Founded in 2025 by Margrethe Odgaard, internationally renowned for her work with colour, and Rasmus Bækkel, a celebrated conceptual designer, Khrōmatek unites expertise across disciplines to redefine how we experience and design with colour.
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Photo: Enok Holsegaard
Ultramarine Blue; a blue that carries the weight of desire and the lightness of eternity.
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Used since antiquity and favoured by Old Masters for its depth and nuance, Bone Black is crafted by charring animal bones in a low-oxygen environment to produce a rich, velvety black with warm undertones. In architecture and interior design, Bone Black anchors spaces with sophisticated darkness, creating intimate, grounded atmospheres in both historic and contemporary interiors.
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Maroon, named after the French word for chestnut, is a deep reddish-brown traditionally sourced from natural iron oxides and organic pigments. Known for its earthy, rich, warm tones, it carries the tactile memory of soil, wood and rust. A timeless choice in art, architecture, and interiors, Maroon grounds spaces with a robust yet comforting presence. When tinted with Champagne Chalk, it gains subtle softness and a delicate, powdery lightness without losing its depth.
#khromatek #pigmentpost #colour #pigments #colourhistory #design #architecture #interior #margretheodgaard #rasmusbaekkel #maroon #champagnechalk
Champagne Chalk is a soft, pale white pigment sourced from the ancient seabeds of France’s Champagne region. Composed of fossilised remains of microscopic marine organisms, its fine-grained structure gently reflects light with a natural luminosity and quiet brilliance—reminiscent of the pearly sheen inside shells. Valued for centuries in art and architecture, it was favoured by Le Corbusier for its ability to create serene, light-filled spaces without the harshness of synthetic white. In interiors, Champagne Chalk brings a soft clarity and mineral calm, offering both texture and light in one breath.
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Crafting colour by hand nourishes the mind, slows the process, deepens attention, and offers quiet, tactile knowledge that shapes design in ways no screen can.
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Photo @enokholsegaard
#khromatek #colour #design #architecture #margretheodgaard #rasmusbaekkel
One of the earliest synthetic yellows, Naples Yellow is valued for its soft, sunlit warmth. Popular in 18th-and 19th-century interiors, its gentle tone brings an inviting glow to walls, ceilings and architectural details. Paired with whites, creams, and pastels, it evokes calm elegance and lightness. Tinting with Champagne Chalk adds a delicate, powdered quality—like morning light softly caressing the surfaces— infusing spaces with subtle luminosity.
#khromatek #colour #pigments #colourhistory #design #architecture #interior #margretheodgaard #rasmusbaekkel #naplesyellow #champagnechalk
One of the earliest synthetic yellows, Naples Yellow is valued for its soft, sunlit warmth. Popular in 18th-and 19th-century interiors, its gentle tone brings an inviting glow to walls, ceilings and architectural details. Paired with whites, creams, and pastels,
it evokes calm elegance and lightness.
#khromatek #colour #pigments #colourhistory #design #architecture #interior #margretheodgaard #rasmusbaekkel #naplesyellow
Chrome Oxide Green is a durable, matte green pigment first developed in the 19th century. In architecture, the colour appears in facade treatments, decorative tiles and metalwork, where its subtle depth evokes foliage and stone, creating a grounded, serene atmosphere. Its stable, muted tone brings calm and balance to interiors, while its quiet strength and versatility make it ideal for harmonising with both warm and cool palettes without overwhelming a space.
#khromatek #colour #pigments #colourhistory #design #architecture #interior #margretheodgaard #rasmusbaekkel #chromeoxidegreen