☄️ The trajectory forms through those who carry it. Nora Asteroid (CPH) moves with a dense, ritual approach, pushing rhythm beyond structure. Viell redirects the flow into a steady, hypnotic pull. Kats builds through layered movement, extending the set into a continuous state. At the core, Apostolo and Steve.Dreamin hold the axis, maintaining direction without deviation. What moves here does not arrive intact. Most trajectories are fragments from past collisions, remnants of a structure that never fully formed. Even the smallest piece carries force, compressing energy as it travels, releasing it only at the point of collision.
09.05.26 @ Sector 93
Starts at 23:30
Impact killtekno.com
☪︎ The mountain stronghold keeps no memory, only verdicts. No herald, no warning; the seal is already set, and through its bearers - Δαιμόνιο, Olenxxa, m4rdes, Antzjie - it is fulfilled. The sky hangs indifferent, and the body is conscripted into its decree. There is no truth to uncover, only a course that devours its vessel completely. Mercy is a distortion. Doubt is rot. The chosen do not believe; they align, until thought dissolves and only direction remains, cold and exact as a blade drawn in silence.
02.05.26 @ Sector 93
Starts at 23:30
As written on killtekno.com
🗡️ Ars Tekno is an obscure ritual unfolding deep within a forbidden dungeon beneath the city, where shadowed corridors and forgotten chambers once stood, now lost to dust and memory. @acidbrain303 (IT) arrives with a live invocation forged in distortion and hardware, shaping primordial rhythms where tribal pressure and black melodies coil into total trance. @belladonnadrops (IT) rises from the mud and margins of the free party underground, weaving rap, tekno and incantatory flows into a feral sonic pharmakon — poison and cure entwined. Alongside Olenxa, Apostolo, Masha and Miditrix, the sanctum awakens: spirals of sound traced like sigils in the dark, echoes folding into themselves as rhythm becomes incantation and time dissolves into a single, relentless current.
14.03.26 @ Sector 93
Starts at 23:45
Descend killtekno.com
🌴 El Paso Soundsystem started in 2017, out of Kallithea. Concrete blocks, tight streets, working-class rhythm. What began as a local frequency moved beyond the neighborhood, carrying bass weight across cities and coastlines. Rooted in Black music tradition, El Paso treats reggae and dub as living culture. Babylon isn’t theory, it’s structure, deciding who is heard and who is silenced, who moves freely and who is contained. And sound is how they push back. Bass refusing to stay quiet, echo stretching further than expected, a steady rhythm cutting through the everyday noise of the system. Hand-built stacks. Tuned by ear. Made for the dancefloor.
07.03.26 @ Sector 93
Starts at 23:00
Skank killtekno.com
⌬ Hextek survives only as corrupted memory, scraped and rewired, misfiring through contemporary circuitry. I hear it murmur when nothing’s playing. @edoardofigara a.k.a. 6943 slips into Athens sideways, dragging a hardware performance configuration built from signal paths, broken constraints, and deliberate interference inherited from rave practice and punk disobedience. Alongside Digitribe delivering a hardware live set and fractures by The Baptist and Miditrix, the sequence desynchronizes itself, looping, stuttering, folding back on its own logic. Something keeps repeating through insistence as the pattern adapts. The machine keeps thinking.
21.02.26 @ Sector 93
Starts at 23:45
Blah blah killtekno.com
🤸 Hot mics at Sector 93. A live rap session with 45, Rake (Diggaholics), Pitch Down Clique, Anima and Mummer. DIY here means doing things our own way, without templates, sponsors or handlers, and outside institutional or commercial formats. Sound, space and participation are shaped collectively, without predefined roles or spectacle, letting the gig unfold according to the conditions of the room. What happens is contingent, unstable and specific to the moment, shaped by presence rather than presentation.
24.01.26 @ Sector 93
Starts at 22:00
Tap killtekno.com
🏴☠️ Hesed on board, guest conspirator in our rogue tekno fleet. Pirates’ grins ripple along the deck as the warship drops out of blackout straight into Athens. Architect of Analog Tecnè Model, designer of his own engines and comms, he arrives with a full hardware tekno arsenal tuned for deep hull resonance, razor-lock kicks and sustained orbital pressure. Under the Killtekno flag, this mission moves as a covert armada with no public harbor, no insignia, no open coordinates—only encrypted beacons, ghost relays and low-frequency codes passed between those who already sail off-map. Systems armed, decks sealed, transmission sharpened. If your strange planet ears still catch this signal through the noise, that’s your hatch code.
22.11.25 - Sector 93
Starts at 23:45
Hijack killtekno.com
🛞 Born for midnight highways, this is a communion of machines humming in the dark - engines syncing, wheels spinning like clocks that refuse to tell time. Electro and techno collide where rubber scorches asphalt: fast, precise, relentless. Impvlsiv, Saefro, Apostolo, and Miditrix on the wheel. Headlights flare like signals only the initiated can read. The street trembles as the night tightens its grip on the throttle. From nameless turns to hidden thresholds, the underground gathers - a moving shadow, a pulse off the map. No finish line, no blue lights - just the hum before the break.
25.10.25 - Sector 93
Starts at 23:00
Overdrive killtekno.com
☹️ Electro has always thrived in the shadows, futuristic yet raw, syncopated rhythms and robotic tones speaking in broken codes. Born in Detroit’s restless streets and sharpened in Frankfurt’s hidden rooms, it has moved like a secret current through records, basements, and whispered nights, surviving outside the spotlight yet shaping the underground. This night in Athens continues that continuum: machine funk colliding with steel precision, fractured beats and seismic basslines wrapped in strobe and smoke, pure electricity charged with handmade cocktails and the pulse of a city that never stands still.
20.09.25 - Pl. Tasou Vourna
Starts at 21:00
Frown at killtekno.com
🐕 Athens is being violently reshaped for investors and tourists, as public spaces are privatized, communal life dismantled, and control intensified through surveillance and repression. Under the guise of “revitalization,” the city becomes unlivable - displaced by speculation, policed into silence, and stripped of memory and resistance. Reclaiming public space means refusing its marketization in every form: resisting displacement, the transformation of neighborhoods into branded zones of consumption, and the aesthetic and economic violence of touristification. Spontaneous interventions - like small hit-and-run music gatherings - carve temporary cracks in the logic of control. These actions reclaim visibility, sound, time, and relation. They rehearse a city where the street returns to its rightful use: encounter, risk, collectivity, dissent, care, and play.
27.06.25 - Pl. Tasou Vourna
Starts at 21:00
Bark at killtekno.com
⚛ We don’t come together to escape, but to claim space in a world that tries to keep us apart - to build something temporary and real in the ruins. With every speaker dragged into the dust, every generator sparked under open sky, we carve out a moment of freedom that doesn’t ask for permission. There are no headliners here, no fences, no brands - just friends and comrades shaping sound with purpose. This gathering is an act of refusal: against hierarchy, surveillance, and silence. In the face of pressure, we hold the line. In the face of control, we organize without it. From Ohm Resistance, Nonplussed, and extended family - we don’t show up to be seen, but to remind each other that we’re still here, still wired into something louder than fear, stronger than profit, and impossible to shut down.
31.05.25 - Check your network
From 22:00
Ping killtekno.com
🩸 The tape loops again. Not the same - never the same. Sarram is an instrumental avant-garde solo project from Sardinia, tracing slow-burning paths through drone, doom, and ambient. Tsarichina – Institute of Acoustic Ruins is the work of Cuban filmmaker and composer Rafael Ramírez, using plunderphonics to explore esoteric memory and the acoustic debris of the Revolution. Humans in Levitation is an anonymous project shaped by the Colundi scale - evolving, spectral, and abstract, echoing the synesthetic vision of painter Tim Bavington. Kompomop returns with an ambient noise set shaped by distortion, texture, and restraint - slow pressure flickering between presence and disappearance. Worra remains in the shadows - not heard, but seen, orchestrating light from the periphery. Not arrival, not departure - only the hum beneath all else. Light recedes. Forms distort. Harmonics fold into themselves. No voices. No stage. Only the sound that remembers when we do not.
09.05.25 @ Sector 93
Starts at 22:00 Sharp
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