๐—ต๐—ฟ๐—ฒ๐—ฒ ๐˜€๐—ฝ๐—ฎ๐—ฟ๐—ธ๐˜€ (๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ) by ๐—ก๐—ฎ๐—ผ๐—บ๐—ถ ๐—จ๐—บ๐—ฎ๐—ป โ€ข @naomiuman2026 on @dafilms ๐Ÿ’ฅ This ๐— ๐—ฒ๐˜…๐—ถ๐—ฐ๐—ฎ๐—ป-๐—”๐—น๐—ฏ๐—ฎ๐—ป๐—ถ๐—ฎ๐—ป film started its circuit at the ๐—ง๐—ถ๐—ด๐—ฒ๐—ฟ ๐—–๐—ผ๐—บ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป of ๐—œ๐—™๐—™๐—ฅ โ€ข @iffr and got the ๐—•๐—ฒ๐˜€๐˜ ๐—™๐—ถ๐—น๐—บ ๐—”๐˜„๐—ฎ๐—ฟ๐—ฑ of the "๐—ฅ๐—ฒ๐—ณ๐—น๐—ฒ๐—ฐ๐˜๐—ถ๐—ป๐—ด ๐—”๐—น๐—ฏ๐—ฎ๐—ป๐—ถ๐—ฎ" ๐—–๐—ผ๐—บ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป at ๐—ง๐—ถ๐—ฟ๐—ฎ๐—ป๐—ฎ ๐—œ๐—™๐—™ โ€ข @tiranafilmfest . We are proud that the film has traveled from ๐—ฆ๐—ผ๐˜‚๐˜๐—ต ๐—ž๐—ผ๐—ฟ๐—ฒ๐—ฎ to ๐—”๐—น๐—ด๐—ฒ๐—ฟ๐—ถ๐—ฎ, ๐—•๐—ผ๐—น๐—ถ๐˜ƒ๐—ถ๐—ฎ, from ๐— ๐—ฒ๐˜…๐—ถ๐—ฐ๐—ผ to ๐—œ๐—ฟ๐—ฎ๐—ป and ๐—”๐—ฟ๐—บ๐—ฒ๐—ป๐—ถ๐—ฎ. We have shown it in +๐Ÿฐ๐Ÿฌ ๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐˜€ ๐—ฎ๐—ป๐—ฑ ๐—ฎ๐—น๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐˜€๐—ฐ๐—ฟ๐—ฒ๐—ฒ๐—ป๐—ถ๐—ป๐—ด๐˜€ worldwide โœจ ๐—ฆ๐—ผ๐—บ๐—ฒ ๐—ผ๐—ณ ๐˜๐—ต๐—ฒ๐—บ: ๐—™๐—œ๐—–๐—จ๐—ก๐—”๐—  โ€ข @ficunam , ๐—ฃ๐—ฟ๐—ถ๐˜€๐—บ๐—ฎ๐˜๐—ถ๐—ฐ ๐—š๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ โ€ข @prismaticground , ๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† ๐—ผ๐—ณ ๐—”๐—ฟ๐˜ โ€ข @ngadc ๐— ๐—ฒ๐˜๐—ฟ๐—ผ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต โ€ข @metrographnyc , ๐—š๐—ผ๐—น๐—ฑ๐—ฒ๐—ป ๐—”๐—ฝ๐—ฟ๐—ถ๐—ฐ๐—ผ๐˜ โ€ข @goldenapricotiff , ๐——๐—ผ๐—ธ๐˜‚๐—ณ๐—ฒ๐˜€๐˜ โ€ข @dokufest , ๐—ก๐—ฒ๐˜„ ๐—›๐—ผ๐—ฟ๐—ถ๐˜‡๐—ผ๐—ป๐˜€ โ€ข @mff_nowehoryzonty , ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜ ๐—š๐—ฒ๐—ป๐˜ โ€ข @filmfestgent , ๐—œ๐—™๐—™๐—œ ๐—š๐—ข๐—” โ€ข @iffigoa , ๐——๐— ๐—ญ โ€ข @dmzdocs , ๐—”๐—ป๐—ป๐—ฎ๐—ฏ๐—ฎ ๐— ๐—ฒ๐—ฑ๐—ถ๐˜๐—ฒ๐—ฟ๐—ฟ๐—ฎ๐—ป๐—ฒ๐—ฎ๐—ป ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น โ€ข @annabafilmfestival.algeria , ๐—ข๐—ฑ๐—ฒ๐˜€๐—ฎ ๐—œ๐—™๐—™ โ€ข @odesafilmfestival , ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น ๐—ฑ๐—ฒ ๐—–๐—ถ๐—ป๐—ฒ ๐—ฅ๐—ฎ๐—ฑ๐—ถ๐—ฐ๐—ฎ๐—น โ€ข @festradical_bolivia and ๐— ๐—ผ๐˜€๐˜๐—ฟ๐—ฎ ๐—ฑ๐—ฒ ๐—ฉ๐—ฎ๐—นรจ๐—ป๐—ฐ๐—ถ๐—ฎ โ€ข @lamostradevalencia . ๐—ก๐—ฎ๐—ผ๐—บ๐—ถ ๐—จ๐—บ๐—ฎ๐—ป โ€ข ๐— ๐—ฒ๐˜…๐—ถ๐—ฐ๐—ผ, ๐—”๐—น๐—ฏ๐—ฎ๐—ป๐—ถ๐—ฎ โ€ข ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฏ โ€ข ๐Ÿต๐Ÿฑ ๐—บ๐—ถ๐—ป. โ€ข ๐Ÿญ๐Ÿฒ๐—บ๐—บ & ๐—ฉ๐—ถ๐—ฑ๐—ฒ๐—ผ << This film in three parts explores traditions in rural Albania and the role of women in society. The project begins by describing the filmmakerโ€™s relationship to the country and an unwanted personal sacrifice which solidifies this connection. The film moves into a poetic portrayal of village life and the roles of women in society and concludes with a video piece, revealing the villagers active participation in their own depiction. >> ๐Ÿ“๐—ข๐—ก๐—Ÿ๐—œ๐—ก๐—˜ ๐—ช๐—ข๐—ฅ๐—Ÿ๐——๐—ช๐—œ๐——๐—˜ in English + en Espaรฑol ๐Ÿ’š โžก๏ธ ๐——๐—”๐—™๐—œ๐—Ÿ๐— ๐—ฆ.๐—–๐—ข๐—  โœจ ๐—Ÿ๐—œ๐—ก๐—ž ๐—œ๐—ก ๐—•๐—œ๐—ข โœจ โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข #threesparksfilm #naomiuman #documentaryfilm #dafilms #kinorebelde
33 0
13 days ago
๐—œ๐—ง๐—”๐—Ÿ๐—ฌ โœจ We are very happy to show our films again at the beautiful ๐—จ๐—ป๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ ๐—™๐—ผ๐˜‚๐—ป๐—ฑ ๐—™๐—ผ๐—ผ๐˜๐—ฎ๐—ด๐—ฒ ๐—™๐—ฒ๐˜€๐˜ โ€ข @unarchivefest โœจ In this edition ๐—”๐—ก ๐—ข๐—ฆ๐—–๐—œ๐—Ÿ๐—Ÿ๐—”๐—ง๐—œ๐—ก๐—š ๐—ฆ๐—›๐—”๐——๐—ข๐—ช by ๐—–๐—ฒ๐—น๐—ฒ๐˜€๐˜๐—ฒ ๐—ฅ๐—ผ๐—ท๐—ฎ๐˜€ ๐— ๐˜‚๐—ด๐—ถ๐—ฐ๐—ฎ โ€ข @celeste.purpura and ๐—ง๐—›๐—˜ ๐—ฆ๐—ง๐—ฅ๐—œ๐—ž๐—˜ by ๐—š๐—ฎ๐—ฏ๐—ฟ๐—ถ๐—ฒ๐—น๐—น๐—ฒ ๐—ฆ๐˜๐—ฒ๐—บ๐—บ๐—ฒ๐—ฟ โ€ข @gabstem are part of the International Competition. ๐—”๐—ก ๐—ข๐—ฆ๐—–๐—œ๐—Ÿ๐—Ÿ๐—”๐—ง๐—œ๐—ก๐—š ๐—ฆ๐—›๐—”๐——๐—ข๐—ช ๐ŸŽŸ๏ธ ๐Ÿฎ๐Ÿต.๐Ÿฌ๐Ÿฑ โ€ข ๐Ÿฑ:๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ ๐Ÿ“๐—œ๐—ป๐˜๐—ฟ๐—ฎ๐˜€๐˜๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐—ฒ ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ, Roma ๐—ง๐—›๐—˜ ๐—ฆ๐—ง๐—ฅ๐—œ๐—ž๐—˜ ๐ŸŽŸ๏ธ ๐Ÿฏ๐Ÿฌ.๐Ÿฌ๐Ÿฑ โ€ข ๐Ÿญ๐Ÿฎ:๐Ÿฌ๐Ÿฌ๐—ฝ๐—บ + ๐—ค&๐—” ๐˜„๐—ถ๐˜๐—ต ๐—š๐—ฎ๐—ฏ๐—ฟ๐—ถ๐—ฒ๐—น๐—น๐—ฒ ๐—ฆ๐˜๐—ฒ๐—บ๐—บ๐—ฒ๐—ฟ ๐Ÿ’ฅ ๐Ÿ“๐—œ๐—ป๐˜๐—ฟ๐—ฎ๐˜€๐˜๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐—ฒ ๐—–๐—ถ๐—ป๐—ฒ๐—บ๐—ฎ, Roma โ€ข โ€ข @archivioaamod โ€ข โ€ข #foundfootage #unarchivefoundfootagefest #celesterojasmugica #gabriellestemmer #kinorebelde
58 3
16 days ago
๐Ÿ“ธ ๐—ฌ๐—ข๐—จ๐—ฅ ๐—–๐—œ๐—ง๐—ฌ by ๐—ง๐—ถ๐—ป๐—ด ๐—ฆ๐˜‚ โ€ข @tingsu_u , ๐—ฐ๐—ผ-๐˜„๐—ฟ๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ฐ๐—ผ-๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐—ฒ๐—ฑ by ๐—˜๐—ฑ๐—ฑ๐—ถ๐—ฒ ๐—ฌ๐˜‚๐—ธ๐˜‚๐—ป ๐—Ÿ๐—ผ๐—ป๐—ด โ€ข @wixsongosh_ ๐—ต๐—ฎ๐—ฑ ๐—ฎ ๐—ฏ๐—ฒ๐—ฎ๐˜‚๐˜๐—ถ๐—ณ๐˜‚๐—น ๐˜„๐—ผ๐—ฟ๐—น๐—ฑ ๐—ฝ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ ๐—ฎ๐˜ ๐—ฉ๐—ถ๐˜€๐—ถ๐—ผ๐—ป๐˜€ ๐—ฑ๐˜‚ ๐—ฅรฉ๐—ฒ๐—น โ€ข @visionsdureel ๐Ÿ’ฅ Thanks Nikita Thรฉvoz โ€ข @nktatvo for this amazing portrait! Thanks VdR โค๏ธ ๐—ช๐—ฒ ๐—ต๐—ฎ๐—ฑ ๐—ณ๐˜‚๐—ป! New screenings coming soon. โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข #yourcityshortfilm #tingsu #visionsdureel2026 #lightcone_officiel #kinorebelde
76 3
20 days ago
๐—ก๐—ฌ๐—ข๐—ก โœจ ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—ฃ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ of ๐—ฌ๐—ข๐—จ๐—ฅ ๐—–๐—œ๐—ง๐—ฌ the second short film by ๐—ง๐—ถ๐—ป๐—ด ๐—ฆ๐˜‚ โ€ข @tingsu_u will be presented next Thursday as part of the ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น. ๐— ๐—ฒ๐—ฑ๐—ถ๐˜‚๐—บ ๐—Ÿ๐—ฒ๐—ป๐—ด๐˜๐—ต & ๐—ฆ๐—ต๐—ผ๐—ฟ๐˜ ๐—™๐—ถ๐—น๐—บ ๐—–๐—ผ๐—บ๐—ฝ๐—ฒ๐˜๐—ถ๐˜๐—ถ๐—ผ๐—ป of ๐—ฉ๐—ถ๐˜€๐—ถ๐—ผ๐—ป๐˜€ ๐—ฑ๐˜‚ ๐—ฅรฉ๐—ฒ๐—น โ€ข @visionsdureel โœจ ๐ŸŽŸ๏ธ ๐Ÿฎ๐Ÿฏ.๐Ÿฌ๐Ÿด โ€ข ๐Ÿฎ๐Ÿฌ:๐Ÿฏ๐Ÿฌ + ๐—ค&๐—” with Ting Su and Eddie Yukun Long โ€ข @wixsongosh_ ๐Ÿ“๐—จ๐˜€๐—ถ๐—ป๐—ฒ ร  ๐—š๐—ฎ๐˜‡ ๐ŸŽŸ๏ธ ๐Ÿฎ๐Ÿฑ.๐Ÿฌ๐Ÿฐ โ€ข ๐Ÿญ๐Ÿญ:๐Ÿฏ๐Ÿฌ ๐Ÿ“๐—–๐—ฎ๐—ฝ๐—ถ๐˜๐—ผ๐—น๐—ฒ ๐—Ÿ๐—ฒ๐—ผ๐—ป๐—ฒ ๐—ฌ๐—ข๐—จ๐—ฅ ๐—–๐—œ๐—ง๐—ฌ โ€ข ๐—ง๐—ถ๐—ป๐—ด ๐—ฆ๐˜‚ โ€ข ๐—จ๐—ป๐—ถ๐˜๐—ฒ๐—ฑ ๐—ฆ๐˜๐—ฎ๐˜๐—ฒ๐˜€, ๐—–๐—ต๐—ถ๐—ป๐—ฎ, ๐—™๐—ฟ๐—ฎ๐—ป๐—ฐ๐—ฒ โ€ข ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ โ€ข ๐Ÿญ๐Ÿฐ ๐—บ๐—ถ๐—ป. โ€ข ๐Ÿญ๐Ÿฒ๐—บ๐—บ, ๐—ฆ๐˜‚๐—ฝ๐—ฒ๐—ฟ ๐Ÿด๐—บ๐—บ, ๐—ง๐—ต๐—ฒ๐—ฟ๐—บ๐—ฎ๐—น ๐—œ๐—บ๐—ฎ๐—ด๐—ถ๐—ป๐—ด A fragmented memoir-diary disguised as a disaster film. What begins as a mundane phone call slowly unravels into a storm of uncertainty. Between Shenzhen and New York, cities built by migration and constant change: two queer voices, a river of analog film and thermal imagery. A film that builds and collapses around the small lives caught in the unease of the present. โ€ข โ€ข โ€ข โ€ข โ€ข #tingsu #yourcityshortfilm #visionsdureel2026 #experimentalshortfilm #kinorebelde
56 0
1 month ago
๐—ฃ๐—”๐— ๐—ฃ๐—Ÿ๐—ข๐—ก๐—” ๐ŸŒฟ ๐—ช๐—ผ๐—ฟ๐—น๐—ฑ ๐—ฎ๐—ป๐—ฑ ๐—ก๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ฃ๐—ฟ๐—ฒ๐—บ๐—ถ๐—ฒ๐—ฟ๐—ฒ for ๐—ฉ๐—˜๐—š๐—˜๐—ง๐—”๐—ฅ๐—˜ by ๐—”๐—ฑ๐—ฟ๐—ถร  ๐—˜๐˜…๐—ฝรฒ๐˜€๐—ถ๐˜-๐—š๐—ผ๐˜† โ€ข @adriaexpositgoy as part of the ๐—ข๐—ณ๐—ณ๐—ถ๐—ฐ๐—ถ๐—ฎ๐—น ๐—ฆ๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป of ๐—ฃ๐˜‚๐—ป๐˜๐—ผ ๐—ฑ๐—ฒ ๐—ฉ๐—ถ๐˜€๐˜๐—ฎ ๐—œ๐—ป๐˜๐—ฒ๐—ฟ๐—ป๐—ฎ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐——๐—ผ๐—ฐ๐˜‚๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐˜† ๐—™๐—ถ๐—น๐—บ ๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น โ€ข @puntodevistafestival ๐ŸŒฟ ๐——๐—”๐—ง๐—˜๐—ฆ! ๐ŸŽŸ๏ธ ๐Ÿฎ๐Ÿฏ.๐Ÿฌ๐Ÿฐ โ€ข ๐Ÿญ๐Ÿฌ:๐Ÿฌ๐Ÿฌ ๐Ÿ“๐—”๐˜‚๐—ฑ๐—ถ๐˜๐—ผ๐—ฟ๐—ถ๐—ผ ๐—•๐—ฎ๐—น๐˜‚๐—ฎ๐—ฟ๐˜๐—ฒ. ๐—ฆ๐—ฎ๐—น๐—ฎ ๐—–รก๐—บ๐—ฎ๐—ฟ๐—ฎ ๐ŸŽŸ๏ธ๐Ÿฎ๐Ÿฐ:๐Ÿฌ๐Ÿฐ โ€ข ๐Ÿญ๐Ÿฒ:๐Ÿฌ๐Ÿฌ + ๐—ค&๐—” ๐˜„๐—ถ๐˜๐—ต ๐—”๐—ฑ๐—ฟ๐—ถร  ๐—˜๐˜…๐—ฝรฒ๐˜€๐—ถ๐˜-๐—š๐—ผ๐˜† ๐Ÿ“๐—”๐˜‚๐—ฑ๐—ถ๐˜๐—ผ๐—ฟ๐—ถ๐—ผ ๐—•๐—ฎ๐—น๐˜‚๐—ฎ๐—ฟ๐˜๐—ฒ. ๐—ฆ๐—ฎ๐—น๐—ฎ ๐—–รก๐—บ๐—ฎ๐—ฟ๐—ฎ ๐—ฉ๐—˜๐—š๐—˜๐—ง๐—”๐—ฅ๐—˜ โ€ข ๐—”๐—ฑ๐—ฟ๐—ถร  ๐—˜๐˜…๐—ฝรฒ๐˜€๐—ถ๐˜-๐—š๐—ผ๐˜† โ€ข ๐Ÿญ๐Ÿฐ ๐—บ๐—ถ๐—ป. โ€ข ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ โ€ข ๐—ฆ๐—ฝ๐—ฎ๐—ถ๐—ป โ€ข ๐Ÿญ๐Ÿฒ ๐—บ๐—บ. "A beech tree suffering from a strange form of anorexia carves a diary into its own bark. In a world unsettled by climate collapse, its fragile body becomes a mirror of our struggle to adapt. As the seasons pass, the film drifts through the tension between holding on and letting go, searching for a way to live when both the world and the self, feel unstable. A quiet fable where human and vegetal wounds echo one another." โ€ข โ€ข โ€ข โ€ข #adriaexpositgoy #vegetareshortfilm #worldpremiere #puntodevistafestival #kinorebelde
40 0
1 month ago
๐—ก๐—ฌ ๐—ฃ๐—ฅ๐—˜๐— ๐—œ๐—˜๐—ฅ๐—˜ ๐Ÿ’ฅ ๐—˜๐—ฉ๐—˜๐—ฅ๐—ฌ ๐—–๐—ข๐—ก๐—ง๐—”๐—–๐—ง ๐—Ÿ๐—˜๐—”๐—ฉ๐—˜๐—ฆ ๐—” ๐—ง๐—ฅ๐—”๐—–๐—˜ will be presented by ๐—Ÿ๐˜†๐—ป๐—ป๐—ฒ ๐—ฆ๐—ฎ๐—ฐ๐—ต๐˜€ โ€ข @lynnesachs1 as part of ๐—ฃ๐—ฟ๐—ถ๐˜€๐—บ๐—ฎ๐˜๐—ถ๐—ฐ ๐—š๐—ฟ๐—ผ๐˜‚๐—ป๐—ฑ โ€ข @prismaticground in it's 6th Edition. The screening will be at the beautiful ๐—”๐—ป๐˜๐—ต๐—ผ๐—น๐—ผ๐—ด๐˜† ๐—™๐—ถ๐—น๐—บ ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ๐˜€ โ€ข @anthologyfilmarchives ๐Ÿ’ฅ ๐ŸŽŸ๏ธ ๐— ๐—ฎ๐˜† ๐Ÿฏ โ€ข ๐Ÿญ:๐Ÿฏ๐Ÿฌ ๐—ฃ๐—  ๐—”๐—ป๐˜๐—ต๐—ผ๐—น๐—ผ๐—ด๐˜† ๐—™๐—ถ๐—น๐—บ ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜ƒ๐—ฒ๐˜€ + ๐—ค&๐—” ๐˜„๐—ถ๐˜๐—ต ๐—Ÿ๐˜†๐—ป๐—ป๐—ฒ ๐—ฆ๐—ฎ๐—ฐ๐—ต๐˜€ โ€ข โ€ข โ€ข โ€ข โ€ข โ€ข #everycontactleavesatrace #lynnesachs #experimentalfilmmaking #prismaticground #kinorebelde
24 0
1 month ago