My DP work for WALLPAPER @wallpapermag magazine featuring @zhaojinmai.official with @miumiu handbag. Our creative team has always loved this director’s cut. Compared to the minimalist and ethereal official release, our version has a different vibe—more playful, lively, and full of girlish charm! It fulfills our vision of girlhood, where each little house feels like something out of Alice in Wonderland, and the Miu Miu bag becomes a prop that the girl carries with her, drifting through these whimsical spaces.
During the shoot, I used a white mist filter to give the film a softer, more dreamy look. In our early research, we looked at films by Eric Rohmer and Jean Luc Godard, as well as Rene Magritte’s paintings, aiming to blend surrealism with a girl’s everyday life. The integration of AI and live-action turned out to feel very natural.
For color grading, we took inspiration from Edward Degas’ painting The Dance Class at the Opera House on Rue Le Peletier, which I saw at the Museum of Art Pudong. We simulated a dance studio lit by a large area of natural light from one side, creating a dreamlike atmosphere within the everyday. I love the director and our team <3
Producer: Deng Yuanyuan
Director: @atopos_.x
Director of Photography: @kami_hu
Camera operator: @alchemyzd
Creative Editor: Long
Artist Coordination: He Chou
Stylist: Xiao Siduo Echo Xiao
Lighting: @realspaceoddity
Editor: Pashiko
AIGC: @brat__lab
Colorist: Zhou Qingyi Zoe
Retouching: Guo Jianxin
My DP work documenting days in Sri Lanka with @lyx0420 who even specially interviewed us about why women would take on such demanding work as photography. We said it’s because of passion—so moved 🥲.
‘We chased the sun all the way by car,
But still couldn’t catch the sunset with our cameras.
Yet in those final moments,
Its warmth gently bathed us instead.
And now, with what kind of expression,
Are you gazing at time?’
Director&creative: Max1900
DoP: Kami
Cinematographers: @grayeriiii@martinzhao_0512@zhangwuxingchen
Edit&Sound: Gateway_Chan、lvy
Online: Yan Xinyu
Color Grading: @alchemyzd
Special thanks for equipment support to: GANGPICS、@tamronamericas@accsoontech@dzofilm@nanlux_official
Shot with: FX3, FX30, A7S3, Sony G Masters, DZO Typoch. #liuyuxin #srilanka #lens #cinematography
The 160-meter Ionic frieze of the zophorus at the Parthenon in Athens this summer depicts the grand procession of 192 young Athenian citizens on horseback during the quadrennial Panathenaic Festival, symbolizing the 192 warriors who sacrificed their lives to defend Athens during the Battle of Marathon. The festival features various competitions such as boxing, wrestling, chariot racing, horse racing, poetry, theater, and martial dances, all in honor of the goddess and to commemorate the fallen warriors. This scene of galloping horses is awe-inspiring.🏇To my friends who have always supported, cared for, and helped me. I wish everyone a happy new year. I hope that in the coming year, we can continue to witness, participate in, and change this world together. 🗺️
Direct this for Outdoor Magazine featuring actor @pawo_chen Chen Kun’s public-service hiking project Power to Go, an inspiring experience, I am proud of all my crews who assisted me to finish this project in such a harsh natural environment.
Dialogue: Derek Yu
Planning: Derek Yu, Amy Fan
Producers: GE, Ben Yuen
Director: Kami @kami_hu
Cinematography: Feifei @grayeriiii
Editing: Keane Mo @keanemm
Color Grading: Zhang Da @alchemyzd
Retouching: Wang Ting
Styling: Perkk
Makeup & Hair: ONTIME
Production Manager: Tuanzi
Assistant Production Manager: Jessica
Equipment Assistant: Chengdu YYRENTAL
Special Thanks:
· Part of the footage is provided by the documentary team of ”Power to Go“.
I had the honor of photographing director Stan Lai 赖声川. It’s been a long time since I encountered such a sincere idealist creator.
Below are excerpts from Mr. Lai’s interview:
“We must deserve the audience’s support.”
“On the surface, the industry seems to be thriving, but I believe the true indicator of that vitality isn’t just box office numbers—it’s creativity itself. Is our creativity evolving, or are we always importing formats from Korea and America?”
“From ancient times to today, theater itself has been a form of healing. In ancient Greece, theaters were built in the city center, right next to temples and hospitals.”
“I often ask myself: How have I been able to come this far? Perhaps it’s because of a certain intention—we come into this world to give, not to take. With that mindset, one naturally wants to do things that benefit others. Although ‘what truly benefits people’ is a profound question, it’s one worth exploring continuously.”
Under The White
“White bows” are traditionally a symbol synonymous with innocence, purity and feminism. The collection explores the idea of purity. It charts the transition from traditional female stereotypes to modern women. The ribbon, floating in the air, is used as a symbol that represents the journey to liberation, elegance, freedom and the spirit of femininity.
Model: Sass Thomas @thesassplanet
Photographer: Roni Ahn @roniahn
Accessory Designer: Molly @hahaha0w0_jew
Hair Stylist: Hirokazu Endo @hirokazu_endoo
Wardrobe Stylist: Nao Koyabu @nao_now
Art Director: Kami @kami_hu
Via @officialkavyar
Editor-in-chief: @zzz_marina
😍Be published in Figgi for free: send INSTRUCTIONS in dm
Stills from my recent work for Noblesse「The Masters大师」, featuring polo athlete, President of the Beijing Equestrian Association, Liu Shilai
Directors: Kami
Director of Photography: Kami
Colorist: Kami
Video Assistants: Cui Liang, Qin Ya’nan
Video Lighting Assistant: Li Ning
Video Equipment: Yingding
Editor: Chen Chih Liang
Executive Producer: Hanying
Editor, Interviewer, Writer: GLA
Producers: Henrypotto
Styling: Slap Youkou
Makeup & Hair: QQ-Xie Junxi
Styling Assistant: Xiaolu
Makeup & Hair Assistant: Qianqian
Production Assistant: Tess
Stills from my recent work for Noblesse「The Masters大师」, featuring dressage gril Sarah Rao 👧🏻@the_chinese_dressage_girl
Directors: Kami, Vic Cook
Director of Photography: Kami, Alex Dove
Colorist: Kami
Video Assistants: Cui Liang, Qin Ya‘nan
Video Lighting Assistant: Li Ning
Video Equipment: Yingding
Editor: Chen Chih Liang
Executive Producer: Hanying
Editor, Interviewer, Writer: GLA
Producers: Henrypotto, Amee Fairbank-Brown
Styling: Slap Youkou
Makeup & Hair: QQ-Xie Junxi
Styling Assistant: Xiaolu
Makeup & Hair Assistant: Qianqian
Production Assistant: Tess
In the Shape of Wind - LESS @jnbyofficial_
As a homage to the Dutch documentary “One Historie de Vent” by director Joris Ivens, this project seeks to capture the essence of the wild winds of Hainan 🌬️. Abstract movement of air represents freedom for me.
Spent a windy afternoon with Zhou Xun @i_zhouxun and the LESS members 🍃, which turned into a joyful and relaxing shoot. Thanks to my clients, the creative team, the crew, and the lovely members 🦋.
Director & Cinematographer: Kami @kami_hu
Creative: LxU @lxustudio
Creative director: @kimisa_h
Executive Producer: Olivia Jun @oliviajun
Producers: aju, TIAN
Cinematography: Hu Lingzhi, Martin @martinzhao_0512
Gaffer: Zhou Mao @china__joe
Editing: Ying Shi
Color Grading: Zhang Peng
Music: Ceezy @ceezybeatz
Online: 韩大狗
