**WORKSHOP OFFER — DISAPPEAR SLOWLY**
I am offering a workshop in the context of *Disappear Slowly*, a performance and installation project exploring radical forms of withdrawal from visibility.
The workshop introduces handcrafted DIY masks not as expressive objects, but as **deletion interfaces** — tools for interrupting recognition, destabilizing identity, and experimenting with performative anonymity.
Participants engage with minimal action scores such as “step slowly out of frame” or “hold still until recognition fails,” exploring how visibility can be deliberately fragmented and dissolved.
The workshop combines simple mask-making, performative instruction scores, and optional smartphone-based glitch recording, resulting in a shared temporary field of collective disappearance.
No prior experience is required. The format is adaptable (approx. 180 minutes) and suitable for exhibition contexts, educational programs, or participatory public events. **The workshop is open to all age groups from 12 years onward.**
The focus lies on experiencing disappearance as a structured perceptual process rather than a symbolic gesture — where identity becomes unstable, and visibility is treated as something constructed, not given.
/
A quiet choreography of presence and subtle
interruption.
Scores for Stairs invites participants into a choreography of presence, attention, and interruption.
Memory Bliss — On Forgetting
Participate via /kalamaki, contribute a minimal gesture, and explore the work as fragments of memory emerge, shift,
and dissolve within a shared field of recollection and
forgetting, where each contribution is recorded and
reconfigured.
In this empty family home, memory is approached as unstable
and incomplete. QR-coded prompts invite visitors to engage with
fragments of memory—personal, imagined, or displaced—testing
what surfaces, shifts, or disappears.
Forgetting is never simple erasure. What is forgotten often returns
in altered forms, through associations and hidden connections.
Memory and forgetting are entangled, shaping one another
beyond full control.
To forget is not simply to lose—forgetting does not oppose
memory; it makes memory possible. We remember only by
forgetting. Consciousness selects, illuminates, and excludes,
revealing one thing while leaving others in shadow.
If memory preserves, forgetting transforms. It clears space for
new meanings, interrupts repetition, and allows change.
Forgetting is not the absence of memory.
It is its edge.
Memory Bliss — On Forgetting
Participate via /kalamaki, contribute a minimal gesture, and explore the work as fragments of memory emerge, shift,
and dissolve within a shared field of recollection and
forgetting, where each contribution is recorded and
reconfigured.
In this empty family home, memory is approached as unstable
and incomplete. QR-coded prompts invite visitors to engage with
fragments of memory—personal, imagined, or displaced—testing
what surfaces, shifts, or disappears.
Forgetting is never simple erasure. What is forgotten often returns
in altered forms, through associations and hidden connections.
Memory and forgetting are entangled, shaping one another
beyond full control.
To forget is not simply to lose—forgetting does not oppose
memory; it makes memory possible. We remember only by
forgetting. Consciousness selects, illuminates, and excludes,
revealing one thing while leaving others in shadow.
If memory preserves, forgetting transforms. It clears space for
new meanings, interrupts repetition, and allows change.
Forgetting is not the absence of memory.
It is its edge.
Memory Bliss — On Forgetting
Participate via /kalamaki, contribute a minimal gesture, and explore the work as fragments of memory emerge, shift,
and dissolve within a shared field of recollection and
forgetting, where each contribution is recorded and
reconfigured.
In this empty family home, memory is approached as unstable
and incomplete. QR-coded prompts invite visitors to engage with
fragments of memory—personal, imagined, or displaced—testing
what surfaces, shifts, or disappears.
Forgetting is never simple erasure. What is forgotten often returns
in altered forms, through associations and hidden connections.
Memory and forgetting are entangled, shaping one another
beyond full control.
To forget is not simply to lose—forgetting does not oppose
memory; it makes memory possible. We remember only by
forgetting. Consciousness selects, illuminates, and excludes,
revealing one thing while leaving others in shadow.
If memory preserves, forgetting transforms. It clears space for
new meanings, interrupts repetition, and allows change.
Forgetting is not the absence of memory.
It is its edge.
Memory Bliss — On Forgetting
Participate via /kalamaki, contribute a minimal gesture, and explore the work as fragments of memory emerge, shift,
and dissolve within a shared field of recollection and
forgetting, where each contribution is recorded and
reconfigured.
In this empty family home, memory is approached as unstable
and incomplete. QR-coded prompts invite visitors to engage with
fragments of memory—personal, imagined, or displaced—testing
what surfaces, shifts, or disappears.
Forgetting is never simple erasure. What is forgotten often returns
in altered forms, through associations and hidden connections.
Memory and forgetting are entangled, shaping one another
beyond full control.
To forget is not simply to lose—forgetting does not oppose
memory; it makes memory possible. We remember only by
forgetting. Consciousness selects, illuminates, and excludes,
revealing one thing while leaving others in shadow.
If memory preserves, forgetting transforms. It clears space for
new meanings, interrupts repetition, and allows change.
Forgetting is not the absence of memory.
It is its edge.
